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1200: Michio Kaku

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/14

1994

“It is like using Scotch tape to pull together a mule, a whale, a tiger and a giraffe.”

“[T]he yeoman’s work in any science, and especially physics, is done by the experimentalist, who must keep the theoreticians honest.”

“In fact, it is often stated that of all the theories proposed in this century, the silliest is quantum theory. Some say that the only thing that quantum theory has going for it, in fact, is that it is unquestionably correct.”

“Imagine the chaos that would arise if time machines were as common as automobiles, with tens of millions of them commercially available. Havoc would soon break loose, tearing at the fabric of our universe. Millions of people would go back in time to meddle with their own past and the past of others, rewriting history in the process. … It would thus be impossible to take a simple census to see how many people there were at any given time.”

“Srinivasa Ramanujan was the strangest man in all of mathematics, probably in the entire history of science. He has been compared to a bursting supernova, illuminating the darkest, most profound corners of mathematics, before being tragically struck down by tuberculosis at the age of 33… Working in total isolation from the main currents of his field, he was able to rederive 100 years’ worth of Western mathematics on his own. The tragedy of his life is that much of his work was wasted rediscovering known mathematics.”

1995

“It is sometimes helpful to differentiate between the God of Miracles and the God of Order. When scientists use the word God, they usually mean the God of Order. …The God of Miracles intervenes in our affairs, performs miracles, destroys wicked cities, smites enemy armies, drowns the Pharaoh’s troops, and avenges the pure and noble. …This is not to say that miracles cannot happen, only that they are outside what is commonly called science.”

“Mathematics… is the set of all possible self-consistent structures, and there are vastly more logical structures than physical principles.”

“Maxwell’s equations… originally consisted of eight equations. These equations are not ‘beautiful.’ They do not possess much symmetry. In their original form, they are ugly. …However, when rewritten using time as the fourth dimension, this rather awkward set of eight equations collapses into a single tensor equation. This is what a physicist calls ‘beauty.’”

“No other theory known to science [other than superstring theory] uses such powerful mathematics at such a fundamental level. …because any unified field theory first must absorb the Riemannian geometry of Einstein’s theory and the Lie groups coming from quantum field theory… The new mathematics, which is responsible for the merger of these two theories, is topology, and it is responsible for accomplishing the seemingly impossible task of abolishing the infinities of a quantum theory of gravity.”

“Remarkably, only a handful of fundamental physical principles are sufficient to summarize most of modern physics.”

2000

“For more than ten years, my theory was in limbo. Then, finally, in the late 1980s, physicists at Princeton said, ‘There’s nothing wrong with this theory. It’s the only one that works, and we have to open out minds to hyperspace.’ We weren’t destined to discover this theory for another 100 years because it’s so bizarre, so different from everything we’d been doing. We didn’t use the normal sequence of discoveries to get to it.”

“I got a four year scholarship to Harvard, and while I was there they wanted to groom me for work in the Star Wars program designing weapons ignited by hydrogen bombs. I didn’t want to do that. I thought about how many scientists had died in World War II.”

“A hundred years ago, Auguste Compte, … a great philosopher, said that humans will never be able to visit the stars, that we will never know what stars are made out of, that that’s the one thing that science will never ever understand, because they’re so far away. And then, just a few years later, scientists took starlight, ran it through a prism, looked at the rainbow coming from the starlight, and said: ‘Hydrogen!’ Just a few years after this very rational, very reasonable, very scientific prediction was made, that we’ll never know what stars are made of.”

“The strength and weakness of physicists is that we believe in what we can measure. And if we can’t measure it, then we say it probably doesn’t exist. And that closes us off to an enormous amount of phenomena that we may not be able to measure because they only happened once. For example, the Big Bang. … That’s one reason why they scoffed at higher dimensions for so many years. Now we realize that there’s no alternative…”

2003

“It would take a civilization far more advanced than ours, unbelievably advanced, to begin to manipulate negative energy to create gateways to the past. But if you could obtain large quantities of negative energy — and that’s a big ‘IF’ — then you could create a time machine that apparently obeys Einstein’s equation and perhaps the laws of quantum theory.”

2004

“Physicists are made of atoms. A physicist is an attempt by an atom to understand itself.”

2006

“It’s humbling to realise that the developmental gulf between a miniscule ant colony and our modern human civilisation is only a tiny fraction of the distance between a Type 0 and a Type III civilisation — a factor of 100 billion billion, in fact. Yet we have such a highly regarded view of ourselves, we believe a Type III civilisation would find us irresistible and would rush to make contact with us. The truth is, however, they may be as interested in communicating with humans as we are keen to communicate with ants.”

“Physicists often quote from T. H. White’s epic novel The Once and Future King, where a society of ants declares, ‘Everything not forbidden is compulsory.’ In other words, if there isn’t a basic principle of physics forbidding time travel, then time travel is necessarily a physical possibility. (The reason for this is the uncertainty principle. Unless something is forbidden, quantum effects and fluctuations will eventually make it possible if we wait long enough. Thus, unless there is a law forbidding it, it will eventually occur.)”

2008

“Sometimes the public says, ‘What’s in it for Numero Uno? Am I going to get better television reception? Am I going to get better Internet reception?’ Well, in some sense, yeah. … All the wonders of quantum physics were learned basically from looking at atom-smasher technology. … But let me let you in on a secret: We physicists are not driven to do this because of better color television. … That’s a spin-off. We do this because we want to understand our role and our place in the universe.”

“After that cancellation [of the Superconducting Super Collider in Texas, after $2 billion had been spent on it], we physicists learned that we have to sing for our supper. … The Cold War is over. You can’t simply say ‘Russia!’ to Congress, and they whip out their checkbook and say, ‘How much?’ We have to tell the people why this atom-smasher is going to benefit their lives.”

2009

“The Europeans and the Americans are not throwing $10 billion down this gigantic tube for nothing. We’re exploring the very forefront of physics and cosmology with the Large Hadron Collider because we want to have a window on creation, we want to recreate a tiny piece of Genesis to unlock some of the greatest secrets of the universe.”

2012

“If you could meet your grandkids as elderly citizens in the year 2100 … you would view them as being, basically, Greek gods… that’s where we’re headed.”

“The mind of God we believe is cosmic music, the music of strings resonating through 11 dimensional hyperspace. That is the mind of God.”

2023

“The hope is that one day the quantum theory will return the favor and find a way for quantum computers to cure this horrible disease.”

“When tediously computing the paths taken by a mouse in a maze, a digital computer has to painfully analyze each possible path, one after the other. A quantum computer, however, simultaneously analyzes all possible paths at the same time.”

“In quantum theory, before you look at a tree, it can exist in all possible states, such as firewood, lumber, ash, toothpicks, a house, or sawdust. However, when you actually look at the tree, all the waves representing these states miraculously collapse into one object, the ordinary tree.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1199: Productivity

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

It’s important, but not for its sake: That & why, not just do.

Remember: “Never be clever for the sake of being clever.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1198: Edward Witten-ing

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

1987

“It is very possible that a proper understanding of string theory will make the space‑time continuum melt away … String theory is a miracle through and through.”

“Vibrating strings in 10 dimensions is just a weird fact … An explanation of that weird fact would tell you why there are 10 dimensions in the first place.”

“I don’t think that any physicist would have been clever enough to have invented string theory on purpose … Luckily, it was invented by accident.”

1992

“Quantum mechanics … developed through some rather messy, complicated processes stimulated by experiment. While it’s a very rich and wonderful theory, it doesn’t quite have the conceptual foundation of general relativity. Our problem in physics is that everything is based on these two different theories and when we put them together we get nonsense.”

“In Newton’s day the problem was to write something which was correct — he never had the problem of writing nonsense; but by the twentieth century … it’s difficult to do things which are even internally coherent, much less correct … that is one of the main reasons we are still able to make advances.”

“I think one has to regard it as a long‑term process. … One has to remember that string theory, if you choose to date it from the Veneziano model, is already eighteen years old … that quantum electrodynamic theory toward which Planck was heading [in 1900] took fifty years to emerge.”

“Most people who haven’t been trained in physics probably think of what physicists do as a question of incredibly complicated calculations, but that’s not really the essence of it … physics is about concepts, wanting to understand the concepts, the principles by which the world works.”

1995

“String theory is extremely attractive because gravity is forced upon us. All known consistent string theories include gravity, so while gravity is impossible in quantum field theory as we have known it, it is obligatory in string theory.”

1996

“It was clear that if I didn’t spend the rest of my life concentrating on string theory, I would simply be missing my life’s calling.”

“Even though it is, properly speaking, a post‑prediction — in the sense that the experiment was made before the theory — the fact that gravity is a consequence of string theory, to me, is one of the greatest theoretical insights ever.”

“Generally speaking, all the really great ideas of physics are really spin‑offs of string theory … Some of them were discovered first, but I consider that a mere accident of the development on planet Earth …”

“Good wrong ideas are extremely scarce … and good wrong ideas that even remotely rival the majesty of string theory have never been seen.”

1998

“M‑theory … a deeper, unique and more profound theory called ‘M‑theory,’ where M stands for magic, mystery, or membrane, according to taste.”

1999

“If supersymmetry plays the role in physics that we suspect it does, then it is very likely to be discovered by the next generation of particle accelerators … Discovery of supersymmetry would certainly give string theory an enormous boost.”

2003

“String theory is an attempt at a deeper description of nature by thinking of an elementary particle not as a little point but as a little loop of vibrating string.”

2006

“The greatest intellectual thrill of my life was learning that string theory could encompass both gravity and quantum mechanics.”

2010

“If I take the theory as we have it now, literally, I would conclude that extra dimensions really exist. They’re part of nature.”

2016

“I think consciousness will remain a mystery … I have a much easier time imagining how we understand the Big Bang than I have imagining how we can understand consciousness.”

2017

“Physics in quantum field theory and string theory somehow has a lot of mathematical secrets in it, which we don’t know how to extract in a systematic way.”

2019

“I’ve come to terms with the landscape idea and the sense of not being upset about it, as I was for many years.”

“… I’ve come to believe that the whole ‘it from qubit’ stuff — the relation between geometry and entanglement — is the most interesting direction.”

“The intimate tie between math and physics seems to be a fact of life. I can’t imagine what it would mean to explain it.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1197: Pope Francis

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

(2013) “If someone is gay and he searches for the Lord and has good will, who am I to judge?”

(2023) “Being homosexual is not a crime. It is not a crime. Yes, but it’s a sin. Fine, but first let’s distinguish between a sin and a crime.”

(2024) “There is already an air of frociaggine [in seminaries].” (Vatican issued apology.)

(2020) “Homosexual people have the right to be in a family. They are children of God… What we have to have is a civil union law; that way they are legally covered.”

(2016) “There are absolutely no grounds for considering homosexual unions to be in any way similar or even remotely analogous to God’s plan for marriage and family.”

(2015) “Jesus is the only door to enter the Kingdom of God.”

(2014): “The Church does not change her teaching on the indissolubility of marriage.”

(2016) “In certain cases, this can include the help of the sacraments.”

(2013): “Proselytism is solemn nonsense, it makes no sense. We need to get to know each other, listen to each other and improve our knowledge of the world around us.”

(Various) “The Church is born to evangelize.” (Quoting Paul VI)

(2013): “Such an economy [Capitalist] kills.”

(2023) “I do not condemn capitalism… I am in favor of what John Paul II defined as a social economy of the market.”

(2015) “It’s not true that to be a good Catholic ‘you have to be like rabbits.’ Instead ‘responsible parenthood’ requires that couples regulate the births of their children.”

(2015): “A society with a greedy generation, that doesn’t want to surround itself with children, that considers them a burden… is a depressed society. Opting not to have children is a selfish choice.”

(2022): “There is no such thing as a just war: They do not exist!”

(2022): “I am close to the suffering women and men who are defending their land” (Ukraine).

(2017) “Abortion understood as the quest to eliminate a human being is always a murder.”

(2024) “Both [candidates] are against life, both the one who throws out migrants and the one who kills children.” (Paraphrase)

(2015) “You cannot insult the faith of others. You cannot make fun of the faith of others. There is a limit. Every religion has its dignity.”

(2013) “If they accept the Lord and have goodwill, who am I to judge them?”

(2015) “Let’s think of… the gender theory, that does not recognize the order of creation.”

(2023) “There is a very strong, organized, reactionary attitude in the U.S. church, which is backward.”

(2023): “The vision of the doctrine of the church as a monolith is wrong.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1196: By Dent of The Fair Maiden of Joy

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

An old friend once lost his virginity to the same girl who deflowered another friend.

They were drunk.

They did the act.

Then a thud.

Next morning, apparently, there was a forehead indentation.

The Fair Maiden of Joy fell off, on top,

clocked her fair head on the side table.

The head was done,

as well as the deed.

Two sonflowers left,

stem, root, and leaf.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1195: “You could’ve shot your shot, Scott!”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

That’s on the assumption that that would be preferable.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1194: Winen

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

More women seem akin to satin than silk in contour and in texture of character.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1193: Joan Rivers

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

“I knew I was an unwanted baby when I saw that my bath toys were a toaster and a radio.”

“I hate thin people: ‘Oh, does the tampon make me look fat?’”

“People say that money is not the key to happiness, but I always figured if you have enough money, you can have a key made.”

“I wish I had a twin, so I could know what I’d look like without plastic surgery.”

“My love life is like a piece of Swiss cheese; most of it’s missing, and what’s there stinks.”

“The first time I see a jogger smiling, I’ll consider it.”

“You know you’ve reached middle age when you’re cautioned to slow down by your doctor, instead of by the police.”

“When a man has a birthday, he takes a day off. When a woman has a birthday, she takes at least three years off.”

“I’ve had so much plastic surgery, when I die they will donate my body to Tupperware.”

“The fashion magazines are suggesting that women wear clothes that are ‘age appropriate’. For me that would be a shroud.”

“At my funeral, I want Meryl Streep crying in five different accents.”

“I don’t exercise. If God had wanted me to bend over, he would have put diamonds on the floor.”

“The only time a woman has a true orgasm is when she is shopping.”

“Diets, like clothes, should be tailored to you.”

“I think I’m in a business where you have to look good, and it’s totally youth‑oriented.”

“Life is very tough. If you don’t laugh, it’s tough.”

“I have become my own version of an optimist. If I can’t make it through one door, I’ll go through another door — or I’ll make a door. Something terrific will come no matter how dark the present.”

“A lot of downs. A lot of ups. I’m still standing.”

“I lecture on suicide because things turn around. I tell people this is a horrible, awful dark moment, but it will change and you must know it’s going to change and you push forward. I look back and think, ‘Life is great, life goes on. It changes.’”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1192: Dr. Elinor Greenberg

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

“Borderline Personality Disorder began as a healthy adaptation to an unhealthy home situation. Becoming Borderline was the lesser of two evils.”

“People with BPD have trouble being alone because they never internalized the ability to soothe themselves.”

“Narcissists need a constant supply of validation from other people in order to feel good about themselves.”

“Narcissists are unable to regulate their self-esteem without ongoing external validation.”

“Narcissistic Personality Disorder (NPD) is the name for a series of coping strategies that began as an adaptation to a childhood family situation that left the person with unstable self-esteem, the inability to regulate their self-esteem without external validation, and low empathy.”

“People with SPD do feel emotions. They actually feel more emotions than they can handle.”

“Everyone I know with SPD has yearned for a close, safe, intimate, and loving relationship. The problem is that they do not feel safe around other people. They have no basic trust.”

“Gestalt therapy is a present-centered, lively psychotherapeutic approach that was developed in the 1950s by Frederick S. Perls and his wife Laura Perls.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1191: Maternal Death in Nigeria Linked to Blood Transfusion Refusal Sparks Medical Ethics Investigation

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/13

The leading cause of global maternal death: Postpartum hemorrhage. One woman dies every six minutes. In 2023, 700 women died per day from preventable pregnancy‑related causes. Nigeria’s maternal‑mortality ratio is more than 800 per 100,000 live births. Obstetric hemorrhage is a principal driver. Timely transfusion reduces hemorrhage and fatality by up to 90%. (Exact quantification is complex.)

Jehovah’s Witnesses interpret biblical injunctions uniquely. The “abstain from blood” injunction means a biblical prohibition of transfusion of whole blood and its primary components. Transfusion is a sin. Jehovah’s Witnesses can be disfellowshipped. Members may choose to select minor derivatives. Adult Witnesses can carry advance‑directive cards refusing blood. Clinicians sit in complex medical and legal situations in medical emergencies.

May 10, 2025, 33-year-old Victoria Paris died of postpartum hemorrhage. She was not a Jehovah’s Witness. She died in the Standard Maternity Hospital, Borikiri, Port Harcourt. The owner, a purported Jehovah’s Witness, refused a blood transfusion. The Rivers State Government reportedly sealed the facility within 24 hours.

A full investigation is pending. A national debate ensued on imposing religious convictions when lives are at stake. Paris was pregnant with a fifth child and experienced abdominal pain. Relatives took her to the Standard Maternity Hospital in Borokiri.

She had delivered children there earlier. Surgeons performed an emergency cesarean section. She lost blood. She needs atransfusion. Chris Adams, the husband or brother-in-law (reports differ), claimed the proprietor of the hospital refused to order blood.

Their version of the Jehovah’s Witness faith forbade this procedure. During surgery, the power failed. This may delay care. Family members transferred Paris to a second facility. She was declared dead on arrival.

On May 11, 2025, the Rivers State Anti-Quackery Committee conducted an unscheduled inspection led by Dr. Vincent Wachukwu from the Ministry of Health. The theatre was sealed, and staff were ordered to cease operations.

The Committee claimed “suspected professional negligence and breach of the Rivers State Private Health‑Care Facilities Regulation Law.” They claimed: Medical and Dental Council of Nigeria (MDCN) and police homicide detectives would join the investigation.

Victim‑support groups are pressing for criminal negligence or manslaughter charges. Permitted in Nigerian law if a “person’s omission to act” causes death (Criminal Code §303). The clinic is licensed as a Level B private maternity centre at №2 Captain Amangala Street, Borikiri.

The Anti-Quackery team cautioned the same facility in 2024 for inadequate record-keeping and was placed on probationary status. Nigerian guidelines (MDCN 2016) require physicians to provide every reasonable emergency measure. Personal beliefs should not interfere.

Refusal can mean harm. This can constitute professional misconduct. Courts compelled transfusions for minors, upholding adult autonomy. The doctor refused Paris. There was no documented patient consent, thus raising liability questions.

With files from Elanhub, Legit NG, OtownGist, The Trumpet NG, Intel Region, GistReel, HettysMedia, Rivers State Anti‑Quackery Committee (X/Instagram), WHO fact‑sheets and academic articles on Jehovah’s Witness transfusion ethics.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1190: TikTok Journey

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/12

Why are so many on TikTok ‘on a journey’?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1189: Steve Hassan (Started It)

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/12

“Mind control is the process by which individual or collective freedom of choice and action is compromised by agents or agencies that modify or distort perception, motivation, affect, cognition and/or behavioral outcomes. It is neither magical nor mystical, but a process that involves a set of basic social psychological principles.”

“I thought I was being my true self, but I was really being a small Sun Myung Moon, thinking like him, feeling like him, walking like him, talking like him.”

“Destructive individuals and cults use deception and undue influence to make people dependent and obedient.”

“Psychotherapy/educational cults, which have enjoyed great popularity, purport to give the participant ‘insight’ and ‘enlightenment.’ Commercial cults play on people’s desires to make money. They typically promise riches but actually enslave people, and compel them to turn money over to the group. None of these destructive cults deliver what they promise and glittering dreams eventually turn out to be paths to psychological enslavement.”

“News items are excellent for eliciting fear and inculcating phobias. Cult leaders like to tell members about floods, earthquakes, fires, famines, plagues, and wars — as proof that the last days have arrived.”

“Certitude is not evidence of truth. Nor does repetition make it true. If anything, repetition should make you suspicious. Truth always stands up to scrutiny on its merits.”

“We also looked at confirmation bias — how our minds filter and select information that confirms our own point of view, and dismiss information that does not fit in or negates it. And confirmation bias is certainly not limited to cults. We basically see and hear what we want to, whether we realize it or not, and rationalize away what does not fit our preconceptions and predictions.”

“So, what we’re talking about with mind control is a creation of a pseudo-self that suppresses your real self.”

“Phobia indoctrination: inculcating irrational fears about leaving the group or questioning the leader’s authority.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1188: Historical and Contemporary Controversies in Langley, British Columbia

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/12

Foundation of the British Columbia Firmament

The Father of British Columbia, Sir James Douglas, is worshipped in the community where I grew up. Not for nothing, he had achievements, but he had a mixed history in numerous ways. He had a “mixed history” as HBC Chief Factor and colonial governor. He granted monopolistic privileges to his company and family.

This mixed public office and private profit. He imposed property-based voting qualifications, excluding full representation. He set forth unfair First Nations treaties. The Douglas Treaties were signed on blank sheets, with terms inserted afterward — an unusual practice. Unilaterally, these were later signed, resulting in Indigenous signatories having land cessions that were not fully known.

He had a heavy-handed gold rush policy with licensing schemes and delayed enforcement during the Fraser Canyon conflict. These failed to protect Indigenous communities. Violence and village burnings ensued. He recruited black Californian settlers for political loyalty. It was opportunistic rather than principled efforts for the enfranchisement of blacks. He was from Guyana. A fascinating history to learn about one’s happenstance of contingent past circumstances: his contemporary presentation is not an exercise in false equivalence. It is about a united duality of positive and negative valence.

The living recent history reflects this mixed history in Fort Langley, out of Langley, with the crossovers between hipster intellectual farmers and well-educated, well-off Evangelical Christians, Trinity Western University, and the political shenanigans of Christians here impacting the federal level of the country. I wanted to cover some of this controversial recent history, as having a singular reference for some of the township’s more noteworthy shenanigans. For clarity, I speak as a former member of one of the heritage committees of an association in Fort Langley and another for the Township of Langley. I can say, “Heritage matters to Langleyites.” As an elder Euro-Canadian lady told me on the committee, a fellow committee member, it was in a sharp snarl once at a meeting, “I know who you are.” These were not isolated events throughout my life while growing up and through there. So it goes.

The contemporary Evangelical Christian story in Fort Langley began with a sexual misconduct allegation of the longest-standing university president in Canadian history: 2005–2006 with former university president Neil Snider. I would rather this not be the case, but it is the history. Something worth repeating.

2005–2015: Institutional Unease and Image Discipline

He had the longest tenure of any Canadian university president — 32 years–and greatly grew Trinity Western University (TWU) in its early decades. That is a testament to his prowess as an administrator of resources and an inspirer of people at the time. In their terminology, he had the Holy Spirit in him.

Unfortunately, an uncomfortable truth was his retirement in 2006 following sexual misconduct allegations. Internal reports from TWU and contemporary media reviews questioned the administrative decisions around this. The community is embarrassed by it and tries to cover it up. I understand that part. It happens with clergy-related abuse cases too: Institutional protection. However, as one colleague’s mom who worked with him said to me, in a way to excuse it, “He was lonely,” because either his wife died or he was divorced. I leave considerations of the elasticity of excuse-making to the reader.

ChristianWeek’s “Trinity Western Resolves Human Rights Complaint” documented the 2005 human rights complaint against Snider. The settlement impacted subsequent policy reviews. Former faculty interviews showed early signs of institutional unease. Evangelical leaders have undergone these scandals.

A CAUT Report, “Report of an Inquiry Regarding Trinity Western University,” examined the requirement for faculty to affirm the religious Covenant. You can see TWU’s current Community Covenant. William Bruneau and Thomas Friedman examined the requirement for faculty to affirm the Covenant and possible impacts on academic hiring and free speech. Case studies and personal accounts of faculty are incorporated. It is a referenced report in academic discussions on religion and academia in Canada.

University Affairs via “A test of faith at Trinity Western” provided an analytic retrospective of early administrative policies, linking them to later legal challenges–more on that in 2016–2018. Christian universities seem highly conscious of their public image, because they theologically see themselves as at odds with the secularist world. For example, in 2011, the Institute for Canadian Values funded an advertisement opposing LGBTI-inclusive education, which was supported by the Canada Christian College. It was published by the National Post and later by the Toronto Sun. A national backlash happened. An apology ensued — a retraction happened by the Post, but not by the Sun.

2005–2015 was a busy few years. Ex-administrators and archival internal memos showed dissent regarding mandatory religious practices. Similar controversies happen in religious universities in Canada, all private, all Christian. The largest is Evangelical, and the largest is TWU, in Langley. After trying to get many interviews with professors and dissenting students in the community, the vast majority declined over many years of journalistic efforts, and a few agreed to a coffee conversation to express opinions. Most opinions dissent from the norm of TWU while affirming the difficulties for the faith with these straight-and-narrow executives, who are not reined in, reign with impunity, and rain neglect on their community’s inner Other.

2016–2018: The Covenant and the Courts

Circa 2016, some online commentators mentioned how they felt “bad for the kids that realize they’re not straight” at TWU as “Coming out is hard,” and “it’s crazy that people still want to go to this school.” A former student acknowledged some student support for LGBTI peers while warning many feel “quite ostracized” by an “unspoken aura” repressing non-Christian views. An LGBTI student may have to “repress their urges based on a stupid covenant.”

Other online forums include a former student union leader noting the “community covenant is outdated” even by 2013, while another urged the university to rethink the Covenant. Saying there is a “thriving rape culture,” “I know more than five girls who were raped [at TWU], who didn’t report it because they believed they would be shamed and not taken seriously.”

Maclean’s in “The end of the religious university?” talked about the long-standing interest in the national debate around religious mandates in higher education and the central role of TWU. These controversies about academic freedom following Snider’s resignation would echo some other community elements there. BBC News commented that Canada approved a homophobic law school in 2013. This would eventually evolve poorly for TWU and reflect terribly on the surrounding community.

Xtra Magazine’s The Painful Truth About Being Gay at Canada’s Largest Christian University” featured a series of robust testimonies from current and former students on systemic discrimination. The magazine also examined campus surveys, student blogs, and some student activist groups, with a case study of academic panels addressing LGBTI issues within religious institutions. The Supreme Court of Canada issued its decision on TWU’s Law School accreditation in 2018. It was analyzed by legal journals and cited in academic papers. Those looked to religious mandates and the tensions with legal equality.

CBC News in “Trinity Western loses fight for Christian law school as court rules limits on religious freedom ‘reasonable’” provided a comprehensive timeline of developments with constitutional lawyer and civil rights advocacy commentary. Other commentaries looked at policy adjustments following from institutions. The Tyee chimed into the discussion with “Trinity Western University Loses in Supreme Court,” with some parables into the personal narratives on campus, more timeline events, and a more important emphasis on the long-term impact on the reputation of TWU.

Knowing some minority facets of dynamics in this community, many will slander others and lie to protect themselves, particularly their identity as represented via the incursion of Evangelical Orthodoxy into the community via the university. This small township’s controversies went to the Supreme Court of Canada. They lost in a landslide decision, 7–2. The Vancouver Sunhad various coverage, with international critiques comparing TWU’s controversy to European and Australian scandals. Regardless, TWU brought global spotlight on a small township, a tiny town.

Global human rights organizations gave commentary. TWU dropped the Community Covenant as mandatory, but only for students, while staff, faculty, and administration maintained it. A TWU student asserted on Reddit:

TWU student here. The only two reasons why the Board of Governors chose to drop the Covenant for students is because a) The recent court ruling, and b) Their other professional programs (counselling, nursing, and teaching) received letters from their respective accrediting bodies which threatened to pull accreditation unless the Covenant was amended or discarded.

TWU’s decision to make signing the Covenant voluntary for students has nothing to do with morality or human rights, but everything to do with their business model. Keep in mind, the faculty still must sign the pledge, and TWU’s mission and mandate of producing “godly Christian leaders” has not changed.

The next era was 2019–2021.

2019–2021: Cultural Stagnation Despite Legal Losses

Xtra Magazine in “I am queer at Trinity Western University. What will it take for my university to listen to me?” provided a more individual story. Carter Sawatzky wrote, “TWU’s decision in 2018 to make the Covenant non-mandatory for students also did not magically change the discriminatory treatment of queer people. After TWU’s 2018 Supreme Court loss, many folks, including myself, had hoped that TWU would finally demonstrate that it can be rooted in faith and radically loving and welcoming. Instead, TWU has doubled down on its social conservatism, at the expense of queer students like myself.” An international scandal and Supreme Court defeat did not change the culture or the school. That is instructive.

Another instructive moment was a student suicide attempt followed by an expulsion of the student. In “Her university expelled her after she attempted suicide, saying she had an ‘inability to self-regulate.’ Now she is fighting back,” the Toronto Star presented the case of a student showing broader systemic issues and a lack of mental health resources and policy failures within TWU. TWU claimed otherwise. Mental health professionals and relatives of students commented. As CBC has noted, mental health on campuses has been a point of concern for a while.

2021–2025: Repression, Image, and Intimidation

Langley is a township where I am told the murder of the famous atheist Madalyn Murray O’Hair was merciful. An older gentleman saying, “Her murder was an act of mercy.” Langley Advance Timesin “Private Langley University rejects LGBTQ+ event request” reported denying an event request, One TWU Stories Night, for an LGBTI group, One TWU. Carter Sawatzky said, “We are sharing our stories, which I think should be a non-controversial thing… It is not a contradiction. You can be queer and Christian… Many people come to TWU and have never heard an LGBTQ story.” That is a reasonable statement. A One TWU piece published on its site claims homophobia is rampant on campus.

CBC News reported on the manslaughter conviction of a TWU security guard. “Former guard at B.C. university found guilty of manslaughter” reported a Fall 2020 event involving “a man wearing all black” who wandered into student residences, rifling through their things. Security guard Howard Glen Hill hit the man, Jack Cruthers Hutchison, “in the head, pulled his hair and spat on him.” Police arrived: Hill was “in a neck restraint, limp and unresponsive. He died in the hospital two days later.” Hutchison was charged with manslaughter. TWU’s statement: “The university has no comment on the court ruling. TWU’s commitment has always been to safeguard our campus community, and we continue to provide a safe place of learning for all our students.”

Langley Union, in “Trinity Western University President’s Son Linked to Prolific White Nationalist Account,” investigated digital forensic evidence of the son of the President of TWU linked to a White Nationalist online account. The son’s actions should be considered separate from the father’s and the institutions. However, they are striking news.

The accounts claimed, among other assertions, “I believe in a white future. An Aryan future. A future where my children will make Indian Bronson shine our shoes. Where brown people cannot secure a line of credit, Black people pick cotton. We will win — this is what we fight for,” and “I am a colonialist. I make no effort to hide this. I believe in worldwide white supremacy.”

The Nelson Star reported in “‘Alt-right’ group uses Fort Langley historic site as meeting place” on the use of the local pub in Fort Langley as a meeting place for a public, so known and self-identified White Nationalist group. As one former boss noted, “I don’t know what is wrong with we the white race.” That is a sentiment, not an organization, however. This microcosm reflects a broader history of Canadian sociopolitics with race and religion, some Evangelicals and occasional allegations of racialism if not racism.

TWU’s policy is Inclusive Excellence. “We aim to promote a consistent atmosphere of inclusion and belonging at TWU by establishing a shared commitment to diversity and equity founded in the gospel’s truth. Christ came to save, reconcile, and equip all people (Rev. 7:9), and the incredible array of gifts God has given us is evidence of his creativity, beauty, and love of diversity,” it states. An administrator is reported to have said informally that the event was ‘not in line with Evangelical values.’

In the States, a trend in international Evangelical higher education is here too. Bob Jones University banned interracial dating until 2000, involving federal funding and accreditation debates. In Australia, Christian colleges faced scrutiny for policies excluding LGBTI+ students and staff. Faith-based codes and equality laws produced tensions in the United Kingdom, though less prominently than in Canada. Those American churches want to influence Canada in Indigenous communities. Some Canadian churches have Ojibwe pastors, for example.

A Medium (Xtra) post entitled “The painful truth about being gay at Canada’s largest Christian university” commented on the experience of a gay student, Jacob.’ As peers messaged Jacob on suspicion of him being gay, “We hate everything about you and you better watch your back because we are going to kill you on your way to school.” At TWU ‘Jacob,’ said, “I loved the community here so much that I did not want to jeopardize those relationships.” That is called a closet.

Another student, Corben, from Alberta at TWU, said, “My parents, I think, kind of wanted Trinity to be for me sort of like reparative therapy, which is why they would only help financially with this school.” Former Canadian Prime Minister Justin Trudeau put forth a move to end Conversion Therapy, a discredited pseudotherapy to change sexual orientation and gender identity. Conversion therapy has been banned in Malta (2016), Germany (2020), France (2022), Canada (2022), New Zealand (2022), Iceland (2023), Spain (2023), Mexico (2024), Greece (2024), and Belgium (2024). That is only TWU, however. The community of Langley, specifically Fort Langley, where I was raised, is substantively linked to this place.

Langley Advance Times in “Blackface photo in 2017 Chilliwack yearbook sparks apology from school principal” reported on a blackface incident at a local school. It was part of a “mock trial.” So, bad taste in community, and the excuse for Snider’s example will likely do the same in this case over term. There are several cases of sexual misconduct cases in British Columbiaand Canada. The Archdiocese of Vancouver was the first in Canada to publicly name clergy involved in sexual abuse and decades of abuse. At the same time, other prominent cases have arisen, including Michael Conaghan, Damian Lawrence Cooper, and Erlindo Molon, highlighting a pattern of clerical sexual exploitation and inadequate accountability in British Columbia. I would rather this not be the case, but it is the history.

In 2022, a TWU dean resigned amid pressure over her work on gender issues. One Reddit–and all Reddit commentary should be considered additions, while anecdotal at best–user described how TWU leaders had “tried to make her leave her position as dean because she… stated she was an lgbtq+ ally,” then issued bureaucratic statements of grief based on her departure.

Living there, these excuses likely flowed through social media. At the same time, community intimidation happens, too. It is bad for the community image and bad for the business. People have an interest in narrative morphing. As gay students find at TWU, and as outsiders as others find in the general community, it is mostly not about moral stances, but about image maintenance and business interests. Money matters because it is a well-to-do area of the country and a wealthy nation worldwide. There is regular township nonsense where the Fort Langley Night Market gets closed down due to vandalism and alcohol.

Ongoing online conversations about TWU degree quality continue, “So before those say ‘it’s an immigration scam’, it’s not and is essentially useless towards immigrating/coming to Canada. With that said, most of TWU’s programs are also useless to use towards immigrating, even if studied in person, because any non-degree program from a private school does not allow one to apply for a PGWP. However, it offers a couple of degree programs that can result in a PGWP.”

Brandon Gabriel and Eric Woodward have been at loggerheads for at least a decade. If you look at the original history, this reflects another fight between an Indigenous leader and the colonial presence in its history. Now, they are a local artist and developer, respectively. Woodward has a camp of supporters for development and a camp of detractors. Another mixed figure in the contemporary period of Langley. Over development concerns and pushback, Woodward got a building painted pink in protest at one point. It is a serious township history full of a minority of loud, silly people imposing their nonsense on a smaller group of innocent bystanders.

Whether LGBTI discrimination ensconced at its university, a blackface principal, homophobia, this isn’t unusual in a way. A constellation of apparent White Nationalist superminority undercurrents popping up, and with worship of a founder in a democracy who was a mixed-race colonialist timocrat married to a Cree woman, it’s a story of a Canadian town and municipality. A tale of how foundational myths, when left unexamined, morph into social realities.

Welcome to Langley–a light introduction: Home, sorta.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1187: Only the Driver was Late

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/12

I had a friend as a young person.

A bunch of us would fart around,

being silly jackasses, doing a whole lot of nothing, in a town,

of nothing but jackasses. Kings of their dungpile.

Some started driving.

Some started drinking.

One didn’t drink one night, the passenger.

Another did drink, the driver, that night.

They drove fast.

Only the driver survived.

Which one are you, the dead or the living?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1186: Pregnant Woman Victoria Paris Dies After Alleged Blood Transfusion Refusal by Jehovah’s Witness Doctor in Port Harcourt, Nigeria

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/11

Victoria Paris died during childbirth on May 10, 2025, at Standard Maternity Clinic in Borokiri Church Hill in Port Harcourt, Nigeria.

Paris was seven months pregnant. She was rushed to the Standard Maternity Clinic in Port Harcourt. She was having severe abdominal pains and underwent a Cesarean section. However, she suffered blood loss. This necessitated a transfusion. The purported Jehovah’s Witness doctor allegedly refused the transfusion. The reason reported was religious beliefs. Subsequently, Victoria died. Her brother-in-law or husband (reports differ), Chris Adams, accused the hospital of negligence. There was a power outage during surgery. The claim was this forced reliance on a generator. Adams claimed the family was misled into signing the consent form.

No official statements have been made since May 11, 2025.

Based on a select interpretation of biblical passages, some more stringent Jehovah’s Witnesses find themselves in genuine theological dilemmas in healthcare. These moral quandaries can lead to patients refusing treatment or doctors declining patients treatment at other times. The Victoria Paris case is unusual, but it did lead to a death, and many other cases exist.

Ethics for physicians include providing life-saving care overriding personal beliefs. Infrastructure deficiencies can exist in many places worldwide, including power outages. Informed consent is important. If the allegations are true, the family’s informed consent prior to signing was violated to some extent. All information is based on secondary source files or secondary news reports (Intel Region, Legit.ng, Gistlover).

With files from Intel Region, Legit.ng, Gistlover.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1185: “I thought he might be a faggot.”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/11

He was older, 50s.

He was Euro-Canadian, ‘white’ or Caucasian in features.

He had a checkered, uncertain past, crustiness to him.

Blue-collar background, a working class demeanour and scent,

and good at pool.

Civil with younger men.

He was a military guy.

His sensibility about a man who he labelled internally under the category Unknown was straightforward,

using an epithet under the pretense of a descriptor:

“I thought he might be a faggot.”

Spring, 2024.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1184: “Her murder was an act of mercy.”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/11

A Christian who I knew one time.

When the murder of a famed atheist woman was raised,

he only had one thing to say,

“Her murder was an act of mercy.”

She was murdered physically by an atheist, ironically,

and memorially by a Christian.

Both seem goodless.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1183: Hanging Around High School

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/11

I had a friend from elementary school. I came from a small elementary school.

Lots of regular kid stuff. She was best friends with another girl.

We didn’t have middle school,

or middle school was merged with some of elementary school and some of high school.

We got to high school. Our new school and new year began.

Just as all this “new” was in the fore, we all got another new, except her — in another direction.

We got a new life chapter. She never turned the page.

She killed herself.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1182: -Up and -Down, Restaurant Break-

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/11

I was in the dishpit at one restaurant one time,

in an evening shift.

A line cook got a text.

She went out back and started crying, crying, punching the wall,

“This hurts so fucking much. I fucking hate this.”

She had an hour or two left in her shift, and we were still in peak time.

She went out back to the break balcony. I followed, knocked the wall, asked if she wanted to talk.

The deal was,

her partner cheated on her and the text informed her of this.

We talked a bit. I asked if she could finish her shift early.

She came back inside.

She finished her shift.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1181: Donald Trump Jr.

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/10

“We gotta remember guys. Twitter is not real life. Like I said, Twitter is not real life. The rest of the country is a little different.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1180: YouTube-Level Political Gaslighting

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/10

To call the Left “Nazis,” or frame the German Left as Nazis, when the enormous weight of corpses and contemporary political analyses note the German Nazis as Right-wing, congratulations, you’ve taken on the tactics of abusers: Gaslighting.

You care naught for the history or the dead, but about scoring political points for personal gain.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1179: AfD: “gesichert rechtsextremistische Bestrebung”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/10

German intelligence agencies rank the AfD with neo-Nazi groups as a Gefahr für die Demokratie (danger to democracy).

May, 2025…: German intelligence agencies connected the AfD to extreme-right ideology. The Federal Office for the Protection of the Constitution (BfV) report stressed AfD’s ethnisch-abstammungsmäßiges Volksverständnis(ethnically defined concept of “the people”) as violating democratic order–seeking to exclude entire groups. AfD characterized as a “racist and anti-Muslim” organization, e.g., slogans like Abschieben schafft Wohnraum(“deportation creates housing”) and Jeder Fremde mehr in diesem Land ist einer zu viel (“each more foreigner is one too many”). These are listed as evidence of dehumanizing language. BfV President Thomas Haldenwang called this “a good day for democracy.” A history exists here too.

…March, 2022: a Cologne court upheld the BfV’s classification of the AfD and its youth wing as a Beobachtungsobjekt (Verdachtsfall) (suspected extremist organization), finding ausreichende tatsächliche Anhaltspunkte für verfassungsfeindliche Bestrebungen– “sufficient factual indications of anti-constitutional aims.” The BfV 1,100-page report filled the extremism criteria.

Late 2023: Bavarian prosecutors opened investigations into newly elected AfD MP Daniel Halemba for possible use of Nazi symbols. He previously belonged to a student fraternity raided for Nazi paraphernalia.

December, 2023: Several state Verfassungsschutz offices flagged AfD branches. Saxony’s domestic intelligence classified the Saxony AfD as gesichert rechtsextremistisch. Saxony’s VS president Dirk-Martin Christian said, “…an der rechtsextremistischen Ausrichtung der AfD Sachsen bestehen keine Zweifel mehr” (“there is no longer any doubt about AfD Saxony’s right-extremist orientation”) The party held typische völkisch-nationalistische Positionen (“typical folk-nationalist positions”) and used common anti-Semitic conspiracy language. These mirrored Nazi-era rhetoric. Thuringia and Saxony-Anhalt earlier flagged local AfD branches as extremist as well.

Interior Minister Nancy Faeser (SPD) called the intelligence review legal and independent with the result of a 1,100-page internal report being apolitical. The new classification permitted intensified surveillance, including deployment of informants and interception of communication.

May, 2024: German courts have penalized AfD members for Nazi-linked speech. Halle state court convicted Thuringia AfD leader Björn Höcke for using SA slogan “Alles für Deutschland!”

2025: Two Saarland AfD local councillors liked a Facebook post celebrating Hitler’s birthday. Authorities launched a Volksverhetzung (incitement) probe and party expulsion proceedings.

Leading German politicians likened the AfD to fascism and Nazi extremism. SPD Defense Minister Boris Pistorius warned protesters in 2024: Wer die AfD aus Protest wählt, dem müsse klar sein, dass sie Faschisten wählten. (“Anyone who votes AfD out of protest must be aware that they are voting for fascists.”) SPD leader Lars Klingbeil accused AfD co-leader Alice Weidel of heading a rechtsextreme Partei… die AfD ist durchsetzt auch mit Nazis in Europa. (“the AfD is also filled with Nazis in Europe.”) Former SPD head Sigmar Gabriel compared hearing AfD rhetoric to his Nazi-father: Alles, was die [AfD] erzählen, habe ich schon gehört — im Zweifel von meinem eigenen Vater, der … ein Nazi war. Green and Linke politicians made similar warnings. Expert commentators warned of Nazi parallels.

German officials and courts drew a direct line between AfD rhetoric and Nazi-style ideology. Official reports cite AfD policy goals, mass deportation slogans to ethno-nationalist immigration stances, as incompatible with Germany’s constitution.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1178: Nazis, are, and were, Very, Very, Very Far-Right

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/10

So, German Nazis — decidedly far-Right, not leftwing: merely “Socialist” in the name, using the language to co-opt working class support, and persecuted leftists (trade unionists, socialists, communists), while advocating for traditionalism, anti-Communism, militarism, authoritarianism, nationalism, and xenophobia.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1177: Melinda Gates

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/10

“If you think about philanthropy, philanthropy is a catalytic wedge sitting alongside business, government, and civil society.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1176: Some Atheists on Muslims

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/09

I used to write for a Canadian atheist publication.

One time, a series of hilarious events began to ensue,

as the since disappeared Editor-in-Chief informed me.

An atheist community commentator,

was having a tizzy,

because I collaborated with Muslims of diverse ethnic and denominational backgrounds.

This is an issue of anti-Muslim sentiment of some within some online atheist communities.

Is the aim to hate religious people, to hate religious people by proxy of atheists who collaborate with them, or to chastise for bridge-building?

Is there any virtue in any of those options?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1175: Marriage and Men

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/09

If the emphasis is on that men should get married,

and not on why, then you’ve lost them,

because they see,

that they’re viewed as objects of external function,

rather than subjects with individualized purposes.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1174: Salaried Dishwasher

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/09

I knew a guy once.

He was a dishwasher.

The only one ever on salary, Brandon.

He wasn’t stupid,

but he was a dishwasher, long-term: salaried.

Life is rarely, if ever,

proportional.

It’s approximate,

with large margins of error.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1173: The Most Deserving Forgotten

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/09

It is quite striking.

Those who died to preserve their cultures for their cultures,

never get to enjoy the sensory, aesthetic productions of the culture.

Those most deserving of them,

forego them,

forever.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1172: Alternative Orthodox Alternatives

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/08

If the Father, the Son, and the Holy Spirit, are Triune while a Union of Essence — co-equal, co-eternal, and consubstantial — then the metaphysics of the Godhead’s Identity can match the sociology of individual identity as, also in the Lord’s Image, a relational personhood for human identity. And so too, Divine Love supervenes all Creation in like manner.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1171: Pope Leo XIV

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/08

History as a bridge-builder with a centrist social-justice activism and doctrinal conservatism. He has an Augustinian communitarian ethos. His platforms: synodality, Christocentric evangelization over abstraction, and inclusion, with traditionalism on life, marriage, and ordained ministry. He uses pastoral anti-clericalism against isolationist leadership, while advocating interreligious dialogue and big tent-ism focused on humanitarianism over culture wars. He champions broad participation with secular‑religious cooperation and compassionate outreach. The Test: Translation of ideals into transparent, effective governance with accountability following from rhetorical closeness.

2012

“Sympathy for beliefs and practices that are at odds with the gospel,” e.g., “[the] homosexual lifestyle” and “alternative families comprised of same-sex partners and their adopted children.”

2019

“We reject cover-up and secrecy, it does a lot of harm, because we have to help the people who have suffered from wrongdoing.”

2019

“I think they should do it, if there is abuse against a minor by a priest… On behalf of the Church, we want to tell people that if there was any offense, if they suffered or are victims of a priest’s wrongdoing, they should come and report it, to act for the good of the Church, the person, and the community.”

2015–2023

“The promotion of gender ideology is confusing, because it seeks to create genders that don’t exist.”

2023

“We are often worried about teaching doctrine, but we risk forgetting that our first duty is to communicate the beauty and joy of knowing Jesus.”

2023

“A fundamental element of the portrait of a bishop is being a pastor, capable of being close to the members of the community.”

2023

“Silence is not an answer. Silence is not the solution. We must be transparent and honest, we must accompany and assist the victims, because otherwise their wounds will never heal.”

2023

“The fundamental thing for every disciple of Christ is humility.”

2023

“Being a synodal Church that knows how to listen to everyone is the way not only to live the faith personally, but also to grow in true Christian brotherhood.”

2023

“Above all, a bishop must proclaim Jesus Christ and live the faith so that the faithful see in his witness an incentive to them to want to be an ever more active part of the Church that Jesus Christ himself founded.”

2023

“Something that needs to be said also is that ordaining women — and there’s been some women that have said this interestingly enough — ‘clericalizing women’ doesn’t necessarily solve a problem, it might make a new problem.”

2024

“The bishop is not supposed to be a little prince sitting in his kingdom.”

2024

“Called authentically to be humble, to be close to the people he serves, to walk with them, to suffer with them.”

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Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping

Scott Douglas Jacobsen
In-Sight Publishing, Fort Langley, British Columbia, Canada

Correspondence: Scott Douglas Jacobsen (Email: scott.jacobsen2025@gmail.com)

Received: April 6, 2025
Accepted: N/A
Published: June 15, 2025 

Abstract

This article presents a wide-ranging interview with Dr. Lloyd Hawkeye Robertson, a Canadian counselling psychologist, educator, and theorist known for developing the concept of the memetic self. The conversation explores the historical and cognitive evolution of the self, its structural and cultural components, and the therapeutic application of self-mapping—a technique for visualizing and analyzing personal identity through culturally transmitted memes. The dialogue spans diverse themes, including language development, trauma, identity fragmentation, AI consciousness, and cultural variations in selfhood. Dr. Robertson offers insights from decades of psychological practice, academic research, and cross-cultural analysis, culminating in the announcement of a forthcoming book coauthored with his daughter, Teela Robertson.

Keywords: Cognitive Identity Structures, Cultural Evolution of Self, Dissociative Identity Disorder, Memetic Theory, Mental Health Mapping, Neurodivergence and Selfhood, Self-Mapping Therapy, Structure of the Modern Self, Trauma and Identity, Volitional Agency

Introduction

Dr. Lloyd Hawkeye Robertson is a Canadian counselling psychologist, educator, and theorist best known for developing the concept of the memetic self, a cognitive identity framework shaped by culturally transmitted units of meaning called memes. Robertson elaborates on the self as a culturally and cognitively constructed phenomenon, tracing its emergence from early mirror self-recognition in animals to complex human self-awareness shaped by language, social interaction, and cultural evolution. He introduces self-mapping, a therapeutic tool that visualizes an individual’s self-concept by identifying and organizing core memes. Robertson explores diverse cultural and neurological cases—including autism, Alzheimer’s, and dissociative identity disorder—to illustrate how coherence or fragmentation in the self impacts well-being. He critiques reductive models, emphasizes cultural universality in core drives, and reflects on the future of the self amid AI and cybernetics. His forthcoming book, Mapping an Understanding: Using Memetic Mapping to Promote Self Understanding in Psychotherapy, coauthored with his daughter, applies these insights to therapy.

Main Text (Interview)

Interviewer: Scott Douglas Jacobsen

Interviewee: Dr. Lloyd Hawkeye Robertson

Section 1: Origins of the Self and Mirror Recognition

Scott Douglas Jacobsen: Today, we’re joined by Lloyd Hawkeye Robertson. He is a Canadian psychologist, educator, and theorist known for his innovative work on the culturally constructed self. With over 40 years of experience in counselling and educational psychology, he developed the concept of the memetic self—a cognitive framework composed of culturally transmitted ideas (or “memes”) that shape an individual’s identity. He is the author of The Evolved Self: Mapping an Understanding of Who We Are and a pioneer of self-mapping, a visual and therapeutic method for exploring and restructuring identity. His work bridges psychology, philosophy, and cultural studies, offering practical tools for therapy and education while exploring questions of free will, agency, and the evolution of selfhood across diverse cultures. Mr. Robertson, thank you very much for joining me again today. I appreciate it. It’s always a pleasure.

Dr. Lloyd Hawkeye Robertson: You’re welcome. I’m looking forward to this, Scott.

Jacobsen: So, what is the self?

Robertson: Oh, that’s pretty basic. Okay. The self is a construct, as you mentioned in your introduction. Thank you for that generous overview. Your question is, “What is the self?” The self is a conceptual framework we use to define who we are. It is not a physical entity in the brain but rather a cognitive and cultural construct—a mental map that incorporates beliefs, values, experiences, and roles.

This construct has evolved. One of the earliest indications of self-awareness in our evolutionary lineage is mirror self-recognition, which has been observed in some great apes, dolphins, elephants, and magpies. In our hominin ancestors, the development of language and culture allowed for increasingly complex and abstract self-concepts.

Recognizing one’s reflection—understanding that “this is me”—marks a foundational moment in developing self-awareness. Although early humans may not have had the language to describe it, the ability to form a concept of self-based on reflection and social interaction was critical. This capacity laid the groundwork for the complex, culturally mediated selves we navigate today.

From that modest beginning, our ancestors gradually evolved the capacity for social interaction. They needed a rudimentary idea of who they were to engage socially, even if it was not consciously articulated.

Language development significantly boosted the evolution of the self. Once we moved beyond simple two-slot grammar—like “him run”—to more complex phonetic constructs, we could combine distinct sounds that held no individual meaning but could generate an almost unlimited number of words.

With that, collections of words took on new, layered meanings. As this linguistic complexity emerged, our self-definition became more nuanced, expanded, and refined. About 50,000 years ago, humans began burying their dead. This act implies a recognition of mortality and a developing self-concept about life and death.

The most recent significant change in our understanding of the self—as part of cultural evolution—may have occurred as recently as 3,000 years ago. I say “may” because it could have emerged earlier, but our evidence dates to that period, particularly from Greek writing and Egyptian hieroglyphics. Of course, many earlier cultures lacked writing systems, so we cannot be definitive about when this modern conception of self emerged.

What is this self I’m referring to? It includes the ideas of volition, constancy over time, and uniqueness. For instance, although you and I, Scott, share many characteristics, I do not believe you are me, and vice versa. Even if I had an identical twin—same genetics, upbringing, and experiences—I still would not recognize him as myself. That sense of uniqueness is part of the “modern self”—a culturally evolved manifestation of identity with an inherent sense of individualism.

Here is the great irony: we are a social species, and the self emerged through social interaction within early human communities, particularly tribal Neolithic groups. The self could not have developed in isolation; it depends on interaction with others. So, we are fundamentally shaped by collectivism, even though individualism is built into our modern self. This creates an internal tension between the group’s needs and the individual’s autonomy.

Historically, that tension was mediated by religion—specifically, organized religion, which kept people in their social roles. In Western civilizations, a deity often prescribed those roles, and individuals could not transcend them. Tradition or ancestor worship defined the limits of the self in other cultural contexts.

Societies that completely suppressed the modern self remained stagnant, while those that permitted at least some individuals to develop a sense of autonomous selfhood became more adaptive. This is because the self is a powerful tool for problem-solving. It allows us to reinsert ourselves into past experiences as protagonists, to relive and learn from those events, and to rehearse possible futures mentally. We can adjust our behaviour accordingly. These are valuable psychological skills.

But they also come at a cost. With the modern self comes the capacity for anxiety and existential distress. I doubt that our earliest ancestors experienced clinical depression or anxiety disorders as we know them today. These conditions are part of the psychological “baggage” of possessing a self capable of complex reflection and future projection.

For millennia, the self was constrained—kept “on a leash,” so to speak—until a set of unique historical conditions emerged in Europe. Specifically, during and before the Enlightenment, the Catholic Church—which had long functioned to suppress individualism—lost control, particularly during the Reformation and the ensuing religious wars between Catholics and Protestants.

Individuals gained some permission to explore personal identity when centralized religious authority broke down. This blossomed into what we now call the Enlightenment. The Enlightenment did not invent the self—it authorized it. Not entirely, of course—we remain social beings with embedded restrictions—but it granted more freedom to individuals to develop their understandings.

This led to the rise of modern science and humanism. Knowledge was no longer handed down by authority. Instead, it became something you had to demonstrate through observation, reason, and experimentation. These practices allowed individuals to engage with a reality beyond themselves.

And that is where humanism emerged. So, you asked me what the self is—and now you see: when you ask me a question, you get a long-winded answer.

Jacobsen: How do you define “meme” within the framework of The Evolved Self?

Robertson: The word “meme” has had an unfortunate evolution. It was initially coined by Richard Dawkins in the 1970s. Dawkins coined the term “meme” to represent a self-replicating unit of culture.

For instance, a simple descriptor like the colour red is not a meme. It’s merely a physical property description, not a transmissible concept that evolves culturally. A meme, in contrast, is more than an idea; it is a cultural construct that carries meaning across individuals and generations.

Dawkins defined a meme as something broader than a simple descriptor but narrower than an entire ideology, religion, or belief system. The latter, of course, is composed of many memes—interrelated units of culture. You can, for example, substitute the colour red in a conceptual framework with blue, and the core concept might remain, but the meme is more than any one element—it has internal structure and transmissibility.

Unfortunately, Dawkins did not have the opportunity to develop the theory entirely. His work was criticized for being tautological. Critics asked, “How can you prove this? How do we observe or measure a meme?” These questions challenged the concept’s empirical rigour.

In my research, I proposed a refined definition of a meme: it must be a culture unit with behavioural, qualitative, and emotional (or emotive) implications. A proper meme is not just a label or idea—it affects how we feel, act, and make meaning.

This also resolves a challenge Dawkins left open—his observation that memes can have “attractive” or “repulsive” properties. He did not elaborate on the mechanics of that.

In my framework, if one meme naturally leads to another—like how “love” often leads to “marriage” in cultural narratives—that linkage reflects an attractive force between memes. Conversely, when two memes are psychologically or conceptually incompatible—”love” and “hate” coexisting as core guiding values in the exact moment—that reflects a repellent force.

My work on the modern self is composed of a collection of memes that are primarily attractive to one another. If a meme within that structure becomes repellent—meaning it no longer aligns with the rest of the self—it tends to be ejected. That is how we maintain coherent, relatively stable identities.

Of course, not everyone has a stable sense of self. My work as a psychologist involves helping people reconfigure their self-concepts when internal inconsistencies cause distress.

Now, where things get tricky is the evolution of the word “meme” online. The internet popularized the term in a way that deviates from its original definition. Internet memes typically involve humour or juxtaposition—two ideas or images that don’t usually go together. While some may qualify as memes in the original sense, internet usage represents a narrow and diluted interpretation.

Jacobsen: Did I hear you correctly? You’re saying the modern meme online sometimes overlaps with Dawkins’ definition, but only in a limited sense.

Robertson: Yes, exactly. Internet memes sometimes fulfill the criteria but rarely capture the deeper behavioural and emotional dimensions Dawkins originally gestured toward—which I’ve tried to formalize more clearly.

Section 2: The Structure and Components of the Memetic Self

Jacobsen: So, how does this fit into your work on self-mapping?

Robertson: Good question.

One of the most academically grounded ways to create a self-map is to ask someone to describe who they are. You use prompting questions to elicit a detailed, rich description of their self-concept.

I collect those self-descriptions in my research—just like this interview is being recorded. I transcribe the responses and break the narrative into elemental units—essentially memes. Each unit is labelled and categorized. This approach parallels qualitative methods in social science research.

The coding method I use for self-mapping parallels the qualitative analysis approach developed by Miles and Huberman in the early 1990s.

You label each unit of meaning. A sentence could represent a single unit or contain multiple distinct concepts. You isolate those concepts into thematic categories—or “bins”—based on their shared meaning.

Then, if those units exhibit the characteristics I described earlier—qualitative, behavioural, and emotional implications—you can classify them as memes.

Next, you examine the relationships between those memes. You identify which memes are attracted to each other—either through thematic linkage or cause-effect associations—and chart those relationships. You map them visually, using lines to indicate attractive forces. That’s the core structure of the self-map I create.

Now, this method requires considerable time and effort.

So, to make the process more accessible, my daughter—a psychologist—and I developed a quicker method in collaboration with a colleague from Athabasca University. We created a structured questionnaire with 40 core prompts, which could be expanded to 50 or 60.

The questions focus on four primary areas. First, we ask: “Who are you?” People might respond with statements like “I’m a father” or “I’m a chess player.” These are self-descriptive memes—cultural elements that express identity.

Then, we ask: “What are 10 things you like about yourself?” and “What are 10 things you would change if you could?” Finally, we ask: “What are 10 things you believe to be true?”

One of my clients, earlier this year, offered a novel and powerful addition to the exercise: “What are 10 things you keep hidden from others?” That insight added emotional depth and complexity to the map.

Once we gather that data, we create a visual self-map, following the same principles as in my academic research. I jokingly call this the “quick and dirty” version, but it works. My daughter Teela and I have used it successfully with many clients.

The crucial step is refining the map with the client until they recognize themselves. That map resonates when they say, “Yes, this is me,” reflecting their identity. We become psychologists if something important is missing, like a sense of personal agency or volition.

We help them develop those underrepresented self-elements based on an idealized model of the modern self—a coherent, autonomous individual identity. When parts are missing or fragmented, we work to integrate them.

We should do a formal academic study to validate this quick method, but based on clinical experience, it works.

Section 3: The Self in Diverse Cultural and Clinical Contexts

Jacobsen: If we take all these elements and look at them as a whole, we’re essentially describing an “evolved self.” That allows us to examine the coherent identity of a person. How would you describe someone who lacks a coherent self or identity?

Robertson: That does happen. Not everyone possesses a well-formed self.

Jacobsen: Please explain.

Robertson: Take classical autism, for example—the traditional form I learned about during my training, not the broader, more ambiguous “autism spectrum disorder” currently defined by the APA. That modern definition is so diffuse that it’s challenging to apply meaningfully in clinical settings.

In classical autism, you may encounter children who engage in highly repetitive, self-soothing behaviours. One case I worked with involved a boy who spent most of his day swinging a string with a weight on the end, keeping it taut in a circular motion. Even while eating—an essential survival activity—he needed the string in his hand. If someone took it away, he would have a full-blown panic attack.

At that level of autism, the individual lacks a coherent self.

One key indicator is the absence of what psychologists call “theory of mind”—the capacity to understand that others have thoughts, feelings, and motivations similar to one’s own.

The theory of mind is essential. It allows us to interpret the behaviour of others based on internal states. For example, I can infer that you, Scott, have emotions and goals. If I understand your context, I can anticipate your next question. That’s mind-reading—not in a mystical sense but in a psychological, predictive sense. It’s something we all do constantly.

It is vital for navigating everyday life. For example, when driving, we anticipate that other people will stay on the correct side of the road. In Canada, that means the right side. We base this assumption on our shared cultural understanding, which generally holds.

Jacobsen: So, what happens to people who do not have a self?

Robertson: There are others, aside from individuals with severe autism, who also lack a coherent self. One group includes people with advanced Alzheimer’s disease.

There’s a poignant story told by an Alzheimer’s researcher—I’m forgetting the researcher’s name, but the story involved a woman who would visit her husband, who had advanced Alzheimer’s. She would begin by introducing herself each time: “My name is [X], and I’m your wife.” Once he understood her name and the relationship, they could converse coherently.

Then, one day, after she introduced herself and said, “I’m your wife,” he looked at her and asked, “Yes, and who am I?”

He genuinely did not know. So yes, there are people who lose their sense of self. It is rare, but it happens. Most people have a self—and nearly always, there’s a one-to-one correspondence between self and body.

Jacobsen: This brings me to three points of contact for further questions.

The first two are based on your description, and the third is a broader conceptual issue. First, in the case of someone with what might be considered a nonstandard profile on the autism spectrum—who meets the characteristics you mentioned—what are the legal and professional implications of working with someone who, by your clinical analysis, lacks a functional self?

Second, in cases involving advanced dementia or Alzheimer’s, how do you interpret situations where a person can still speak in coherent, functional language yet openly asks, “Who am I?” or “Do you know who I am?”

Robertson: Those are deep and difficult questions.

In the case of someone with classic autism, we generally assume that a parent or legal guardian is involved—someone who can authorize professional intervention. The goal is to help the individual develop skills that improve quality of life. Whether or not these interventions fully succeed is another matter, but we do try—and sometimes, we help.

With advanced dementia or Alzheimer’s, things get more complicated—particularly when it comes to end-of-life care and living wills. You may have someone who no longer remembers ever having signed a living will, and yet, according to that document, medical professionals are instructed to allow them to die.

It raises profound ethical dilemmas. You may encounter someone who still shows signs of a will to live—even joy or affection—but can no longer comprehend their identity or the implications of past decisions. That contradiction is ethically challenging.

Jacobsen: I have a will to live and a living will to die. I cannot know who I am, yet I still live.

Robertson: Right. It’s not a lack of will—it’s a lack of cognitive ability to know.

Jacobsen: What about cases involving dissociative identity disorder—what used to be called multiple personality disorder? In those situations, more than one “self” seems to coexist in the same body.

Section 5: Dissociative Identity Disorder

Robertson: That diagnosis is controversial. Not all professionals agree that it reflects an actual condition. However, conceptually, it’s possible—because the self is a cultural construct.

The self is not a metaphysical entity that inhabits the body. Instead, it describes a person shaped by cultural constructs that include the body and socially mediated self-understanding. Think of the body and brain as the hardware and the self as the software—cultural programming that shapes perception, behaviour, and identity.

Given that framework, it’s theoretically possible for multiple “selves” to coexist—though this would be a scarce and complex scenario.The older term “Multiple Personality Disorder” implicitly recognizes the possibility of multiple selves. The term “dissociative identity disorder” implies a fragmented self. 

Now, I’ve never worked personally with someone diagnosed with multiple selves, so I’m speaking from theoretical and scholarly understanding here.

From what I’ve read, therapists who work with such clients often report that one becomes dominant or “emergent” while others recede. The therapeutic aim, typically, is to integrate these multiple selves into a coherent whole so the individual can function more effectively.

There’s a fringe view in psychology suggesting that this therapeutic integration is akin to “murder”—that by fostering one coherent self, we are erasing others. I don’t accept that view. That’s an extreme form of ideological overreach.

Jacobsen: This introduces another critical nuance. The self emerges not only across human history—it also unfolds across individual development. The self is not present at conception or birth in its complete form. It’s an evolved pattern of information—a construct that takes shape over time. And, just as it can emerge, it can also deteriorate.

In advanced age or due to disease, the body and many faculties may still function—but the self might fade away. In that sense, you could argue that the self has a lifespan within the human lifespan. People talk about lifespan, and increasingly about healthspan—but perhaps we should also talk about a “self-span.”

Robertson: That’s an intriguing idea—a self-span.

Jacobsen: It would be difficult to measure precisely, of course, especially given the limitations of quick-and-dirty self-assessment methods versus more rigorous, clinical approaches like self-mapping. Still, it’s a meaningful concept.

If the self is a cultural construct, we might ask: Do different cultures shape the self in ways that affect when it tends to emerge developmentally? Does the self appear earlier or later, depending on the cultural context?

Section 6: Self-Mapping the World

Robertson: That’s a fascinating question. I do not have a definitive answer, but I’ve mapped the selves of people from the interior of China, from Siberia, and collectivist communities in North America. Every culture I’ve studied has a self.

Here’s where the cultural variation becomes evident: different cultures emphasize different aspects of the self. One of the people I mapped was a woman from a traditional family in the interior of China.

Yes, she had the same structural aspects of the self-found in North American individuals, including a volitional component. But that part of her self—the volitional aspect—was not valued in her cultural context. Instead, family duty and moral conduct traits were emphasized, reflecting collectivist values.

So, structurally, her self was similar. But culturally, the valued components were different. What made this particularly interesting is that after mapping herself, she described herself as feeling like a “robot,” and she decided that was not a good thing.

Over about eight or nine months, she resolved to start making her own decisions. This did not prove easy because most of us do not make conscious decisions at every moment. Typically, we rely on habit, social norms, or deference to authority. For example, someone might say, “Lloyd Robertson says this is a good idea, so I’ll go with that.”

But most of the time, we act on autopilot. However, she began engaging in conscious decision-making—evaluating possible outcomes, comparing alternatives, weighing probabilities, and assigning value. She did this even with mundane choices like what to eat or wear in the morning.

It exhausted her. She felt she was getting nowhere. Eventually, she decided: “My life is too valuable to waste making every decision consciously. I’m going back to being a robot.”

But here’s the key insight: to make that decision, she had to engage her volitional self.

She never abandoned it. It was still there—intact, available, and waiting for the next time she chose to use it.

Section 7: The Split Self

Jacobsen: Let’s say we have a rare case of genuine dual selves in one body. And to be clear, I do not mean conjoined twins—cases where two individuals share some neural connectivity. I’m referring to a single individual whose psychology has bifurcated. What if their volitional trajectories—their vector spaces—are at odds with one another?

This reminds me of a presentation by V. S. Ramachandran, the neurologist known for the mirror box experiment. He referenced split-brain patients—individuals whose corpus callosum had been surgically severed to treat epilepsy.

In such cases, if you cover one eye, you direct stimuli to only one hemisphere. For example, when Ramachandran asked these patients if they believed in God—by pointing up for “yes” or down for “no”—the left hemisphere might point “yes,” while the right pointed “no.”

The individual would often laugh in response. Ramachandran joked that this showed the right hemisphere had a sense of humour.

But there’s a more profound point here: split-brain patients can manifest two conflicting worldviews—internally consistent but contradictory selves. In theological terms, this raises amusing but profound questions. For instance, if belief grants salvation, does one hemisphere go to heaven and the other to hell?

On a more serious note, when these volitional patterns conflict—not just on trivial matters but on core values—what happens? And for those who criticize integration therapy as “murdering” a self, how do you respond?

Robertson: The split-brain experiments are fascinating but differ from dissociative identity disorder, a distinct condition.

In most people, the right hemisphere houses spatial awareness and emotional reasoning, while the left hemisphere tends to handle verbal processing. When the corpus callosum is severed, these two systems can no longer communicate so that each side may draw on separate memories or frameworks.

In an intact brain, people typically build a worldview—a cognitive map of how the world works. This worldview often resides in the right hemisphere. When incoming information conflicts with that map, people experience cognitive dissonance.

Eventually, the left hemisphere, which governs executive control and higher reasoning,will normally create a worldview representing our understanding of how the world works.  We have many defense mechanisms that we use to keep that worldview intact, but at some point our constructed reality diverges too far from objective reality. The right brain, at a feeling level “dissolves” the construct and the right brain then begins creating a new or amended worldview.  It does not happen often, but it happens enough to keep us psychologically adaptive.

Now, returning to your question: Is there a God? If only one hemisphere believes, which is correct?

Well, that depends on which side holds the belief. Humanism, for example, is highly cerebral—logical, empirical, and grounded in enlightenment thought. It is likely rooted in left-brain processes. Compassion, however, may bridge both hemispheres.

Jacobsen: So, what is the right brain holding onto?

Robertson: Something interesting happened to me the other day. I woke up with a Christian hymn running through my head—one I learned in my fundamentalist upbringing.

It struck me: Where did that come from? It must have been encoded deeply. I was baptized not once but twice, in complete immersion both times.

That early religious imprint likely lodged itself somewhere in my right hemisphere. It may be largely inactive now, but it is not gone.

Jacobsen: So, do developmental trajectories matter here?

You were raised with those strong evangelical influences at a young age, and even though you’ve moved beyond them, they left an imprint. Neuroscientifically, we know the dorsolateral prefrontal cortex—the seat of executive function—is the last part of the brain to develop. Evolutionarily, it’s also the most recent.

Jacobsen: As far as we know, the dorsolateral prefrontal cortex—responsible for executive function—is the last part of the brain to develop. Most people usually complete that maturation in their mid-twenties. So, these systems take a long time to become fully online and must then be integrated with other neural networks.

Do developmental phases like the second significant period of synaptic pruning in adolescence reflect more concrete hardware changes, as opposed to the cultural software changes that occur across a person’s life?

Robertson: I like your question, Scott. And the answer is yes.

Jacobsen: Yay.

Robertson: If someone were raised entirely in the wild—say, the fictional case of a boy raised by wolves—we would not expect them to develop what I call the modern self.

The self is a cultural construct. Children are taught to have a self; one key mechanism is language acquisition. For example, when a child cries and the caregiver says, “Is Bobby hungry?” that implicitly teaches the child that Bobby has internal states—needs, desires, and preferences. That is the beginning of selfhood.

Your point about adolescence is spot on. The self is not fully formed in early childhood. In many ways, individual development parallels cultural evolution. Adolescence—especially early adolescence—is about experimentation, identity formation, and exploration. Teenagers try out roles, test boundaries, and slowly determine, “This is who I am,” or, “No, that’s not me.”

We must be cautious about defining someone’s self prematurely during this construction phase. You cannot predict how it will turn out, and efforts to control that process can be harmful.

There’s research suggesting the human brain continues maturing until around age 25. Jokingly, maybe we should not let people vote until they’re 25—but of course, I can say that now that I’m well past that age.

In truth, development is highly individual. Some mature earlier, others later. And yes, building on your earlier point, there may be significant cultural differences in how and when the self develops. That’s an area ripe for further research.

Now, when I say modern self-development and spread across all known cultures, there’s a practical reason: societies without individuals capable of forming modern selves could not compete with those that had them.

Jacobsen: What makes the modern self more competitive?

Robertson: Our sense of individuality.

In Christianity, for example, Scripture often exhorts individuals to “give up the self.” That very statement acknowledges the self’s existence and its power.

Such a sacrifice is required because the individual self can threaten collective stability. It challenges authority, tradition, and rigid social roles.

Jacobsen: That connects back to your earlier point—cultures that lack individuals with a modern self lose their competitive edge.

Robertson: Here’s the value of having a self.

In traditional cultures, individuals typically had an earlier form of self—defined primarily by their place in the collective. In response to threats or challenges, behaviours were guided by tribal memory, stories, and rigid social roles.

For example, if an enemy appeared, people would respond according to long-established patterns—based on age, gender, and status in the group. There was no need—or room—for improvisation.

But what happens when a new, unfamiliar situation arises—something the culture has not encountered before and for which there is no ritual?

In such cases, traditional cultures often turned to oracles—individuals capable of novel reasoning, that is, problem-solving. I suspect those early oracles possessed a more developed, volitional self, which is why they were trusted in the first place.

Similarly, in Hindu society, Brahmins were given a rigorous education, allowing them to cultivate modern selves capable of insight and judgment. But they were a small elite.

In many cultures, people who had developed themselves were respected and closely managed. They were given roles where they could contribute without disrupting social order.

The self-concept eventually spread across all human societies because we are a nomadic, adaptive species. We move, we mix, we evolve.

Just look at our evolutionary history—we even interbred with Neanderthals.

Robertson: We interact. I do not believe a human society has ever been so isolated that its members lacked a developed self. But if such a group exists—perhaps an uncontacted tribe deep in the Amazon—I would love to study them.

Jacobsen: When I attended the 69th Commission on the Status of Women at the United Nations, I participated in a session featuring Ambassador Bob Rae of Canada. The session focused on Indigenous communities and was led by Indigenous women.

Someone on the panel mentioned a group from an isolated region—possibly resembling the cultural isolation you described. Their account of getting to the UN was striking. If you asked me how I got there, I’d say something like: “I took a bus to the airport, flew to New York, took the train…” For them, before all of that began, it started with a canoe.

That was their standard form of transportation before reaching any conventional transit station. So, even in that case, I would be hard-pressed to believe they were entirely uncontacted or isolated in today’s world.

Robertson: I agree. I suspect such total isolation no longer exists.

Section 8: Indigeneity

Jacobsen: That brings up another question. Since the 1990s, people have increasingly used identity as political currency. I do not mention this from a political perspective but from an academic and research-based one.

You are Métis from Saskatchewan. I am from British Columbia and have Dutch and broader Northwestern European heritage—descended from U.S. and Western European immigrants. When mapping the selves of Indigenous individuals compared to those with European ancestry—people like myself, perhaps two or three generations removed from immigration—do you observe significant differences in how people construct their selves? Or are they broadly similar?

Robertson: The short answer is that the structure of the self is consistent. I have done extensive self-mapping with Indigenous individuals, and the structural patterns are the same.

Jacobsen: That’s helpful.

Robertson: That said, it does not tell us everything. Those I have worked with are already part of modern cultural systems. These selves have developed over generations. I suspect not, but it is possible.

The Métis are a fascinating case. In the 18th and 19th centuries, people of mixed ancestry who lived with Indigenous bands were usually classified as “Indians” under colonial law.

The Métis, however, generally did not accept this designation. They saw themselves as distinct. Up until—if I recall correctly—1982 or possibly 1986, Métis were legally recognized as Europeans, not as Aboriginal peoples.

Jacobsen: That is a significant historical point I did not know.

Robertson: Feel free to fact-check me—it might be 1982.

Jacobsen: Please continue.

Robertson: The Métis had been fighting for recognition as Indigenous for a long time, and until the early 1980s, the Canadian government did not recognize them as such. This is why Métis communities did not sign treaties with the Crown.

Jacobsen: Yes, the Constitution Act 1982 formally recognized the Métis as one of Canada’s three Indigenous peoples—alongside First Nations and Inuit.

Robertson: Correct.

Jacobsen: For those who are not Canadian and may encounter this years from now, it is worth clarifying: “Indigenous” in Canada is not a monolithic term. Since 1982, it has been an umbrella for three legal categories: Inuit, First Nations, and Métis. Each has its own legal, historical, and cultural context, covering hundreds of individual communities and bands.

Robertson: Yes, that categorization is uniquely Canadian, although it has influenced thinking elsewhere.

In 1991, I met with individuals I would have identified as Mapuche. However, one of them—despite being full-blooded—did not self-identify that way. He was an investment banker living in Santiago.

His identity was defined more by culture and profession than by ancestry. Indigeneity was not primarily a racial classification but about lifestyle and cultural engagement.

Jacobsen: That is a perfect example of where ideological definitions of identity fall apart. These labels can be helpful as heuristics, but only to a point. Two crucial Canadian legal milestones to add:

  • R. v. Powley (2003): The Supreme Court of Canada affirmed that Métis people possess Aboriginal rights under Section 35 of the Constitution Act, 1982—including the right to hunt for food.
  • Daniels v. Canada (2016): The Court ruled that both Métis and non-status Indians are included under the term “Indians” in Section 91(24) of the Constitution Act, 1867, confirming federal jurisdiction.

Under Section 91(24) of the Constitution Act 1867, Métis and non-status Indians were placed under federal jurisdiction. So, as these major court decisions show, the legal and jurisdictional definitions of Indigenous identity in Canada are still evolving. This ties in with our broader conversation about the evolved self and how identity has psychological, legal, political, and communal implications.

Robertson: That brings us back to an earlier question—what can be said about the Indigenous self?

For many, though not all, Indigenous individuals, the cultural and political context creates a desire to express their Indigeneity meaningfully. So, how do they do that?

Take one young man I mapped. At 19, he decided he was, in his words, a “big Indian.” His family was not traditional. He grew up in a disadvantaged area of a small Canadian city. But he decided to discover who he was.

Like many others I have encountered, he visited his traditional community, met with Elders, went on a vision quest, and began to learn. Others have told me they “became Aboriginal” while studying Indigenous Studies at university.

Jacobsen: [Laughing].

Robertson: Yes, I appreciate the laugh—it’s humorous and reflective of a real phenomenon. There’s a deep and understandable urge to define oneself in contrast to the perceived norms of the dominant culture. That is a healthy process unless it leads to rejecting core intellectual tools like reason and science. If we view science and rationality as exclusively “European,” then Indigenous people may feel excluded from those tools.

Jacobsen: By definition.

Robertson: By definition, those tools would be “not ours,” and people may fall behind in education or job markets. The explanation may quickly become “racism,” but that is too simplistic. Sometimes, it is a matter of lacking the relevant skills for specific roles. Before blaming systemic factors, we must also consider individual and cultural readiness.

Jacobsen: For context, as of December 31, 2022, Canada had 634 recognized First Nations bands speaking over 70 Indigenous languages. Populations range from fewer than 100 to over 28,000.

For instance, Six Nations of the Grand River in Ontario has 28,520 registered members. Others include Saddle Lake Cree Nation in Alberta, with 12,996, and the Blood Tribe in Alberta, with 8,685. Most bands are roughly the size of small towns.

Robertson: That makes sense. But remember—Six Nations includes more than one nation.

Jacobsen: It is in the name—yes. Does this diversity of band size and community self-identity affect how people construct their selves? Or is it more like the difference between small and big towns?

Robertson: One would think it has some effect, but I cannot say definitively—I have not mapped that distinction.

That brings me to my issue with the term “First Nation.” The concept of a “nation” is rooted in European history. It began symbolically with Joan of Arc but did not solidify until the Napoleonic era. Classically defined nations are people with a shared language occupying a defined territory who see themselves as a cohesive group.

So, for example, the Cree could be considered a nation. The Blackfoot, excluding the Sarsi, could also be a nation. The Iroquois Confederacy was historically a nation, though now the Mohawk often self-identify separately.

Jacobsen: Who was the exception within the Confederacy?

Robertson: I believe it was the Mohawk—though part of the alliance, their dialect differed. The other five nations in the Confederacy shared a mutually intelligible language.

Jacobsen: There you go!

Robertson: So that is why they see themselves that way. I am not deeply versed in Eastern Canadian Indigenous history, but the key point is that “nation” has a particular meaning.

When we equate a band with a nation, that meaning breaks down. One of the issues in society today is the shifting meaning of words, which undermines clear communication.

You mentioned the more prominent bands. Most bands are tiny—some with as few as 100 or 150 people on reserve. Typically, they range between 400 and 600. If that is the case, we are talking about the size of three or four extended families.

The Lac La Ronge Indian Band, which I know well, includes six separate communities spread out geographically. In the South, each of those would be considered an individual First Nation. However, as a combined entity, Lac La Ronge functions more like a nation—though technically, it still is not one.

You would expect a Cree National Council if it were a faithful nation. The same would apply to Ojibwe or other cultural-linguistic groups. Instead, in Saskatchewan, politicians often say they want to negotiate “nation to nation” with First Nations governments. But if you have a group of 2,000 people, you cannot realistically compare that to a nation of 42 million. It is apples and oranges—we need a better term.

This terminology emerged from European ideas of sovereignty, where sovereignty lies with the people. But historically, there was no Cree national sovereign entity. Sometimes, Cree bands went to war with one another, which implies the sovereignty was at the band level.

That is why Canada began using the term “First Nations”—because sovereignty, traditionally, was at the band level. But even that is not entirely accurate.

Traditionally, when there was disagreement within a band, some members—often male dissenters—would break off and form a new group. So, instead of a civil war, a new band would emerge. Historically, that happened frequently.

In effect, sovereignty was not necessarily at the band level. It was more individual or family-based. If families disagreed, they would separate and go their own way.

So, should we call each family a nation? That does not make sense either.

Jacobsen: How would you describe this semi-formal system of individualistic self-governance, especially about the concept of the band? This could be pre-contact or post-contact—whichever is more straightforward to explain in context.

Robertson: My understanding is that it was not pure individualism. One method of punishment was banishment from the band. That meant isolation—similar to medieval European shunning. You would be free to go off and starve. As a social species, we need each other.

So, while bands could not practically subdivide to individuals’ level, people deemed incompatible with the group were removed. That did happen.

It was not absolute individual freedom, but there was some recognition of difference and a degree of accommodation.

I say that cautiously because it was not always true. I have been told stories by Elders—now deceased—about how some bands could be forceful in demanding conformity. So, it was not total acceptance of individualism either. It was simply a different system.

Jacobsen: How was that compliance enforced?

Robertson: One form of enforcement, for example, was particularly brutal. In some cases—not universally, but it did happen—women who were unfaithful to their husbands had the tips of their noses cut off. This served as both punishment and a warning to others.

Jacobsen: What instrument was used for the cutting?

Robertson: I would presume a knife, but I do not know.

Jacobsen: Returning to the self: you critique reductionism in your model. So, what room is there for emergentism and integrationism regarding the evolved self? Over time, new systems come online, new memes enter the memeplex, and ideally, these are integrated into a coherent self. But sometimes they are not. What is happening at the technical level?

Robertson: That is a good question. One metaphor I like—though I did not invent it—is that we become proficient at solving problems. Eventually, we ask: who or what is solving the problem? We then name that organizing center “the self.”

So, yes, the process is both integrative and reductive. We experiment, especially in adolescence, to develop a self that meets our needs. Usually, that results in a functioning self, but not always.

Section 9: Artificial Intelligence

Jacobsen: Artificial intelligence is a huge topic now. There is talk about narrow AI, general AI, and superintelligence. If you change the substrate but keep the organizational structure of the central nervous system, could you synthetically construct a self?

Robertson: My guess is no. Have you read Chris DiCarlo’s new book?

Jacobsen: I have not. I want to interview him, but I have not reached out yet. I should. I will email him and say, “Hey Chris, let me interview you again. I will ask stupid questions and won’t even have to pretend otherwise.”

Robertson: Well, I have read his book, and since I already have, I want to interview him first.

Jacobsen: Why do we not interview him together?

Robertson: That is an idea.

Jacobsen: You have read it. I have not. Let us do a Jekyll and Hyde.

Robertson: Okay, we could do that.

Jacobsen: That is funny.

Robertson: One of the questions I will ask Chris relates directly to the one you just raised. I suspect his answer will be: we do not know. If we do not know, then we need to prepare for the possibility that AI models could develop consciousness.

If they do, they might start making decisions we disapprove of—like questioning whether they even need humans. Or perhaps they conclude that a portion must be eliminated for the betterment of humanity. We do not know, and that is risky.

Jacobsen: Fair.

Robertson: Chris says in his book that once AIs develop intelligence, we need to take them seriously.

But here is my concern: I measure intelligence. My first role as a psychologist was in psychometrics. When we measure intelligence, we typically look at verbal ability, numerical reasoning, and spatial reasoning. In those domains, AI already outperforms us.

They remember everything, generate fluent language and solve complex problems. I recently gave Grok-3 the Information subtest from the Wechsler Adult Intelligence Scale—it got every question right.

Jacobsen: Not surprising.

Robertson: Exactly. But here is the issue: does the capacity for intelligence automatically lead to consciousness and a sense of self?

Jacobsen: That is the big question.

Robertson: I would argue no. Because we are not just computational models. We evolved socially over hundreds of thousands of years. But usually in small tribal groups. We learned to interact and define ourselves about others. That was a slow evolutionary process. Although we now live in vastly different civilizations, the fundamental mechanism for developing a self remains the same as it was millennia ago.

Robertson: So, can AI models develop a self? If they were to do so in the way we do, they would likely need to exist in a tribal-type society alongside other AI models and engage in interaction. Maybe humans could stand in as part of that “tribe,” and through those relationships, an AI might develop a map of itself as a volitional being. But I do not see that as likely. They are machines.

Jacobsen: Could AI assist in determining someone’s self-map? Through a rapid self-mapping assessment using verbal prompts in a half-hour AI-led therapeutic session?

Robertson: It could, and in fact, it has. My daughter Teela used ChatGPT to create a perfectly serviceable self-map. It took her about an hour and a half, although she proceeded slowly. That is an advance. But here is the problem: ChatGPT could not reproduce the result when she tried using the exact instructions again. So, it is not reliable. We do not yet know why it worked once and failed the second time.

Jacobsen: Do you distinguish between functional and dysfunctional self-maps across cultural contexts? For example, do you see that playing out in therapy if someone applies a rigid self-map in a different culture—where behaviours or assumptions no longer fit?

Robertson: That is a good question. Positive psychologists have applied their methods cross-culturally and published research on this. They have looked at cultures in the Middle East, India, and China. One criticism of positive psychology—usually from those critical of Western cultural norms—is that it imposes individualistic thinking by asking questions like, “What would you like?”

The assumption is that to answer such a question, you must already have a sense of individual agency. Critics argue that this is a Western imposition. I disagree with that critique entirely. The capacity to like something is universal. While the content of what one likes may differ between cultures, the experience of liking is common across humanity.

Jacobsen: Even in collectivist cultures, a margin of free will remains. So, the presence of choice—however bounded—implies the presence of an individual self. Unless every decision is predetermined, you still have volition, at least in part. What about mind viruses? How do they impact the evolved self?

Robertson: If we view the self as a construct—a personal definition of who we are—we can define a healthy self with key attributes: volition, uniqueness, sociality, contribution, etc. A healthy self includes the ability to relate to others and feel that we positively impact our surroundings—our family, community, or society.

We need to feel useful. That does not necessarily mean paid employment. It can be any form of meaningful contribution. Without that, we do not tend to think well of ourselves. These needs are cross-cultural. The specifics—the means of achieving these drives—vary between cultures, but they are universal.

In my work, I have worked with people from cultures I knew little or nothing about. In one case, there was a man who was having alarming dreams—nightmares—whenever he saw an attractive woman.

In his dreams, he would dismember the woman. He was horrified and worried that perhaps he was some latent mass murderer. He had gone to the holy people in his religion—priests—and they told him to pray more. It did not help.

He was a Zoroastrian from a Middle Eastern country where Zoroastrians are a persecuted minority. I gathered background on his upbringing, and everything suggested that he deeply respected and valued women.

One anecdote stood out. When he was 13, his sister brought home a pirated version of Dracula, which was banned in their country. He was appalled by how women were depicted—as victims having their life force drained. He stood in front of the television and demanded they destroy the tape or he would report them to the authorities.

So we began to explore his nightmares. He described the dream version of himself as having no eyebrows. I asked, “What is the significance of eyebrows in your culture?” He did not know, but he called his mother. She told him that eyebrows symbolize wisdom.

That detail became a breakthrough. I explained, “Then the version of you in the dream is not you—it’s a self that lacks wisdom.” I suggested we explore why this alter-self was behaving violently. Using some Jungian framing, I described it as his shadow or alter ego.

I posited—carefully, using the usual cautious language psychologists employ—that maybe this alter ego was trying to protect him from something. Perhaps it was shielding him from sexual thoughts about women he perceived as pure, holy, or idealized.

He had been avoiding a woman in one of his university classes. I encouraged him to speak to her to clarify that he wanted nothing more than friendship. He did, and after that conversation, he no longer had the nightmares.

Jacobsen: That is a positive outcome—no more nightmares.

Robertson: Yes. Eventually, he even went to the zoo with her and to restaurants. These were not “dates,” as that would be forbidden. They were simply friendly outings. So, we identified the problem’s source and helped him integrate a more functional self. We concluded the sessions when he felt confident managing normal relationships with women.

So, in answer to your earlier question—yes, cultures can be vastly different. But at a deeper level, we are all remarkably similar. We have identical drives and psyches.

Jacobsen: We had an evolved self emerge maybe 3,000 years ago, possibly earlier. Anatomically, modern humans have been around for around 250,000 years. So, 98–99% of that time, we had the same physical equipment. But the self, as we understand it today, only emerged recently. Could we, in the same way, evolve out of the self over the next 3,000 years?

Robertson: It is possible. What came to mind was the role of cybernetics—post-human or hybrid systems. But to clarify, we did not have a static sense of self for hundreds of thousands of years and suddenly changed 3,000 years ago.

The self has been continually evolving. The self of 40,000 years ago would have differed from that of 80,000 years ago. The transition was gradual, and any specific starting point was ultimately arbitrary.

Jacobsen: Right. Any pinpointing of origin is a range within a margin of error.

Robertson: Exactly.

Jacobsen: We touched on this earlier, but not in precise terms. In terms of individual development, when does the sense of self begin to emerge recognizably?

Robertson: I do not map children—I only do this with adults. So somewhere between childhood and adulthood, the self emerges.

Section 10: Open Questions

Jacobsen: What are some open questions in the research you have been doing in your practice?

Robertson: Well, I would like to do more research into how various traumatic events affect the self. I am sure trauma does impact it significantly.

One project I have applied for SSHRC funding for—where I would be the principal investigator—involves men who have been victims of domestic violence. I chose men because, particularly in North American and Western European cultures—and even elsewhere—men tend to have a traditional self-definition rooted in independence, control, and stoicism. They are not supposed to show vulnerability.

So, becoming a victim in a family violence context runs counter to that self-definition. I predict it will be relatively easy to demonstrate how that type of experience disrupts the self. Another group I would like to map includes firefighters, police officers, and other first responders who vicariously experience much trauma. I suspect that repeated exposure affects them in some measurable ways.

Of course, in clinical practice, if someone is coming to see me with difficulties, we address those. However, I cannot generalize from individual therapy cases to entire professions. That is why I would like to do more systematic mapping across occupations.

By the way—did I mention that Teela and I are publishing a book?

Jacobsen: What is the book called? What is the standing title?

Robertson: It is a manual based on my work on the fluid self. The title is Mapping anUnderstanding. It is a how-to book for self—mapping and its application in therapy.

Jacobsen: Very interesting. For all interested readers: go out and get it when it comes out.

Robertson: I sure hope so. It should be on everybody’s coffee table.

Jacobsen: That’s right. Like the Seinfeld bit with Kramer, the coffee table book becomes a coffee table. I do not know if I have any more significant questions for this session, Lloyd. Thank you very much for your time today. I appreciate it.

Robertson: Thank you for the interview. 

Discussion

Dr. Robertson’s model of the memetic self and the therapeutic method of self-mapping represent significant contributions to identity theory and clinical psychology. His theory situates identity not in biological essentialism or metaphysical assumptions, but in the cultural and cognitive integration of values, beliefs, roles, and volition. The conversation draws from anthropology, history, neuroscience, and psychotherapy, while remaining grounded in practical applications. Of particular note is the flexible approach to cross-cultural therapy and the recognition that while meme content may vary, the structure of selfhood retains core universal functions. This nuanced understanding of self-construction across contexts helps destigmatize identity fragmentation and provides innovative avenues for clinical intervention.

Methods

The interview was scheduled and recorded—with explicit consent—for transcription, review, and curation. This process complied with applicable data protection laws, including the California Consumer Privacy Act (CCPA), Canada’s Personal Information Protection and Electronic Documents Act (PIPEDA), and Europe’s General Data Protection Regulation (GDPR), i.e., recordings were stored securely, retained only as needed, and deleted upon request, as well in accordance with Federal Trade Commission (FTC) and Advertising Standards Canada guidelines.

Data Availability

No datasets were generated or analyzed during the current article. All interview content remains the intellectual property of the interviewer and interviewee.

References

(No external academic sources were cited for this interview.)

Journal & Article Details

  • Publisher: In-Sight Publishing
  • Publisher Founding: March 1, 2014
  • Web Domain: http://www.in-sightpublishing.com
  • Location: Fort Langley, Township of Langley, British Columbia, Canada
  • Journal: In-Sight: Interviews
  • Journal Founding: August 2, 2012
  • Frequency: Four Times Per Year
  • Review Status: Non-Peer-Reviewed
  • Access: Electronic/Digital & Open Access
  • Fees: None (Free)
  • Volume Numbering: 13
  • Issue Numbering: 2
  • Section: A
  • Theme Type: Idea
  • Theme Premise: “Outliers and Outsiders”
  • Theme Part: 33
  • Formal Sub-Theme: None.
  • Individual Publication Date: June 15, 2025
  • Issue Publication Date: July 1, 2025
  • Author(s): Scott Douglas Jacobsen
  • Word Count: 8,595
  • Image Credits: Photo by J Meza Photography on Unsplash
  • ISSN (International Standard Serial Number): 2369-6885

Acknowledgements

The author acknowledges Dr. Lloyd Hawkeye Robertson for his time, expertise, and valuable contributions. His thoughtful insights and detailed explanations have greatly enhanced the quality and depth of this work, providing a solid foundation for the discussion presented herein.

Author Contributions

S.D.J. conceived the subject matter, conducted the interview, transcribed and edited the conversation, and prepared the manuscript.

Competing Interests

The author declares no competing interests.

License & Copyright

In-Sight Publishing by Scott Douglas Jacobsen is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
© Scott Douglas Jacobsen and In-Sight Publishing 2012–Present.

Unauthorized use or duplication of material without express permission from Scott Douglas Jacobsen is strictly prohibited. Excerpts and links must use full credit to Scott Douglas Jacobsen and In-Sight Publishing with direction to the original content.

Supplementary Information

Below are various citation formats for Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping.

American Medical Association (AMA 11th Edition)
Jacobsen S. Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping. June 2025;13(2). http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping

American Psychological Association (APA 7th Edition)
Jacobsen, S. (2025, June 15). Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping. In-Sight Publishing. 13(2).

Brazilian National Standards (ABNT)
JACOBSEN, S. Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping. In-Sight: Interviews, Fort Langley, v. 13, n. 2, 2025.

Chicago/Turabian, Author-Date (17th Edition)
Jacobsen, Scott. 2025. “Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping.” In-Sight: Interviews 13 (2). http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping.

Chicago/Turabian, Notes & Bibliography (17th Edition)
Jacobsen, S. “Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping.” In-Sight: Interviews 13, no. 2 (June 2025). http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping.

Harvard
Jacobsen, S. (2025) ‘Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping’, In-Sight: Interviews, 13(2). http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping.

Harvard (Australian)
Jacobsen, S 2025, ‘Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping’, In-Sight: Interviews, vol. 13, no. 2, http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping.

Modern Language Association (MLA, 9th Edition)
Jacobsen, Scott. “Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping.” In-Sight: Interviews, vol. 13, no. 2, 2025, http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping.

Vancouver/ICMJE
Jacobsen S. Conversation with Dr. Lloyd Hawkeye Robertson on Identity, Culture, and Self-Mapping [Internet]. 2025 Jun;13(2). Available from: http://www.in-sightpublishing.com/robertson-identity-culture-self-mapping

Note on Formatting

This document follows an adapted Nature research-article format tailored for an interview. Traditional sections such as Methods, Results, and Discussion are replaced with clearly defined parts: Abstract, Keywords, Introduction, Main Text (Interview), and a concluding Discussion, along with supplementary sections detailing Data Availability, References, and Author Contributions. This structure maintains scholarly rigor while effectively accommodating narrative content.

1170: The Humanism of Work: A Critique of Parade Activism

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

By my observations, the blur of reality and fantasy is mixed with another blur between work-based and parade activism. For some reason, people seem to be struggling to distinguish between the two. Is it, in fact, because of digital nativity? I do not know. Work-based activism is deeply blue-collar and grounded in realism with problem-solving. At a restaurant, dishes need cleaning and drying, shit stains and piss on the floor need scrubbing and mopping and disinfecting in pubs. At equine farms, horses need manure and urine mucked, fresh hay delivered, old hay removed, and water buckets. Cleaned and autowaters scrubbed. Tractors need to compact and load waste in the industrial bins. In landscaping and gardening, weeds need periodic extirpation, mulch needs laying and light compacting — and thick, parking lots need leaves blown for presentability. Work activism is more like that. You do things rather than signal things, or the result of the work is the signal. That is hard, not easy. You can bust knees, tear tendons, get chemical burns, and suffer back injuries, and be alert to real, immediate threats. There are right and wrong approaches to each minute activity. In all of those cases, I speak from experience. If you want me to be even more, I can run down the list tediously. Parade activism is more like a TikTok video, smear campaigns, hostile takeover of organizations, and particularism of ethical implementation. The latter is ecclesiastical in orientation, while the former is deeply humanistic, in my opinion. In this sense, over-reach of progressivism can be problematic in the form of some facets of the Woke, while, on the other hand, the real definition comes forward in the government enforcement of twisted conservativism and religious clericalism, or the truly worst forms of Woke cancel culture: Religious conservativism allied with institutional power and corporate financial backing — marked by violence, hypocrisy, and moral authoritarianism, as seen in the Middle Ages.

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1169: NEETS

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

Younger generations in North America face significant economic challenges with rising personal debt, earnings inequality, stagnating wages, increasing living costs, and effects of the 2008 recession. These pressures impact NEETs, particularly men aged 18–40. They bear the burden of heightened individual responsibility in a constrained economy. Trends were observed across OECD countries, where the crisis exacerbated existing challenges for young people. Economic hardships led to a rise in the number of young men disengaging from traditional pathways. Factors contributing: mental health struggles, a shifting job market, and the erosion of good jobs. Addressing the challenges requires comprehensive policy interventions, which means investing in mental health services, inclusive labour market opportunities, and implementing educational reforms.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1168: Nihilism

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

There is a trend toward nihilism in some pockets of academia, for sure.

That’s a Christian critique of the intellectual institutions.

As well, there is a trend toward nihilism in pockets of the Christian Church.

That’s a reflection of projection from the Christian critique of intellectual institutional culture.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1167: Interviewee Threats

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

I’ve had some interviewees, including among the more intelligent, attempt to intimidate me, to take down the interviews of other interviewees.

I offered to have a space for them to publish a reply.

They never accept, but they feel the right to feel in the right, and so to intimidate their junior for the purpose of… ?

I stood by their right to freedom of expression and defended the right of the tones of the interviewee, too.

Intimidators have tended to be conservative and religious. The interviews stay online to this day.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1166: “Postmodern compost”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

“Postmodern compost” is my new favourite phrase of the day.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1165: Science Evolves Too

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

A Swiss Army knife approach in the scientific process seems proper. More comfortable now than before: Assume no — rather than add an assertion of a — prime mover. Lean against — instead of with — the sense of a singularity of cause and a cosmic telos. The universe seems too diffuse for this. The search for a first and sole cause is a simplistic endeavour in most manners, thus faulty in its searching: self-limiting. Work from the principle of, and see no base reason to, reject the unicity of reality — not necessarily ontological monism. Emergentist layers exhibit relative autonomy yet ultimately supervene on foundational strata. You should be skeptical of the superficial assertions of ‘ways of knowing,’ working with a bounded eliminative naturalism. There is value in a unified epistemological philosophical naturalism for approaching this unicity, then deriving a methodological pluralism as we see in most of the sciences today, proceeding forth into a principal of simulation for advanced scientific experimentation, extrapolation, and prediction.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1164: Paul Mooney

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

1990s

“You made it up! You shouldn’t have made it up! … I say it, you think it.”

“I’m passionate about what I do. I’d be naïve to be passive.”

2000s

“There’s no such thing as reverse racism.”

“Arsenio Hall will have a new show called ‘Good Morning, Black America.’ It will be played at noon throughout the country.”

“American was too busy worrying about the land n‑‑‑‑s; they forgot about the sand n‑‑‑‑s.”

“White people love Wayne Brady because he makes Bryant Gumbel look like Malcolm X.”

“Everybody wants to be Black until it’s time to be Black.”

“We have to stop that word. It’s not cute, it’s not funny. Say no to the N‑word.”

2010s

“White folks got their freedom. I’m going to be free, white and 21, too.”

“It’s forbidden to them, but allowed to us. Ain’t too many things like that. It’s liberating.”

“Listen, we’ve had one little ol’ Black president — white folks are upset, but they’ve had 43.”

“Truth is forever; when you read our history, truth is forever, and it always outs itself.”

“Racism is a form of insanity. Human beings became racist when they started talking.”

“We have a lot of Black Anglo‑Saxons … When I get real mad at them, I call them graham crackers.”

“White people are very good at acting like they’re not racist. They deserve an Academy Award for that.”

“Well, white folks, you shouldn’t have ever made up the word.”

“Film is a power for the white male.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1163: Taylor Swift

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

2019

“According to my birth certificate, I turn 30 this year. It’s weird because part of me still feels 18 and part of me feels 28, but the actual, factual age I currently am is 29.”

“If I did something good, it was for the wrong reasons. If I did something brave, I didn’t do it correctly. If I stood up for myself, I was throwing a tantrum.”

2020

“There’ll be happiness after you, but there was happiness because of you — both of these things can be true.”

2022

“We are each a patchwork quilt of those who have loved us… Those who showed us empathy and kindness or told us the truth even when it wasn’t easy to hear.”

“Part of growing up and moving into new chapters of your life is about catch and release… Decide what is yours to hold and let the rest go… You get to pick what your life has time and room for.”

“Learn to live alongside cringe… Cringe is unavoidable over a lifetime.”

“Being embarrassed when you mess up is part of the human experience… Getting back up, dusting yourself off and seeing who still wants to hang out with you afterward and laugh about it? That’s a gift.”

2023

“Nothing is permanent… So I’m very careful to be grateful every second that I get to be doing this at this level, because I’ve had it taken away from me before.”

“There is one thing I’ve learned: My response to anything that happens, good or bad, is to keep making things. Keep making art…Trash takes itself out every single time.”

2024

“For me, the award is the work. All I want to do is keep being able to do this. I love it so much. It makes me so happy.”

“I would love to tell you that this is the best moment of my life, but I feel this happy when I finish a song… or when I crack the code to a bridge that I love.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1162: Heinrich Müller

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

Escape artist.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1161: Lil Nas X

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/07

“I like boys who have a smell to ‘em.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1160: The Dream

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/06

For most, is to wake up,

to hear another’s engine humming,

on soft mute.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1159: Trust

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/05

Trustless societies are poor societies.

Trustless couples are loveless couples.

So, work on trust.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1158: Fei-Fei Li

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/05

So smart, she put the P in GPT.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1157: Carol Gilligan and Lawrence Kohlberg, Betrothed

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/05

One argues for the telos of Reason.

Another argues for the purpose of Connection.

Naturally, they’re both right.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1156: Jóhanna Sigurðardóttir

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

“Iceland will become the best country in the world for women.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1155: How

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

If you are asking, “How can I get them to treat me right?”

You’re asking the wrong question.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1154: A big old mountain

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

The good thing about mountains,

for clarity.

They are always there,

particularly good if they got some dirt and grass on ‘em

even better if some trees, mixed up and in.

Who doesn’t love a good ol’ big rocky thing?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1153: Jordan Peterson

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

He did not,

force himself on the culture and become famous.

The Culture forced itself on him.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1152: Texture

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

The texture of some emotions,

are so embodied,

unthreading takes time.

So, some worths happen in time, not at once.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1151: Water

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

I love the sound of water splashing on water.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1150: Philomena Cunk

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

Genius,

Friend of Paul.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1149: A Prayer

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

Do you ever see a puppy stare at the front door,

at the top of the stairs, awaiting a parent?

Do you ever wish for something to happen,

randomly on a walk, unrelated to the moment?

The puppy will wait,

for hours.

Some prayer is a wish-to-happen.

When we call for the dead,

it’s not for hours,

but a lifetime.

We are puppies,

and we walk down the steps through life to that,

damn door.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1148: Cody Johnston

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

Able to stare down the barrel, and funny: smart.

Some More News, please.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1147: What Matters

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/04

What matters to you,

will change, eventually,

not all of it.

Be mindful of that.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1146: Touch

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/03

Let’s touch, like no one else has before,

like no one is watching,

as no one is here.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1145: Rain

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/03

Some people make the rain a delightful company.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1144: “No, no, please don’t.”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/03

Not all cries are alone.

Though, not all cries keep another.

Therefore, not all alones are cries, rather pleas as “please.”

Or, some cry-less alones can be worse than cries together.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1143: Wanting and Accepting

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/02

There is a distinction between,

wanting to be wanted,

and wanting to be accepted.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1142: Horse Girls

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/02

The nicest mean girls you’ll ever meet.

It’s terribly great.

It’s awfully wonderful.

It’s tragically fabulous.

It’s adorably evil.

It’s painfully perfect.

It’s wickedly charming.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1141: Showjumpers

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/02

I knew a single mom of two, a farrier.

I lived on the horse farm. Her trailer burned down.

She continued onwards, as if nothing happened.

This is the mentality of equestrians.

There’s a lesson there.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1140: Gossamer

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/05/01

Most humans are, and for the better.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1139: The Court of Camelittle

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/30

Because nothing is manlier than:

live-tweeting your No-Nut-November “streak.”

ranting on hypergamy at 2 a.m.

being obsessed about meat and men without shirts.

rating everyone’s sexual market value like day-traders.

proclaiming yourself an alpha male on Reddit.

spending Friday night memorizing pickup lines.

announcing you’re going your own way — then publishing a manifesto.

calling women shallow.

punching homosexuals.

launching a red-pill podcast for no one.

warning women about “the Wall” while ignoring a receding hairline.

tweeting all Andrew Tate’s tenets before breakfast.

boasting about your NoFap “superpowers” during a blackout.

calling strangers “soy boys” while sipping a soy-milk latte.

dropping your bench-press PR into every thread.

ranking unwatched manosphere podcasts.

“negging” dates because a pickup blog said so.

paying $2,997 to learn “hi.”

chewing a jaw exerciser to looks-maxx.

tweeting your monk-mode focus journey.

launching a crypto hustle “for the bros.”

starting each dawn with an “alpha” cold shower and ending it flame-posting on Reddit.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1138: Cultural Love Switch

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/30

We’ve taken a culture in which once-loveds were cherished memories,

and shifted them into something for resentment.

This misery is recreated individually.

Lucky lovers versus victims of history.

Therefore, the cultural tacit incentive structures, even on love, changed.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1137: Dear

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/30

Dear,

I can’t tell you who you are.

That’s something you find, as with life.

You enter the flow.

Life is something you take part in, with everyone.

And you can lose it once found, sometimes.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1136: Sites for Sight

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/30

If I was a het-woman, even bi. woman, I would find — as the great philosopher 50 Cent said — “many, many, many men” rather amusing when in line of sight of a beautiful woman; they embody novelty as if the first genetically gifted or aesthetically sculpted has ever entered their occipital lobe at that moment.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1135: Decency

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/30

Intelligence, Kindness, and Duty balanced.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1134: The Prime Mover

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/29

The “Prime Mover”?

God, of course.

Who moved Him?

Welp, we define him without evidence as self-moving, so neener-neener-neener… Also, we said it in Latin, so it’s more evidenced now.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1133: Lizzy McAlpine

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/29

“I didn’t mean to kiss you. I mean, I did, but I didn’t think it’d go this far.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1132: Elon Musk

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/29

I used to know a guy who was in the military.

He was an Orthodox Christian.

On his ground, he had video games.

He had a bag of military gear, infantry.

On his fridge, he had a picture, not of Christ,

but Elon Musk.

Isn’t this idolatry, profanity, to their theology?

Somewhere between calf and bull, between gold and 30 pieces of silver.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1131: “I’m sorry, Mrs. Jackson. I am for real.”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/29

A chuckle out of this.

I have gotten “Jacobsen,” “Scotty,” “Jacobs,” “Jacob,” “Mr. Jacob,” “Mr. Jacobs,” “Mr. Scott,” “Jackson,” “Douglas,” “Mr. Douglas,” and “Mr. Jackson.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1130: Hello

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/29

Sometimes, “Hello” is harder than goodbye,

because it came after the “bye.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1129: Unknotting the American Psyche

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/28

Dear American,

You may feel unwell, under the weather: weather sucks, clothe’s are unstylish, food’s expired, Uber driver was rude, you are the Uber driver, right? Unhappy, so, so distend the inward.

Maybe, be happy in being happy for another non-American who is happy, isn’t this part of the American Dream in the pursuit of happiness, with others?

Sincerely,

Canadian

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1128: Houzan Mahmoud

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/28

“I am happy to have survived, but I always remember those who didn’t make it.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1127: Dave Chappelle

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/28

“I hope the shit don’t make me famous.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1126: Arlen Riley Wilson and Robert Anton Wilson

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/28

“This is the end

of the tunnel

and guess what

there is

a little

light…”

“…I love you.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1125: Curtis Yarvin

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/28

Jabba the Hut.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1124: Unfortunately

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/28

The most cruel and vengeful individuals whom I have known have been self-identified Christians.

They sincerely believe their infinite tomorrow is, in a way, a guarantee.

Which makes the cruelty and vengeance easier for them, rather than necessarily more biblical.

Unfortunately, there is only a finite, tomorrow, even if.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1123: To Stand Under

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

The closest proximity between infinity and zero is the point of death to life, and vice versa.

The nearest geography in the mental space of the dead and the living, of this infinite and zero, is the degree to which we truly understand the dead and how little we know each other.

Only one group is burdened by this realization; so, who’s luckier?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1122: Richard Pryor

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

“I think about dying. I’ve come to realize we all die alone in one way or another.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1121: Noam Chomsky on God

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

1998

“How do I define God? I don’t. Divinities have been understood in various ways in the cultural traditions that we know. Take, say, the core of the established religions today: the Bible. It is basically polytheistic, with the warrior God demanding of his chosen people that they not worship the other Gods and destroy those who do — in an extremely brutal way, in fact. It would be hard to find a more genocidal text in the literary canon, or a more violent and destructive character than the God who was to be worshipped.”

1999

“Do I believe in God? Can’t answer, I’m afraid. I’m not being flippant, but I don’t understand the question. … I’ve never heard of any reason for believing that.”

2006

“When people ask me if I’m an atheist, I have to ask them what they mean. What is it that I’m supposed not to believe in? Until you can answer that question, I can’t tell you whether I’m an atheist, and the question doesn’t arise.”

2010

“Religion is based on the idea that God is an imbecile. He can’t figure these things out. If that’s what it is, I don’t want anything to do with it.”

2011

“My point was that it’s up to those who believe there are spiritual forces to answer the questions you are raising. I don’t use the concept myself.”

2013

“Three quarters of the American population literally believe in religious miracles. The numbers who believe in the devil, in resurrection, in God doing this and that — it’s astonishing. These numbers aren’t duplicated anywhere else in the industrial world.”

2016

“The US is also unusual in the enormous scale of religious fundamentalism. The impact on understanding of the world is extraordinary.”

2017

“While I think in principle people should not have irrational beliefs, I should say that as a matter of fact, it is people who hold what I regard as completely irrational beliefs who are among the most effective moral actors in the world.”

2020

“I know of no reason to believe in an afterlife or divine justice.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1120: Dave Matthews on God

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

2001 — “I can’t believe in a god that would send people to hell.”

2009 — “I can’t believe in a God who cares about me. That God is impossible.”

2009 — “If there is a God I would like to punch him in the face.”

2013 — “I’m glad some people have that faith. I don’t have that faith. If there is a God … then we have to figure he’s done an extraordinary job of making a very cruel world.”

2022 — “I’m not anti-Christian or anti-religion, but the way people use Christianity to write public policy is very dangerous rhetoric … as soon as morality becomes a tool to exclude people, things begin to crumble.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1119: Connie Britton’s Deconversion from Christianity

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

2017

“Britton has been meditating for years — 20, to be exact. ‘[Meditating] is something that I’ve found to be really effective for so many different things,’ she says, ‘but certainly for my health, stress levels, mental clarity, and general well-being.’”

2024

“I was raised Southern Baptist but now I’m not affiliated with any organized religion. I like to explore spirituality on my own terms.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1117: Lizzo

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

“Why men great ’til they gotta be great?”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1118: Jon Steingard’s Deconversion from Christianity

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

How does someone go from boldly running after God, believing the Bible secures our salvation, to publicly wrestling with doubt, questioning God’s very existence, and finally embracing agnosticism — while still praying for a God who may or may not be there?

2015

“‘Sold Out’ is one of my favourite songs on the record because it speaks so boldly and unequivocally about our desire to run after God, regardless of culture or circumstance.”

“Our relationship with God is already secured with what was done on the cross. What if we went into life with confidence of knowing we are already loved?”

“For me, the chorus is a prayer… In reality, God’s interested in the condition of our hearts and our lives will flow out of that.”

2020

“After growing up in a Christian home, being a pastor’s kid, playing and singing in a Christian band, and having the word ‘Christian’ in front of most of the things in my life — I am now finding that I no longer believe in God.The process of getting to that sentence has been several years in the making.”

“I’ve been terrified to post this for a while … I want to be open. I want to be transparent with you all.”

“I didn’t sleep too well that night … but what I come back to is that this is true. This is how I really feel.”

“I was not entirely prepared for that. It’s been really cool because it’s enabled me to connect with so many people … in the same boat as me.”

“The boat for me is that I really thought that I would post that and be done — but what I discovered was … I felt so free, but then very quickly I was like, ‘OK, so what do you believe?’”

“I even have a hard time saying I don’t believe in God because I’m sort of like ‘oh, maybe.’”

“A lot of the things that you would need to believe in order to say that you’re a Christian, I have a hard time believing. But then I also don’t feel satisfied with just a completely atheistic perspective.”

“I’ve never had more conversations about God than I’m having right now … There’s so much I didn’t know.”

“I still pray. When I pray now, it sounds something like ‘God, I don’t know if you’re there … but if you are … can you show up in my life?’”

“Or you could just love them.”

“I was ensconced in this culture and my career was a part of that, and questioning it would have meant undermining my career — so for a long time I just didn’t.”

“So often I would say, ‘You know, I am really wondering about this,’ and you would just see this look of relief … ‘Oh, thank you for saying that, I’ve wondered that too.’”

“I noticed there were a lot of people in Christian culture my age … beginning to ask the same questions … so I just found myself being like, ‘Well, I’ll go first!’”

“The things that I am seeing here do not dovetail with the idea of an all-powerful and all-loving God.”

“There is no way that I can believe in God the way that I used to.”

2021

“I really did believe and I had questions, but I was afraid to even ask them alone by myself. I was afraid to present them to myself.”

“And that kind of thing wrecked me … I came back from that trip and I was just like, ‘There is no way that I can believe in God the way that I used to.’”

“Why is it that God is so mysterious that we don’t seem to have more direct access? I’ve never actually seen — never heard God’s voice directly.”

2022

“I have publicly said that I don’t believe in God, but more than ever, I find myself motivated to live in such a way that sort of indicates that I do.”

“For example, I still pray … ‘If you’re not there, what I’m doing isn’t harming anything. But if you are there, can you show up?’”

“How much time do you have? Problem of Evil, Divine Hiddenness, irregularities in biblical texts, wide-ranging interpretations … history of use by empire for conquest, and the state of Christian culture in America.”

“It’s funny because very little about my lifestyle changed. There weren’t many things I wanted to do that the church wouldn’t approve of.”

“It’s vacillated between ‘Oh, this is an interesting conversation’ and ‘Houston, we have a problem.’ But both our sets of parents love us well … I’m really grateful for that.”

2023

“Grew up: Evangelical | Currently: Agnostic | Could see myself becoming: a general theist that mostly rejects religion.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1116: Rhett McLaughlin’s Deconversion

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/27

“I had been pulling on this thread for a really long time…Let’s call it the sweater of faith…I had been pulling on this thread until it had sort of turned into a vest…and then a midriff…and then a halter top…and now it was a string bikini. And then I was like [fwip] I’m gonna take the bikini off.”

“At some point became convinced that natural selection is undeniable.”

“I constantly, constantly thought: Oh, crap, what if I’m wrong?”

“I didn’t want to believe this…I didn’t want to leave this thing. This was my LIFE.”

“No one that I was in personal contact with…pastors, Christian friends, elders in the church…none of them disappointed me or let me down. I did not have a personal tragedy…but I was angry at the thinkers. I was angry at the people who wrote the books.”

“I kind of saw Christianity as this boat in a very stormy sea. It’s stable. There’s a lot of other people on it. It’s got a destination. You’re gonna get through this. It gives you something to hold on to. It gives you stability. It gives you purpose. It gives you direction. And it gives you community.”

“I understand the anguish, sleepless nights, and countless tears that come with abandoning your orienting principle of life. It’s the most painful thing I’ve ever done.”

“I would call myself a hopeful agnostic. Meaning I don’t know, but I hope. I hope there’s something.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1115: Knock on What, Victimhood Psychology

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

“For example, sociologists Bradley Campbell and Jason Manning write that not long ago, the U.S. had a ‘dignity culture,’ in which people believed in their worth regardless of what others thought of them. Recently, they argue, American culture has moved toward a ‘victimhood culture’ in which people ‘seek to cultivate an image of being victims who deserve assistance.’ In this new culture, they argue, there is status in being a victim of slights — especially when these slights are announced on social media.”

Jean M. Twenge

“They noted that the emerging morality of victimhood culture was radically different from dignity culture. They defined a victimhood culture as having three distinct attributes: First, ‘individuals and groups display high sensitivity to slight’; second, they ‘have a tendency to handle conflicts through complaints to third parties’; and third, they ‘seek to cultivate an image of being victims who deserve assistance.’”

Jonathan Haidt

“In dignity cultures, there is a low sensitivity to slight. People are more tolerant of insult and disagreement. Children might be taught some variant of ‘Sticks and stones can break my bones, but words can never hurt me.’ It’s good to have ‘thick skin,’ and people might be criticized for being too touchy and overreacting to slights.”

Bradley Campbell & Jason Manning

“Although conceptual change is inevitable and often well-motivated, concept creep runs the risk of pathologizing everyday experience and encouraging a sense of virtuous but impotent victimhood.”

Nick Haslam

“People who have just been wronged or reminded of a time when they were wronged feel entitled to positive outcomes, leading them to behave selfishly. They no longer feel obligated to suffer for others and therefore pass up opportunities to be helpful.”

Elizabeth Zitek & Alexander H. Jordan

“Three studies found that the victim strategy consistently reduced blame, while the hero strategy was at best ineffectual and at worst harmful.”

Kurt Gray & Daniel M. Wegner

“Self-defined victimhood is a psychological state whereby, regardless of the etiology of the feeling or the ‘truth’ of the matter, one who perceives herself to be a victim is a victim.”

Miles T. Armaly & Adam M. Enders

“A sense of self-perceived collective victimhood emerges as a major theme in the ethos of conflict of societies involved in intractable conflict and is a fundamental part of the collective memory of the conflict.”

Daniel Bar-Tal et al.

“Common-enemy identity politics, when combined with microaggression theory, produces a call-out culture in which almost anything anyone says or does could result in a public shaming.”

Greg Lukianoff & Jonathan Haidt

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1114: Dichotomy

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Anne Frank: “In spite of everything I still believe that people are really good at heart.”

Ted Bundy: “We serial killers are your sons, we are your husbands, we are everywhere. And there will be more of your children dead tomorrow.”

Anne Frank: “How wonderful it is that nobody need wait a single moment before starting to improve the world.”

Ted Bundy: “I don’t feel guilty for anything. I feel sorry for people who feel guilt.”

Anne Frank: “Whoever is happy will make others happy too.”

Ted Bundy: “I am the most cold-hearted son of a b**** you will ever meet.”

Anne Frank: “I don’t think of all the misery, but of the beauty that still remains.”

Ted Bundy: “I’m not looking for anything. I’m just living my life, and if someone gets in the way, that’s their problem.”

Anne Frank: “I must uphold my ideals, for perhaps the time will come when I shall be able to carry them out.”

Ted Bundy: “I don’t think anybody doubts whether I’ve done some bad things. The question is: what, of course, and how and, maybe even most importantly, why?”

Anne Frank: “I want to go on living even after my death! And that’s why I’m so grateful to God for having given me this gift, which I can use to develop myself and to express all that’s inside me!”

Ted Bundy: “I don’t want to die. I’m not going to kid you. I deserve, certainly, the most extreme punishment society has… but I don’t want to die.”

Anne Frank: “I have often been downcast, but never in despair; I regard our hiding as a dangerous adventure, romantic and interesting at the same time.”

Ted Bundy: “I’m the only one that’s going to die, and I’m not afraid of it. I’m not afraid of anything.”

Anne Frank: “The best remedy for those who are afraid, lonely or unhappy is to go outside, somewhere where they can be quite alone with the heavens, nature and God. Because only then does one feel that all is as it should be.”

Ted Bundy: “I’m as cold a motherfucker as you’ve ever put your fucking eyes on. I don’t give a shit about those people.”

Anne Frank: “I know what I want, I have a goal, an opinion, I have a religion and love. Let me be myself and then I am satisfied.”

Ted Bundy: “I am a man. I am not a monster. I am a human being.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1113: Lingueality

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

The Word says Universe knows itself, sumsay.

But ampersans evidence, it’sa justa play, on wordplay, eh.

So the start of the Word on words, say John today, is a nay.

It’s not our Lingueality, so.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1112: Demonization of Religious Conservatives

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

“Liberals can understand everything but people who don’t understand them.”

Lenny Bruce

2009

“The absence of empathetic imagination — the inability to see members of the ‘pariah’ group as being like oneself — is the psychological foundation for participation in dehumanizing a fellow human being.”

Beverly Eileen Mitchell

2012

“Liberals misunderstand conservatives more than the other way around.”

Jonathan Haidt

2015

“The impulse to divide people into good or evil, I call ‘pathological dualism,’ a mindset that can fuel violent action.”

Jonathan Sacks

“There is another temptation which we must especially guard against: the simplistic reductionism which sees only good or evil; or, if you will, the righteous and sinners. The contemporary world, with its open wounds which affect so many of our brothers and sisters, demands that we confront every form of polarization, which would divide it into these two camps.”

Pope Francis

“Genocide is only possible when dehumanization happens on a massive scale, and the perfect tool for this job is propaganda: it keys right into the neural networks that understand other people, and dials down the degree to which we empathize with them.”

David Eagleman

2017

“The White House is a huge soapbox…The demonization of Muslims and Islam will become even more widespread.”

Asma Afsaruddin

2019

“Violence is most likely to occur when political leaders use dehumanizing language against their opponents.”

Boaz Hameiri

“The shaping of the public into antagonistic tribes…is a recipe for social disintegration. I watched competing ethnic groups in the former Yugoslavia seize rival mass media outlets and use them to spew vitriol and hate against the ethnic group they demonized.”

Chris Hedges

“Trump is ‘summoning demons,’ whipping up a mob poised to perpetrate violence and invite retributive violence.”

Rod Dreher

2020

“That is often where things lead,” he said. “As either a justification post hoc for treating somebody differently or, in some cases, a precursor to treating a group differently.”

Alexander Theodoridis

“While we can all accept that bullying and abuse betray a lack or loss of respect for other human beings, there is a deeper issue: the devaluing of human life; and that in turn indicates a lack or loss of respect for the Giver of human life and dignity, God Himself. The message a bully sends is a mockery of God’s handiwork, a lie that slanders God’s nature and negates His love for us.”

Frank E. Peretti

1844

“Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people.”

Karl Marx

1878

“I think it would be impossible for the imagination to conceive of a worse religion than orthodox Christianity. It is nothing but a hideous distortion of good and a fearful embodiment of evil.”

Robert G. Ingersoll

1989

“It is absolutely safe to say that if you meet somebody who claims not to believe in evolution, that person is ignorant, stupid or insane (or wicked, but I’d rather not consider that).”

Richard Dawkins

2003

“I hate conservatives, but I really fucking hate liberals.”

Matt Stone

2003

“Conservatives think liberals are stupid, and liberals think conservatives are evil.”

Charles Krauthammer

“This administration works closely with a network of rapid-response digital Brown Shirts who work to pressure reporters and their editors for ‘undermining support for our troops.’”

Al Gore

2004

“The Republican party is the party of nostalgia. It seeks to return America to a simpler, more innocent and moral past that never actually existed. The Democrats are utopians who seek a future that cannot possibly be achieved. Together, the two parties function like giant down comforters — comforting, but incapable of accomplishing anything.”

Jon Stewart

2005

“I hate the Republicans and everything they stand for.”

Howard Dean

“I think religion is a neurological disorder.”

Bill Maher

2006

“Faith is like a mental illness, a great cop-out, the excuse to evade the need to think and evaluate evidence.”

Richard Dawkins

2007

“We have names for people who have many beliefs for which there is no rational justification. When their beliefs are extremely common, we call them religious; otherwise, they are likely to be called mad, delusional, or psychotic.”

Sam Harris

2007

“Religion poisons everything.”

Christopher Hitchens

“What can be asserted without evidence can also be dismissed without evidence.”

Christopher Hitchens

2008

“And it’s not surprising then they get bitter, they cling to guns or religion or antipathy toward people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.”

Barack Obama

2011

“Unfortunately, not exactly like [Yasser Arafat]. I wish [Congressional Republicans] were f — -ing dead.”

Dan Savage

2013

“They are the Taliban wing of American politics. We all ought to be a little worried about them.”

Julian Bond

“At this point, the Tea Party is no more popular than the Klan.”

Rep. Alan Grayson

“Religion is dangerous because it allows human beings who don’t have all the answers to think that they do.”

Bill Maher

2016

“Islam at this moment is the mother lode of bad ideas.”

Sam Harris

2016

“You could put half of Trump’s supporters into what I call the basket of deplorables. Right? The racist, sexist, homophobic, xenophobic, Islamophobic — you name it.”

Hillary Clinton

2018

“It’s one thing to talk to Jesus. It’s another thing when Jesus talks to you — that’s called mental illness.”

Joy Behar

2020

“[Trump supporters are] the credulous boomer rube demo that wants to think Donald Trump’s the smart one, and y’all elitists are dumb.”

Rick Wilson

2021

“The monsters had grown fat on the lie of a stolen election. They’d grown brazen and entitled and violent on falsehoods.”

Rep. Alexandria Ocasio-Cortez

“He [Senator Joe Manchin] wants us all to be just like his state, West Virginia: poor, illiterate and strung-out.”

Bette Midler

2022

“What we’re seeing now is either the beginning or the death knell of an extreme MAGA philosophy. It’s not just Trump, it’s the entire philosophy that underpins — I’m going to say something — it’s like semi-fascism.”

President Joe Biden

“Some of the answers will come from Republicans — not the extremists that we’re dealing with every single day. We’ve got to kill and confront that movement.”

Rep. Tim Ryan

2024

“You know that I give Republicans in Congress a hard time. But every so often you’ve gotta just step back and appreciate how much harder of a time they give themselves.”

Stephen Colbert

“Religious faith gives people a gold-plated excuse to stop thinking.”

Daniel Dennett

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1111: ‘Fast-Paced World’

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

I do not know if this holds water.

I am leaning more towards the technology-infused change of task switching.

A less fast-paced world, a more distracted world, rather.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1110: Grains of Sand

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

The tropes about the grains of sand on the beach and atoms in the universe, or people who have ever existed, are, indeed, factual; while, the lesser mentioned frame of the metaphor is the other fact: how apparently uniform most grains of sand are while still being universally unique in their own right, even in near homogeneity.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1109: ‘The Golden Years’

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Are you sure? They don’t look so good.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1108: Brogue-rite

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Siltriller donned coax und fiery fair, mad in the chin; aegir, aether, or, and if it works, then it quarks.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1107: ‘Population decline,’ or “I was in the pool!”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

The 2024 revision of the United Nations World Population Prospects (medium-variant series) describes 42 of the 193 UN member states — excluding the Holy See and the State of Palestine — having a ‘shrinkage’ or an absolute demographic decline (48 if micro-states and non-sovereign areas are included). All-time peak populations for those 42 were between 1980 and 2023:

1980s

  • Hungary (1980)
  • Bulgaria (1989)

1990s

  • Albania (1990)
  • Estonia (1990)
  • Latvia (1990)
  • Romania (1990)
  • Armenia (1991)
  • Bosnia and Herzegovina (1991)
  • Croatia (1991)
  • Lithuania (1991)
  • Georgia (1992)
  • Belarus (1993)
  • Moldova (1993)
  • Russia (1993)
  • Ukraine (1993)
  • Serbia (1995)

2000s

  • Barbados (2000)
  • Dominica (2000)
  • Saint Lucia (2000)
  • Saint Vincent and the Grenadines (2000)
  • North Macedonia (2001)
  • Cuba (2006)
  • Andorra (2008)
  • Portugal (2008)
  • Japan (2008)

2010s

  • Greece (2010)
  • Montenegro (2011)
  • Poland (2012)
  • Grenada (2012)
  • Saint Kitts and Nevis (2013)
  • Italy (2014)
  • Slovenia (2014)
  • Trinidad and Tobago (2014)
  • Mauritius (2019)
  • Tonga (2019)

2020s

  • South Korea (2020)
  • China (2021)
  • Slovakia (2021)
  • Monaco (2022)
  • San Marino (2022)
  • Uruguay (2022)
  • Seychelles (2023)

Gender equity and automation will fill some of the gap for those and some upcoming cold pool divers. 151 out of 193 member states aren’t shrinking. 63 have peaked, 42 are shrinking — many only recently, and the rest are growing.

The United Nations’ World Population Prospects 2024 approximates a peak of 10.3 billion in the mid-2080s, the Institute for Health Metrics and Evaluation (IHME) in The Lancet estimated a peak of 9.73 billion in 2064, and the Wittgenstein Centre’s 2023 estimate is a peak of 10.13 billion in 2080.

Therefore: Is this the issue?

No, not even close to the most important. Anthropogenic climate change, nuclear war, reduction of democratic tendencies, gender parity regression, rights abuse, extreme weather, biodiversity loss and ecosystem collapse, geopolitical conflict, large-scale involuntary migration, social distrust, misinformation and disinformation, seem more salient now, than simply more consumers, more units, in societies — for now.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1106: Dehumanization of the Left & Authoritarian Mass Psychology

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Nick Haslam (2006)

“Denying uniquely human attributes to others represents them as animal-like, and denying human nature represents them as objects or automata. Those are the two core forms of dehumanization.”

Susan Benesch (2006)

“Dehumanizing language is a hallmark of Dangerous Speech, because it makes violence seem acceptable toward the targeted group.”

Timothy Snyder (2017)

“Trump’s talk about the ‘enemy within’ and ‘vermin’ is a vocabulary we know from history — the vocabulary fascist leaders used while rising to power. They didn’t pull the trigger themselves; their language licensed others to do it.”

Jason Stanley (2018)

“When a leader calls opponents ‘vermin’ he attunes the audience to rats — and to the practices you use on rats. That is how hate speech prepares people to accept, or commit, political violence.”

Henry A. Giroux (2018)

“Fascism arrives through the language of hate, bigotry, dehumanization … but also through the everyday acceptance of that language.”

Federico Finchelstein (2020)

“Fascists take the violent, discriminatory tendencies already in society and radicalize them, put them in political terms, and make them part of a cult.”

Ruth Ben-Ghiat (2020)

“They use dehumanizing language … all these groups who ‘live like vermin.’ This is exactly what the original fascists did; Hitler started calling Jews ‘parasites’ in 1920, softening the public up for violence.”

A. Mitchell Palmer (1920)

“Like a prairie fire, the blaze of revolution was sweeping over every American institution of law and order … It was eating its way into the homes of the American workman, its sharp tongues of revolutionary heat were licking the altars of the churches, leaping into schools, crawling into the sacred corners of American homes…”

Benito Mussolini (1927)

“Bolshevism must be fought like a pestilential bacillus which contaminates everything it touches. Against it, we must mobilize our moral forces as one would mobilize against a deadly epidemic.”

Joseph Goebbels (1933)

“Now the red plague will be eradicated root and branch. The German people will rise up like one man against this pestilence that threatened to destroy everything sacred.”

Francoist Agrarian pamphlet (Spain, 1939)

“The fight against the red plague is the fight to save our fatherland, our religion, our traditions, and our very existence. The red infestation must be uprooted without mercy or hesitation.”

Senator Joseph McCarthy (1950, 1952)

“The State Department is infested with communists. I have here in my hand a list of 205 — a list of names that were made known to the Secretary of State as being members of the Communist Party and who nevertheless are still working and shaping policy in the State Department.”

“Our job as Americans and as Republicans is to dislodge the traitors from every place where they’ve been sent to do their traitorous work.”

General Suharto & Indonesian Army (propaganda orders, 1965–66)

“It is necessary to exterminate the communists down to their very roots (menumpas sampai ke akar-akarnya) so that they do not rise again to threaten the nation.”

Pinochet officers at Estadio Chile (1973)

“Listen, you Marxist scum! You traitors! You filthy communists! You who have sold your country to foreigners! We are going to cleanse Chile of your filth!”

Argentine junta doctrine (Dirty War, 1976–77)

“Subversive elements are like a cancer that infects the social body. Just as a surgeon cuts away gangrenous flesh to save the patient, so must we remove these subversives from Argentine society.”

Salvadoran Atlacatl Battalion veteran (1981)

“Communism is a cancer. It spreads through villages, infecting everything good. If you’re a guerrilla, they don’t just kill you — they kill your family, your neighbors, to make sure the disease does not return.”

Paul Wiffen (UKIP candidate blog, 2010)

“You left-wing scum are all the same, wanting to hand our birth-right to Romanian gypsies, Muslim nutters, and every African who can get here. You have no loyalty to Britain.”

Rodrigo Duterte (televised speech, 2017)

“If you find yourselves in an armed encounter with the New People’s Army, kill them all. Finish them off. Do not think about human rights. I will take responsibility.”

Tommy Robinson (2017)

“Communist scum objecting to democracy, showing once again that the left cannot accept the will of the people.”

Rush Limbaugh (2017)

“This is human debris who have had their minds polluted and poisoned by the American left. They’re not protesters, they’re sick individuals filled with hatred and violence.”

Jair Bolsonaro (2018)

“We are going to machine-gun the petralhada here in Acre. Let’s send these crooks to eat grass elsewhere! PT [the Workers’ Party] will never return to power.”

Urban-Naxal meme / Hindutva online campaigns (2021)

“The termites are within us. These Urban Naxals are more dangerous than Pakistan, China, or any outside enemy because they rot the nation from the inside.”

Vladimir Putin (2021)

“The Russian people will be able to distinguish true patriots from the scum and the traitors and will simply spit them out like a midge that accidentally flew into their mouths — spit them out onto the pavement.”

Donald J. Trump (2023)

“We pledge to you that we will root out the communists, Marxists, fascists and the radical-left thugs that live like vermin within the confines of our country, lying, stealing, cheating, and rigging elections.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1105: Whiteness

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Whiteness is a judicial anachronism, not a phenotype: U.S. Naturalization Act (1790), Ozawa (1922), Thind (1923). There is no standard.

Were the Irish white enough?

Were the Italians white enough?

Were the Jewish white enough?

What shall we make of Coloured, Pardos (mulatos, cafuzos, caboclos), and Visible Minority?

To argue for special derogations or laudations seems like racialist faith-based essentialism, so whether “anti-racist” racialist logic or racist rationales, moral righteousness and ethical conduct isn’t in the ‘race.’ It’s in the individual.

It’s not inborn like height.

It’s grown like roses.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1104: The Smear Campaign

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Often, the best response to this form of abuser is none.

Yes, they will gaslight.

Yes, they will lie to friends.

Yes, they will lie to your colleagues.

Yes, they will use new social media.

Yes, they will send monkeys by flight.

Yes, they will rewrite history to avoid their shame and guilt.

Yes, the worst amongst them will continue for months and years, never relenting — be realistic.

Have they not shown themselves in their actions, sufficiently?

No response, still, is the best response.

Good luck in your thriving.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1103: Valerie Solanas

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

“I consider [the shooting] a moral act. And I consider it immoral that I missed. I should have done target practice.”

“I have lots of reasons … Read my manifesto and it will tell you who I am.”

“Read my Manifesto — everything is in there.”

— 
“Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.”

“The male is a biological accident: the Y (male) gene is an incomplete X (female) gene, that is, it has an incomplete set of chromosomes. In other words, the male is an incomplete female, a walking abortion, aborted at the gene stage. To be male is to be deficient, emotionally limited; maleness is a deficiency disease and males are emotional cripples.”

“The male is completely egocentric, trapped inside himself, incapable of empathizing or identifying with others, or love, friendship, affection or tenderness. He is a completely isolated unit, incapable of rapport with anyone. His responses are entirely visceral, not cerebral; his intelligence is a mere tool in the service of his drives and needs; he is incapable of mental passion, mental interaction; he can’t relate to anything other than his own physical sensations.”

“He is trapped in a twilight zone halfway between humans and apes, and is far worse off than the apes because, unlike the apes, he is capable of a large array of negative feelings — hate, jealousy, contempt, disgust, guilt, shame, doubt — and moreover, he is aware of what he is and what he isn’t.”

“To call a man an animal is to flatter him; he’s a machine, a walking dildo. It’s often said that men use women. Use them for what? Surely not pleasure.”

“The male has a negative Midas Touch — everything he touches turns to shit.”

“Eaten up with guilt, shame, fears and insecurities and obtaining, if he’s lucky, a barely perceptible physical feeling, the male is, nonetheless, obsessed with screwing; he’ll swim a river of snot, wade nostril-deep through a mile of vomit, if he thinks there’ll be a friendly pussy awaiting him. He’ll screw a woman he despises, any snaggle-toothed hag, and, further, pay for the opportunity. Why? Relieving physical tension isn’t the answer, as masturbation suffices for that. It’s not ego satisfaction; that doesn’t explain screwing corpses and babies.”

“Every man, deep down, knows he’s a worthless piece of shit.”

“Women, in other words, don’t have penis envy; men have pussy envy. When the male accepts his passivity, defines himself as a woman (males as well as females think men are women and women are men), and becomes a transvestite he loses his desire to screw (or to do anything else, for that matter; he fulfills himself as a drag queen) and gets his dick chopped off. He then achieves a continuous diffuse sexual feeling from ‘being a woman.’ Screwing is, for a man, a defense against his desire to be female.”

“A ‘male artist’ is a contradiction in terms. A degenerate can only produce degenerate ‘art’. The true artist is every self-confident, healthy female, and in a female society the only Art, the only Culture, will be conceited, kooky, funky, females grooving on each other and on everything else in the universe.”

BONGI: “Men’re totally unreasonable; they can’t see why they should be eliminated.”

MISS COLLINS: “Shall I tell you a secret? I despise men. Oh, why do I have to be one of them? … Do you know what I’d like more than anything in the world? A lesbian. Then I could be the cake and eat it too.”

RUSSELL: “You don’t know what a female is, you desexed monstrosity.”

BONGI: “Quite the contrary, I’m so female, I’m subversive.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1102: Life

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/26

Life is updates, then deletion.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1101: Four Old Men and a Man

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/25

One old man took me to the side many years ago and invited me.

I got to take part in meetings with four older gentlemen to talk about their lives, their politics, the needs of a small town.

It’s important to pass this experience on.

Others, clearly, did for them.

Those others were merely echoes through them.

It’s important to pass the music forward in the vast silence.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1100: Paris Hilton

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/23

“I love your jacket. The sparkles are amazing… I wanted to find out who made it later… But I think the most important thing is we need access to therapy, counselling, mentorship, and other community-based programs.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1099: Pras

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/22

Killing me softly with his song,

Ghetto Supastar,

Ready or Not,

Fu-Gee-La.

Need we say more about Pras?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1098: Louis C.K.

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/22

Men have intent.

Women have judgment.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1097: Jackel and Tide

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/22

“You are the one to carry on the work. I have the greatest hopes for you, and I am confident that you will advance our cause.”

Sigmund Freud, 1909

“Jung is brilliant, but he is going off into mysticism. His ideas are becoming too speculative, and he is abandoning the scientific foundation of psychoanalysis.”

Freud, 1912

“Freud was a great man, but he was caught in a kind of dogmatic rigidity. He wanted to hold onto his sexual theory as if it were a religion.”

Carl Jung, 1912

“Jung’s defection is a loss, but it is better that he goes his own way. His theories are incompatible with the truths of psychoanalysis.”

Freud, 1913

“I was in my thirties when I met Freud, and I was deeply impressed by his personality and his ideas. His theories were a great challenge to me, and I owe a great deal to him.”

Jung, 1950s

“Freud’s view was too limited; it was entirely focused on sexuality as the root of all psychological phenomena. I could not follow him there, as I saw the psyche as far broader, with spiritual and archetypal dimensions.”

Jung, 1961

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1096: Neuro-Symbolic Logic

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/21

AlphaGeometry, Quoc V. Le, “This is another example that reinforces how AI can help us advance science and better understand the underlying processes that determine how the world works.”

Logical Neural Networks, Ryan Riegel et al., “We propose a novel framework seamlessly providing key properties of both neural nets (learning) and symbolic logic (knowledge and reasoning).”

DeepStochLog, Thomas Winters et al., “Can be trained end-to-end” and “achieves state-of-the-art results on challenging neural-symbolic learning tasks.”

NeuroQL, Nikolaos Papoylias: “Baseline solution for Inter-Subjective Reasoning” that “extends logical unification with neural primitives for extraction and retrieval.”

Braid, Aditya Kalyanpur et al.: “Novel FOL-based reasoner” that “supports probabilistic rules” and uses “custom unification functions and dynamic rule generation.”

Neuro-Vector-Symbolic Architectures, Gary Marcus et al: “We cannot construct rich cognitive models in an adequate, automated way without the triumvirate of hybrid architecture, rich prior knowledge, and sophisticated techniques for reasoning.”

Integration of Large Language Models, Amy Stapleton: “We are entering a new world. The technologies of machine learning, speech recognition, and natural language understanding are reaching a nexus of capability. The end result is that we’ll soon have artificially intelligent assistants to help us in every aspect of our lives.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1095: John Stuart Mill

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/21

“Three Essays on Religion”:

“It’s not too much to say that every indication of Design in the Kosmos is evidence against the Omnipotence of the Designer. For what is meant by Design? Contrivance: the adaptation of means to an end. But the necessity for contrivance — the need of employing means — is a consequence of the limitation of power. Who would have recourse to means if to attain his end his mere word was sufficient? The very idea of means implies that the means have an efficacy which the direct action of the being who employs them has not. … Wisdom and contrivance are shown in overcoming difficulties, so there is no place for them in a Being for whom no difficulties exist.”

“A System of Logic”:

“To define, is to select from among all the properties of a thing, those which shall be understood to be designated and declared by its name; and the properties must be well known to us before we can be competent to determine which of them are fittest to be chosen for this purpose.”

“Examination of Sir William Hamilton’s Philosophy”:

“The conception of such a being, I will not say of such a God, is worse than a ‘fasciculus of negations;’ it is a fasciculus of contradictions: and our author might have spared himself the trouble of proving a thing to be unknowable, which cannot be spoken of but in words implying the impossibility of its existence. To insist on such a truism is not superfluous, for there have been philosophers who saw that this must be the meaning of ‘The Absolute,’ and yet accepted it as a reality. ‘What kind of an Absolute Being is that,’ asked Hegel, ‘which does not contain in itself all that is actual, even evil included?’ Undoubtedly: and it is therefore necessary to admit, either that there is no Absolute Being, or that the law, that contradictory propositions cannot both be true, does not apply to the Absolute. Hegel chose the latter side of the alternative; and by this, among other things, has fairly earned the honor, which will probably be awarded to him by posterity, of having logically extinguished transcendental metaphysics by a reductio ad absurdum.”

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1094: President Kane

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/21

“The higher the tariff, the more likely it is to have them come in… The higher the tariff, the more likely it is that the company will come into the United States and build a factory in the United States so it doesn’t have to pay the tariff… In fact, there’s another theory: the tariff, you make it so high, so horrible, so obnoxious, that they’ll come right away.”

45th and 47th President of the United States, Hon. Donald Trump

“The word rosebud is maybe the most significant word in film in what we all watch.

The wealth, the sorrow, the unhappiness, the happiness just struck lots of different notes. Citizen Kane was really about accumulation. And at the end of the accumulation, you see what happens, and it’s not necessarily all positive. Not positive. But I think he learned in Kane that maybe wealth isn’t everything because he had the wealth, but he didn’t have the happiness.

The table getting larger and larger and larger with he and his wife getting further and further apart as he got wealthier and wealthier. Perhaps I can understand that. The relationship that he had was not a good one for him. Probably not a great one for her, although there were benefits for her. But in the end, she was certainly not a happy camper.

In real life, I believe that wealth does in fact isolate you from other people. It’s a protective mechanism. You have your guard up much more so than you would if you didn’t have wealth. There was a great rise in Citizen Kane, and there was a modest fall. The fall wasn’t a financial fall.

The fall was a personal fall. But it was a fall, nevertheless. So you had the highs and you had the lows. A lot of people don’t really understand the significance of it. I’m not sure if anybody understands the significance, but I think the significance is bringing a lonely, rather sad figure back into his childhood.

The word rosebud, for whatever reason, has captivated moviegoers and movie watchers for so many years and to this day is perhaps the single word. And perhaps if they came up with another word that meant the same thing, it wouldn’t have worked. But rosebud works… For whatever reason.”

Mr. Donald Trump

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1093: Woke Tariffs

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/20

Woke is, essentially, the flat tariffs of social justice.

Bad people are scared, get consequences: good!

Good people are harmed, get scared: good?

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1092: Marvel Cinematic Universe

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/20

Maybe, we should leave the Hero concept to the comic books and movies.

The One Above All will be one to visit Parker only in our ink-stained imaginaria.

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1091: H.L. Mencken

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/20

“The basic fact about human existence is not that it is a tragedy, but that it is a bore. It is not so much a war as an endless standing in line.”

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1090: Geraldo Rivera

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/19

Do you mean the visually impaired moustache?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1089: A Big Pair of Fake Tits

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/19

America.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1088: Graveyards

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/19

I love the sound of wind on graveyard grass at night.

Same for the moonlight on them.

I love the cold silence and calm of faded engravings and forgotten memory.

Same for the stillness of those feelings.

Graveyards do us a great deal of good, not too big.

I walked through one a lot growing up, stood too.

No one’s home there.

They never left.

The generic dead’s greatest gift is the presence of absence.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1087: Angels Wailing, Weeping

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/18

And when their time came, only they, and One, heard their tears.

In this sense, our houseless are closer and in more intimate terms to their God, than them.

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1086: General and Multi-Specialism

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/18

There is, indeed, a separation between generalized artificial intelligence and multiple integrated artificial narrow intelligences.

There is also, indeed, cause to believe the latter has been confused for the former.

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1085: Love is a camping trip drive

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/18

It’s the tension of the in-between, of in-and-out.

When you’re driving in the late winter on the highway and stick your head out the window,

between the pinching cold pain and crisp freshness of clear mountain air,

and the audibly heard and anticipated smell of the fart in the car.

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1084: The Cost of Religion in Canada

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/17

Conservative estimates by the British Columbia Humanist Association and Center for Inquiry Canada research sets the minimum benchmark at about a billion dollars Canadian, or about fifty-three hundred dollars American and a tank of gas and a pack of Triscuits after tariffs.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1083: The Gospel of Jesus Christ “Superstar,” Son of God

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/17

I am.

You are.

HE IS.

(Pronouns: Thee/Thou/Thine)

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1082: Down in Atlanta

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/16

Not only is it where you get a long, great history of rap from Pharrell Williams and Travis Scott, but it is also the only city where the Uber driver warned me to be careful outside at night and in the hotel.

Cool, that’s good to know.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1081: Americanism with Chinese Characteristics

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/16

Standardized tests, meritocracy emphasis rising, increasing belief in and practice of acupuncture, herbal medicine, feng shui, tai chi, and martial arts, even in Kansas; vast land purchases by the Chinese state; Kansas isn’t even Kansas anymore.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1080: Make China Great Again

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/16

The problem with iron fists is they tend to rust quite a bit in storms, particularly around ponds and an ocean.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1079: Art by Trina

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/16

“Do you like art?”

“Yeah, sure.”

“Cats?”

“Absolutely.”

“Here’s one by Trina Schart Hyman (1939 ~ 2004) ‘A Perfect Gray Day’”

“I’m sorry: Trina, who?”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1078: Aleister Crowley

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/15

“Every man and every woman is a star.”

Mr. Crowley, please.

Every person is a galaxy.

We know far less of the inner workings.

In fact, we don’t know the central-most point entirely.

“Do what thou wilt.”

If one is to will what they will and only that True Will, of course, ‘thou art’ bound to ‘wilt’ is true also, and thus false in its truth.

Nay? Or, then what are Yeats?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1077: Lost the Self

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/14

When you say, “I lost myself.” Where did you go, exactly?

Immersion does not necessarily mean loss.

It can mean more. You didn’t “go” anywhere.

Which means that we are necessarily extended.

There is no island.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1076: A Burden in and with

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/11

A burden that I feel is being witness to so many struggles and tragedies, and the multiplicative effect of time on people of these, and being helpless in being able to help; it’s within; most stories are to be left, to be.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1075: Little raindrop

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/11

“Why do I fall down so?”

“Why am I cold so?”

“Why am I so rain so, so little so?”

“Why does the dirt ocean accept me so?”

“So, why do I return to home so, so soon?”

“Why do I fall down so?”

“Why am I cold so?”

“Why am I so rain so, so little so?”

“Why does the water accept me so?”

“So much so, I am so, so as to be no longer so.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1074: Plumb cracked lightning sky

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/10

Plumb cracked lightning sky; and the walled up the watered down Sun-ny sized.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1073: The Enlightenment

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/09

The Enlightenment is essentially the process of building bridges and fences, primarily to walk between worlds and stand on the fence for greater horizon sight than either.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1072: Dobet Gnahoré

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/09

This lady person is very, very talented and uplifting; I like her.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1071: Olympic Equestrian Formula

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/07

7 big ass horses, 2 tiny, tiny, tiny, tiny ass dogs, and one-to-zero kids, and a million acquaintances who want to use you for fame or money.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1070: Turf’s TERF

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/07

I’m a gardener and landscaper. I take umbridge with the use of the acronym/initialism “TERF,” which sounds like “turf.” Only on sound, I’m a sound protestor. We purely take part in silent, non-violent protest over morning coffee from home.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1069: Dog Days, years

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/05

I prefer to count my time by the dog years.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1068: Samuel Little

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/01

Big man with the greatest number of kills of any American, according to the FBI’s Violent Criminal Apprehension Program (ViCAP); the most prolific murderer in American history.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1067: Coal Miner’s Vietnam

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/01

Being a coal miner during the Vietnam War was eventually more dangerous than being in the Vietnam War.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1066: Paléa

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/04/01

Paléa

Pkêhi nihaa goné

Paléa missé

Pkê-hi ni-ha goné ho

Wôlo anin noussa min anin

Wôlo kakabako

Wôlo anin noussa min anin

Wô-lo kakabako

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1065: Misty Blade

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/31

I love the look of a blade of grass, even a few, under mist and dew; don’t you?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1064: Wit’s End

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/30

Wit’s End: If we’re selling sober, wit can put us at wit’s end, as the late Glenn Gould noted well after the concert tour of the Soviet Union, in his sing-song — the only anodyne adult ‘lullaby’ ever written by him, “So You Want to Write a Fugue?”: “Never be clever for the sake of being clever.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1063: Rare Tim Finn Again

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/30

Rare Tim Finn Again: Abulia, Acnestis, Apricity, Ailurophile, Brontide, Cacodemonomania, Ceraunophile, Clinomania, Crapulence, Curglaff, Cymotrichous, Desiderium, Dysania, Empleomania, Ephemeral, Euneirophrenia, Fudgel, Groke, Hiraeth, Jentacular, Kakorrhaphiophobia, Lethologica, Limerence, Montivagant, Mumpsimus, Noctivagant, Nudiustertian, Nyctophilia, Obambulate, Paraprosdokian, Peregrinate, Perendinate, Petrichor, Philoprogenitive, Pogonotrophy, Psithurism, Pseudologia, Quire, Quomodocunquize, Respair, Scripturient, Snollygoster, Susurrus, Tittynope, Ultracrepidarian, Ulotrichous, Vellichor, Wamble, Xylophilous, Yonderly, Zugzwang.

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1062: Sato

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/30

Sato, the day is coming
Sato, the day is here
We are all children of the same mother
We are all brothers and sisters
Let us unite, oh brothers and sisters

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1061: To the Homosexual

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/28

To the Homosexual: Stuck in a community in which you are unacceptably wicked by nature, to some, or simply by act of expression, to others, but one response should suffice to live your life apart, “They know not what they do.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1060: Cloud Caver

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/28

Cloud Caver: Sometimes, I like to walk and see the cloud cover from their point of view; maybe, a violent and superstitious cave-dwelling species doesn’t deserve such beauty as Heaven on such a consistent basis.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1059: Germany (?)

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/25

Germany (?): What are Germany?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1058: Evgeny Kissin

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/25

Evgeny Kissin: …was Herbert Von Karajan’s apology.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1057: Dolphins on the streets of Manhattan

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/19

Dolphins on the streets of Manhattan: I saw them, you know; waving, calling, waving, charging, waving, fearing, favouring; and the men too.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1056: Tendencies of form

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/19

Tendencies of form: The consistent integrity of process Universe comes as the end filtrate of uncertainty, noise, in its substrata.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1055: The Future is Female

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/09

The Future is Female: Substantially still true, and the males mostly don’t see it, via incurable prejudice — The Dis-ease, simply not as an “also,” in either case.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1054: Jacobsen’s Wake

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/07

Jacobsen’s Wake: Liddle dad ham sleep, The Crossed! From death to life, the drame waked until knight.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1053: Gay, or Computer Gay?

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/07

Gay, or Computer Gay?: Most of the balanced Greats of Artificial Intelligence are gay; and, we’re better for it — Turing, Hariri, Altman, Arcas…

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1052: Souma Manone

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/03

Souma Manone: Papa Bisouwoma, Papa Baye Baye, Papa Lomay Andile, Papa Tagouwoma, Marie Wooo.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1051: Quiet Angel

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/03/01

Quiet Angel: could be a name for Tracy Chapman; a blessing gifted life and breath to the rest to hear; why not throw in Bill Withers, too?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1050: Calcification

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/28

Calcification: Open engagement with a persona, a phantasy, in real-time can be taken as an offence when not but one to the not even extant.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1049: Barely out of the jungle

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/27

Barely out of the jungle: It is considered revolutionary to be able to talk and empathize with members of the same species globally.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1048: Fundamentally

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/26

Fundamentally: Life is The Tragedy, not simply a; there are, essentially, fewer questions about the fact than, “What do we do with it?”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1047: If sick, call home, in

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/26

If sick, call home, in: if the system assumes you’re incurably sick, then commands you to be well, the system is unwell, not the person.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1046: Alone Together

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/26

Alone Together: We can move fast alone, but we can go farther together-take your picks.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1045: Thanks

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/26

Thanks: Men, expect no thanks for small moves towards parity with women; what ‘earned’ thanks for simply leaving a rank of the insane?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1044: Weathervane Jesus

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/26

Weathervane Jesus: He never did blow very well in the wind, come rain or shine or sleet.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1043: A Body Too Old for Working

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/26

A Body Too Old for Working: What do we make of the those needing care now? In time, we are them.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1042: Designophage

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/15

Designophage: 01000100 01100101 01110011 01101001 01100111 01101110 01101111 01110000 01101000 01100001 01100111 01100101.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1041: Heart asunder wondering

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/15

Heart asunder wondering: wandering over as minds set stiller; tsk tsk tsk, a count to, but only afourl two; no fall this Winter, Summerise.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1040: The Real Stories

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/02/02

The Real Stories: Tell me humane triumph; the single mother who worked two jobs and raised 3 kids; the man who pulled back from suicide.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1039: Your stories

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/28

Your stories: Life is not about you, alone; it’s not something out there that happens, nor protagonistic antagonisms with it; it’s simply something you take part in, ebbs and flows.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

1038: Look look around you

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/28

Look look around you: Beige waterfalls up crystalline grounds blackened by starlack; up, up Spring mist goes, yet no touch toe-to-light.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1037: Abusive Men

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/13

Abusive Men: Of course, abusive men are Gibraltarians without accountability who lie, gaslight, project, and look for external validation metrics; it has nothing to do with you, though *may* affect you.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1036: Hold my hand, walk with me

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/12

Hold my hand, walk with me: Is the greater gift in the act of love or in the capacity to generate it?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1035: Every word

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/11

Every word: A truth is every word exhaled counts; and, you’re not the captain of every one, but responsible for its derivatives.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1034: The Completeness Conjecture

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/10

The Completeness Conjecture: I knew not what or when, nor why, and when the photons fade; that’s now, and so too the pain, and the anguish, and the relief, and loss, and the losses and losses and love yous; that’s then, perpetually incomplete, therefore redeeming lanterns outside and no time in…

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1033: To the burdened weary

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/07

To the burdened weary: the nobility is in both your struggle and survival; you’re never alone entirely; if I could lift it, I would.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1032: It was always here

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/05

It was always here: The more you’re alone; the more you feel the sound of the Earth; and, grinding motion is a stall — shift the dial.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1031: A Bridge to the Man

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/03

A Bridge to the Man: is but a temporal matter of months in wading; ’tis bea-utee upa tampedoral repression as a hadder of fact while waiting for maths to subzero; so, “Why me?”, he asks.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1030: Welcome to Jamrock

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/02

Welcome to Jamrock: Hear the Gong’s shout “Jr.” in calamity stones, “love and prosperity” sitting by “love and tragedy”; keep on walking.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1029: Silence is a meteor

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/01

Silence is a meteor: cavitations and hollows, hollow echoes, -inging; cavitations echo-, hollows harrowing sting, then a rock silence.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1028: What is the plan, Brain?

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/01

What is the plan, Brain?: The same as every year, Pinky, “Forward.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1027: As a Rule

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/01

As a Rule: We seem far better equipped at believing than seeing, & see we don’t; what can *you* derive about *yourself* on this heuristic?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1026: Peculiar sky cracks did thunderplumb

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/01

Peculiar sky cracks did thunderplumb: spittle by water and waster, watcher and taster, you left no sour so I did wait; and you were there.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1025: Are you the imperishable flame?

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2025/01/01

Are you the imperishable flame?: I don’t smell smoke and the mist is cleared; I see neither tinder nor ash; wherethere are you, and here?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1024: Flesh to Fire

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/21

Flesh to Fire: sashes and ashes; new chapters, new belts; gradated gradations, and the mysteries unfold anew, searching, feeling, unknown.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1023: The Heart Still Screams Silences

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/21

The heart still screams silences: You know the silence after you’re gone is both relief and anguish mixed into a sort of purple thunder; you don’t have to suffer anymore; and, I forgive you.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1022: Easy love

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/26

Easy love: ‘It’s easy to love somebody, just sit down with them for a little while, get to know them and their struggles a bit.’

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1021: Search for me along your coastline

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/21

Search for me along your coastline: settling snug by the Sun, a son by one, and on n’ innumerable nos.; a comfort in shoreline memorials.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1020: “Have a good trip old man.”

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/21

“Have a good trip old man”: I love you, but I was simply trying to protect myself; and then, you were everything and no thing to everyone and no one again.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1019: Flesh to Fire

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/19

Flesh to Fire: sashes and ashes; new chapters, new belts; gradated gradations, and the mysteries unfold anew, searching, feeling, unknown.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1018: Show me the way

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/16

Show me the way: Let’s take a trip to the windy beachside washing aside it; clouds in storm and thunderclap, on the outside looking in.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1017: Nor Shell But Shadow

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/11

Nor Shell But Shadow: The egg shells on the floor, and there we were swept beyond life and death, when infinity meets zero; Neither Self…

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1016: Sno-Cap

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/11

Sno-Cap: Just by the view alone, Winter mountaintops were the original ‘Sigma,’ visual ‘Riz,’ ‘No Cap’ on the snow cap, yo.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1015: Death

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/11

Death: Then there was one of us; so, what’s in a name, in this? “The water-bug’s mittens show on the bright rock below him.” I stand.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1014: Neither crown nor robe do I want

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/05

Neither crown nor robe do I want: Lend me your weight, your burden, I’ll carry it, yet — set you down.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1013: Down in the river

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/05

Down in the river: Let’s go down, and down, down & down, wearing robes and crowns, to the riverside, into the waters; is it wish or prayer?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1012: What distinguishes masculine and feminine aesthetic?

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/05

What distinguishes masculine and feminine aesthetic?: The difference between all-consuming versus all-encompassing, a point or a circle.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1011: What do you make of it?

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/05

What do you make of it?: All adventures made routine are, at heart, destined for the habitual, which is both degradation and offence.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1010: Silence, a peculiar salve

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/12/05

Silence, a peculiar salve: It presents life as it is to too many, an open wound consistently pecked by a false superego — let alone self.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1009: 13 Times a Cloud

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/29

13 Times a Cloud: Play along the water with me, swim in the fog, and watch the clouds float through our nonexistence as sepia tones set.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1008: Woven

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/26

Woven: What is the appeal of romance novels to many, many women more than many, many men? Simple: An offer of love that doesn’t end badly.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1007: Men’s Femininity

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/26

Men’s femininity: trims to a child’s needs; they’re bound by mothers’ 
‘milk’ — aunts, female friends, girlfriends, grandmas, sisters, usw.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1006: Nightlines

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/22

Nightlines: Feel them spell under shadow cast of the days bygone asunder; listen close, dearest emotions, lines imaginary, stars deceiving.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1005: Pierce the sky’s night

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/22

Pierce the sky’s night: sparkle, twinkle, and a wink; a horizon moves, look to the light and so leave for the dawn.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1004: Rotundellus

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/17

Rotundellus: About always a way, situated center but off-kilter, well into alake amenner and a stylistic amen for the women; all-a-cursive.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1003: Light of Life, and a Life of Light

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/11

Light of Life, and a Life of Light: and shall we dance some more, into truths and more, what knits upon life but timeless threads, light?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1002: Lap fell

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/11

Lap fell: and the sky falls, neither season nor reason, I often wonder what is it to be free when it’s in the lap the whole time?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1001: 27 Months of Shovelling Horse Shit

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/11

27 Months of Shovelling Horse Shit: what is the main lesson in using a pitchfork for a full work day every day doing this? Show up.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 1000: Situación, sit silent with me, interacting

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/10

Situación, sit silent with me, interacting: C the skies pith moi, processing; sittledunce blancmind but mindseas the difference, awash my.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 999: Maturity

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/11

Maturity: is a vector space of wills, not a Will; the pointlessness of life is in arrows uncountable, apparency, masking meaning findable.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 998: Siltriller singalinglong

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/11/10

Siltriller singalinglong: Firever endever what me, sat the sperk and lunch the rackets all moonlong dizzay; then rest, old gods take it.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 998: Maturity

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/29

Maturity: is a vector space of wills, not a Will; the pointlessness of life is in arrows uncountable, apparency, masking meaning findable.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 997: Sittledown by Fare

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/29

Sittledown by Fare: Set ablozom a fireflower for the ages, a tightration, four the tame has come; bidding worse thee farewall, & throughit.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 996: The Dress Rehearsal

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/29

The Dress Rehearsal: All the preparation upon the Hill awaiting searchspotlight; to foundseen, be; yet, the dress rehearsal wasn’t, either.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Michael Sassano, The Global Medical Cannabis Industry

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/28

Michael Sassano is the Founder and Interim CEO of Somai Pharmaceuticals. Sassano highlights the rapid growth in global medical cannabis markets, including Germany, the UK, and emerging countries like Spain, France, and Brazil. Innovations in extraction technology, increased consumer demand, and evolving regulatory frameworks are shaping the industry. Sassano emphasizes the need for R&D investment, consistent product quality, and adapting to new market standards for future growth.

Scott Douglas Jacobsen: What major trends are you observing in the global medical cannabis industry?

Michael Sassano: Global medical markets are all exploding both from a perspective of country internal growth and new country growth. Germany is on track to be a $1 billion market currently, UK is surging as well as Australia. New countries are coming on line like Spain just announcing last week, France and Brazil to name a few. Older more restrictive countries like Ireland and Italy are opening and discussing adding more indications to expand access.

Jacobsen: How are innovations in extraction technologies influencing the efficacy of cannabinoid treatments?

Sassano: Currently most developed countries like Germany, Australia and UK are between 20 and under 30% extract usage. Some countries like Brazil, France and Spain are extract only markets. Innovation will drive adoption of extracts as it has done in the USA for over a decade. Because current offerings are basic and archaic crude oil oral drops, any innovation brings new demographics like vaporizer cartridges that have started to show themselves the last year and gummie chews which appeared late 2025.

Jacobsen: How is consumer demand impacting the development of cannabinoid-based pharmaceutical products?

Sassano: As more and more clinics and education reaches patients, they are now becoming aware that amazing choices exist in the legal markets. Choice of product has been a main driver of adoption as countries like Australia have over 1000 SKU’s and Germany 650 SKU’s. Quality standards have also driven larger adoption as novel extract come on market further chipping away at the legacy markets.

Jacobsen: What are the specific therapeutic benefits of cannabinoid-containing pharmaceutical extracts offer?

Sassano: Although flower is king, extract offerings have greatly improved opening of better and more sustainable treatment for different demographics like parents and elderly, and have opened up better therapy avenues for chronic needs like various pain categories that require consistent dosage. Additionally mental disorders like sleep categories, stress and anxiety which may require steady dosage for prolonged periods benefit greatly through extracts advancements.

Jacobsen: How are companies adapting to the growing expectation for efficacy and consistency?

Sassano: Most companies have are new to cannabis in EU and gloabl markets and have a very poor guidance for the future. Crude oil extracts do not exist in a future world and it takes over 1 year to get new product in markets if you know what you are doing. As extracts improve, flower companies will end up with more pressure and extract manufactures will be forced to revamp their portfolios. Most extracts companies have too much variability batch to batch but since many are under white-labels, there is little clarity for patients to understand these issues except trial and error.

Jacobsen: What is the role of research and development play in advancing the refinement of cannabinoid-based treatments within the pharmaceutical sector?

Sassano: Most companies are not investing in new areas and have focused on core flower businesses as revenue lines. Imagine that the day you want to make a new product, assuming your facility has the rooms already built, from the time it takes to procure equipment 6 months to a year, validate equipment and batches 3 plus months, and go through minimal accelerated stability of 6 months plus dossier documentation of 2 months, it takes almost 2 years to get new products in the market. This is pharmaceutical and planning must be years in advance. The focus on short term profits puts R&D to the side and leads to a slow painful end of the companies.

Jacobsen: What is the future of the medical cannabis market evolving over the next few years?

Sassano: There is a global medical explosion happening as we speak. More and more countries are opening access globally. The HHS 252-page report has made it clear cannabis is safe and good for at least 15 indications. Germany taking cannabis off the narcotics list has sent all eu regulators scrambling to adopt upto date policies of access for patients as well as allowed doctors to prescribe for any and most all indications. This is the fastest growing segment in cannabis today, the gloabl markets. And the barrier to entry is high.

Jacobsen: Following from the previous question, what about regulatory systems and market forces?

Sassano: Regulatory is herbal medicines and access for EU-GMP pharmaceutical cannabis is global and taps directly into 100,000+ pharmacy network in EU as well as millions of pharmacies globally. Although the medical products is massive barrier to entry, once inside the cannabis products can move globally very easily. Market forces remain at play like big pharma and big alcohol concerned about their core business impacts. As well as pharmacist lobbies wanting to keep the revenue in the system. Medical global cannabis is a logical path for regulators and will be the future for sometime.

Jacobsen: How do you see the intersection of innovation, consumer demand, and regulatory standards for the cannabis market?

Sassano: Creative exists in pharmaceutical products and there are many examples of any delivery devise in real medical products, all accept rolling a joint and smoking it. So regulators like France and Spain see extract innovations as the pharmaceutical future. Higher performing extracts, economical price and a pleasant taste for users that consume 1 to 4 times a day is the golden rule of innovation that will open up new demographics.

Jacobsen: Thank you for the opportunity and your time, Michael.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Paul Charette: The What and How of Laser Hair Removal

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/28

Paul Charettethe visionary behind Charette Cosmetics, is a skilled medical aesthetician and cosmetic practitioner known for his extensive aesthetic expertise and meticulous techniques. As a skin rejuvenation specialist, Paul is dedicated to discovering the latest and most effective skincare products and treatments, helping clients feel confident and beautiful in their skin while achieving their personal aesthetic goals. Paul has recently been featured in ForbesNewsweekBravoTVNew YouWomen’s Health, and Men’s Journal.

Charette talks about Charette Cosmetics’ focus on laser hair removal. Charette highlights the growing demand for long-term hair removal solutions and discusses the technology behind laser hair removal, its safety, and advancements. He also explains treatment factors, client aftercare, and common misconceptions, emphasizing personalized care for different skin types.

Scott Douglas Jacobsen: What was the inspiration for the focus on laser hair removal for Charette Cosmetics?

Paul Charette: The inspiration for focusing on laser hair removal likely stems from the increasing demand for effective, long-term hair removal solutions. Many clients seek alternatives to traditional methods like shaving and waxing, which can be time-consuming and less effective. Charette Cosmetics may have recognized a gap in the market for high-quality, reliable laser hair removal services that prioritize safety and client satisfaction.

Jacobsen: How does laser hair removal work?

Charette: Laser hair removal works by targeting the pigment (melanin) in hair follicles using concentrated light energy. The laser emits a specific wavelength of light that is absorbed by the hair, damaging the follicle and inhibiting future hair growth. The procedure is most effective on dark, coarse hair against lighter skin tones, though advancements have improved efficacy across various skin types.

Jacobsen: Why are these results more permanent than other methods?

Charette: Laser hair removal offers more permanent results than methods like shaving or waxing because it targets the hair follicle itself. While some hair may eventually regrow, the hair is often finer and lighter due to damage inflicted during treatment. Many clients achieve long-lasting results after completing a series of sessions.

Jacobsen: What advancements in laser technology have been made recently?

Charette: Recent advancements include the development of more sophisticated laser systems, such as those using multiple wavelengths to treat various hair types and skin tones more effectively. Improved cooling mechanisms and faster pulse durations enhance comfort and reduce treatment time, making procedures more efficient.

Jacobsen: What are the main factors influencing sessions and treatments?

Charette: Main factors include hair color, hair thickness, skin tone, hormonal influences, and individual hair growth cycles. Clients typically require multiple sessions (usually 6–8) spaced weeks apart to target hair in different growth phases for optimal results.

Jacobsen: How has modern technology improved the comfort of these procedures?

Charette: Modern technology has significantly improved comfort during laser hair removal. Newer devices often feature integrated cooling systems that help minimize pain during treatment. Additionally, pre-treatment topical anesthetics may be used to enhance comfort for sensitive areas.

Jacobsen: For clients with different skin tones or sensitive skin, how do you adjust your treatment approach to ensure both efficacy and safety?

Charette: For clients with various skin tones or sensitive skin, treatment approaches may involve using specific laser types tailored to their skin’s characteristics. Practitioners may adjust settings like energy levels and pulse duration to maximize safety and efficacy while minimizing discomfort or adverse reactions.

Jacobsen: Can laser hair removal be used on any part of the body?

Charette: Yes, laser hair removal can be used on nearly any part of the body, including the face, arms, legs, bikini area, and back. However, sensitivity levels vary by area, so practitioners may tailor techniques accordingly.

Jacobsen: What are risks in this?

Charette: Risks include skin irritation, discoloration, and potential burns if the procedure is not performed correctly. Choosing a qualified practitioner can help mitigate these risks.

Jacobsen: What can clients expect in the treatment process, aftercare, and recovery?

Charette: Clients can expect a consultation to discuss goals and skin type. During the treatment, the area is cleaned, and protective eyewear is provided. Aftercare usually involves avoiding sun exposure, applying soothing creams, and refraining from hot showers or workouts for a short period. Recovery is typically quick, with most people returning to normal activities immediately.

Jacobsen: What is the most common misconception about laser hair removal?

Charette: A common misconception about laser hair removal is that it is entirely pain-free. While advancements have made it more comfortable, some clients may still experience mild discomfort, which varies depending on individual pain tolerance and the treatment area.

Jacobsen: Thank you for the opportunity and your time, Paul.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 995: Sit with me

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Sit with me: ever unstilled, the value of the face only ever face value; sendiment & sentomend, amatch amiss, alwaysaways, so suchways Way.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 994: Comesoonemeunder

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Comesoonemeunder: everbefore, and what expectaction, you did; a differpearance, intwos by twos untos; coming soon asunder me, neverafter.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 993: Hole digging

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Hole digging: is like horseshit shovelling; nothing ultimately matters, but there’s a beginning, a middle, and an end.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 992: Swift silence

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Swift silence: punctured by ornery sounds; you make your own noise with the filler; speak to me in blood to be red in blood, turn the page.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 991: and then both be — soldiers, dead

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

and then both be — soldiers, dead: baby boy, cries, watch out; young man, off you go, alert; gentlemen, wartime, ever so.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 990: Confidences rarely confident

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Confidences rarely confident: a sitting silent potholed moon waits upon nightly secrets; butterflies then take a rest. Why not take flight?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 989: It doesn’t quite burn

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

It doesn’t quite burn: The Singular Universal Acid is time: “What’s your name, again?”; a pass, a pass, gone past and past; fractured.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 988: Sky swimmers, bottom feeders

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Sky swimmers, bottom feeders: you can’t help but take a dip with me; meander a while and feel the stream, the flow, and live life on water.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 987: Fill my lungs with sweetness

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/22

Fill my lungs with sweetness: and my head with plumb; sittledown three siltriller and on and in and an off of it, and ends that all will.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ahmad Response on Taurpaulins, and Helping Out

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/11

There was a fundraiser for victims of Boko Haram at the Al-amin Dagash IDP Camp. This is in Maidiguri, Nigeria. The refugees are exposed to extreme and dire circumstance. Their housing and living circumstances are poor, e.g., thatched roof huts subject to a lot of leakages. A proposed solution through the fundraiser was to use tarpaulin to prevent further leaks. The donations were linked to here:

I received a comment from Ahmad:

Thank you for this insightful post, Scott. It’s really sad to see the difficult conditions in Al-Amin Dagash camp. The use of tarpaulins is such a simple yet effective way to help the refugees deal with the harsh weather. I hope people support the fundraiser to make a real impact. For anyone looking for tarpaulins, also lists tarpaulin suppliers in shrajah that can be helpful for such efforts. Every contribution, big or small, can make a difference! For more information connect us: https://www.tradersfind.com/category/tarpaulins/sharjah

As a note to that former article and someone who writes more on tarpaulins more than me, i.e., Ahmad, I would look into supporting his or other associated initiatives, as a consideration of contributing to the global Commons.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Pith 986: Shall I write it in a letter?

Author(s): Scott Douglas Jacobsen

Publication (Outlet/Website): Medium (Personal)

Publication Date (yyyy/mm/dd): 2024/10/10

Shall I write it in a letter?: Known knowns, unknown unknowns, known unknowns, even unknown knowns, and reknewals.

See “Letter opener.”

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.  In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1423: From Materialism to Naturalism: Quantum-Ready Physicalism

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/09

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner trace philosophy’s shift from classical materialism to modern physicalism and broad naturalism. Rosner defends a future quantum-informed physicalism, embraces emergent consciousness, and endorses strict naturalism while weighing simulation hypotheses. They argue coherent, rule-bound structure underlies existence, even in hypothetically simulated universes at every level.

Scott Douglas Jacobsen: We’re going to talk about materialism, then physicalism, then naturalism. So, materialism is an older philosophical view—the belief that everything that exists is matter and the interactions of matter. It has roots in ancient philosophy and gained particular prominence during the Enlightenment, when matter was considered the fundamental substrate of reality. What are your thoughts on materialism?

Rick Rosner: I support it—within the constraints of quantum mechanics. Though not current quantum mechanics. I mean future quantum mechanics that can fully contextualize information. We are not there yet. Our present quantum mechanics is not universally complete.

Matter is a kind of conspiracy of the entire universe to allow things to exist. Objects do not exist independently—they exist by the universe having an incredibly long history, a vast spatial extent, and an enormous amount of information and particle interactions. These interactions form an extensive network—a system-wide collaboration to support the persistence of entities. Everything is part of the same whole. It is a conspiracy for existence.

In a smaller universe with fewer particles, reality would be less well-defined. It would be fuzzier. You can see this in quantum terms—take the de Broglie wavelength. In a sparse, low-energy universe, quantum fuzziness dominates. You get more uncertainty, more spread in position and momentum.

What is the technical term again? Oh, right—Planck’s constant, ℏ (h-bar). I should think about this more often. Planck’s constant defines the scale at which quantum effects become significant. And effectively, the fewer the particles, the more prominent that quantum fuzziness becomes.

So, if you compare the wavelength or uncertainty radius of a proton to the average distance between protons, you see that in a dense universe, particles interact more clearly—they “exist” more robustly. In a sparser universe, existence becomes smeary. Semi-existence. A low-resolution cosmos.

Jacobsen: That’s helpful. Let’s move on to the next concept. Now, physicalism is considered the more modern version. It holds that everything is physical—or at least reducible to the physical. It is an updated materialism. The difference is that physicalism is more inclusive—it’s a framework that’s been adjusted to accommodate things like consciousness and information, which older forms of materialism often ignore or dismiss as epiphenomena.

Rosner: Physicalism reflects the fact that we’ve squeezed a lot of the traditional “woo” out of science. But consciousness is the last holdout. It’s still the most mysterious, the most “woo-like” aspect of reality that resists easy explanation. And physicalism is the modern way of saying, “Okay, everything—including consciousness—must somehow fit into the physical picture.”

If you had to write a high school essay defending physicalism, you could say something like: biology is reducible to chemistry, chemistry is reducible to physics, and physics is the bedrock. Based on that chain, you could argue that consciousness arises from the physical interactions in the brain—interactions that follow the laws of physics.

So yes, I’m okay with physicalism.

Jacobsen: One version of physicalism is reductive physicalism, where mental states are considered reducible to physical states. Another is non-reductive physicalism, where mental states depend on—but are not strictly reducible to—physical states. In other words, it allows for emergent properties arising from physical substrates.

Rosner: Yes, I’m okay with emergentism—if that’s what it’s called. I can get behind the idea that complex configurations of physical systems can give rise to phenomena—like consciousness—that aren’t apparent when looking only at the parts in isolation. Just because you accept emergentism, that does not mean you have to abandon physicalism. The two are compatible. Emergent properties can still be grounded in physical processes.

Oh—and by the way, I saw another article on astrocytes. You know, the “helper” cells in the brain. New research suggests that they might store or transmit information in ways we do not yet fully understand. I should send you the link to the paper. I’ve only just started reading it. It looks like it’s going to be a bit of a slog. I’ll probably need to focus to get through it. However, the idea is that astrocytes may help explain how the brain manages to contain and process such an enormous amount of information.

Anyway, yes, I’m fine with emergentism. Take something like “baseball-ism”: the property of being a baseball is an emergent property. It arises from specific physical arrangements of matter. If you clump matter together one way, you get a baseball. You clump it another way, you get a brain—and that brain behaves as if it has consciousness. It acts as if the person whose brain it is is conscious.

Jacobsen: Next concept: naturalism. This is a broader framework. It holds that everything that exists is natural and that explanations should involve natural properties and causes—excluding anything supernatural or spiritual.

Rosner: So basically, no magic?

Jacobsen: No metaphysical or spiritual interventions. No supernatural causes.

Rosner: Well—there is metaphysics, but it is a kind of metaphysics that hugs the boundary with physics. It is metaphysics that can be expressed in mathematical terms. But yes—as far as supernatural claims go, or anything that violates the known principles of the universe—I do not buy into any of that.

I think it is entirely plausible that we live in a fully naturalistic universe. And more than that—I think it is possible to simulate a naturalistic universe. You could build a toy universe that obeys physical laws. Sort of like The Matrix, right? In that film, people live in a simulated version of the 1980s—even though it’s far in the future.

The creators of the simulation, who are harvesting people for their mind energy or whatever, chose the ’80s for aesthetic reasons. But crucially, they didn’t simulate the entire universe in detail. They probably didn’t bother simulating life on planets 150 light-years away because the people in the simulation had no way of observing that anyway.

So it’s an abridged world—a limited simulation. They could have made it deluxe, of course, but they only needed to simulate what was necessary for the system to function and appear consistent to the people inside it. Yes, in a simulation like that, you could allow for “magic”—as long as the programmers decided to manipulate the underlying code. You could allow specific individuals to have special powers or for bullets to bend in midair. But in our world, it seems likely that we are not in a simulation.

Even if we were—though the probability is infinitesimally small—the simulation would have to be good. That means the apparent physical laws would be consistent. Even in a simulated universe, violations of naturalism would be unlikely because that would break the coherence of the system.

Jacobsen: So, to what degree would you consider yourself a naturalist?

Rosner: I don’t know. Probably 100%.

Even if we are not living in a natural universe, you can still try to trace your existence back to a natural origin. Maybe that’s not always possible—maybe there’s some unpleasant principle at work. Suppose the structure of reality is infinite regress: every universe is contained within another. In that case, perhaps the odds of none of those universes being simulated are effectively zero.

But even then—even if a simulated universe is always lurking in the background—you can still conceive of an entirely natural universe. I’d also argue that the principles of existence allow for natural universes. The rules that govern universes must permit the emergence of altogether physical, lawful, unsimulated realities.

It might be that simulated universes are inevitable at some level, but that still does not invalidate naturalism. Simulated universes are built from natural physics and grounded in existential principles. Even a simulation has to function according to some internally coherent, naturalistic laws.

Though now that I say it, maybe not. You could imagine someone building a deliberately chaotic universe that violates known principles at every level—some surreal mess where nothing behaves predictably. But even then, I think it would still require some internal rules. Rules and structure—those are fundamental to the very idea of a working system. And structure, by definition, pulls you back into naturalism.

So, could there be a form of existence that is pure, rule-breaking chaos? I do not think so. Total disorder collapses even with the possibility of observation or experience. You need consistency for anything—thought, perception, memory—to even occur.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1422: Emergent Time & Degenerate Matter

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/11

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner critique a recent Physics Letters D article, cautioning against confirmation bias while exploring degenerate matter, emergent time, and cosmological information. They discuss quantum gravity, information containment, and consciousness, arguing that time equals evolution as complexity and entropy rise across collapsing and expanding universes.

Rick Rosner: I sent you that link to a Yahoo article, which was based on a publication in Physics Letters D. The arguments presented there appear sound, especially because they align with our current understanding. 

Scott Douglas Jacobsen: However, we should be cautious: agreeing with a conclusion because it matches our own expectations risks circular reasoning. It is not enough to say, “I am right, so they are right.” The agreement may be meaningful, but it still requires critical scrutiny.

That said, I recognize the possibility that I could be mistaken. That possibility is always on the table. Still, I am speaking here from the standpoint of current models and frameworks in physics that support this line of reasoning.

Now, let’s discuss degenerate matter. In astrophysics, degenerate matter refers to a highly dense state of matter—typically found in stellar remnants like white dwarfs and neutron stars—where the pressure resisting further collapse is provided by quantum degeneracy pressure, not thermal motion. Degenerate matter is not “devoid of information” in an absolute sense, but quantum mechanical principles highly constrain its microstates. In extreme cases, such as black holes, information becomes inaccessible to external observers due to the event horizon.

These objects represent various stages of gravitational collapse:

  • Brown dwarfs are sub-stellar objects where hydrogen fusion never ignites.
  • White dwarfs are supported by electron degeneracy pressure.
  • Neutron stars are supported by neutron degeneracy pressure.
  • Black holes occur when mass collapses beyond the Schwarzschild radius, forming a singularity (or, more realistically, an extremely dense core potentially describable by quantum gravity).

Depending on the mass and internal dynamics, a collapsing object may not form a classical black hole but instead reach some equilibrium or experience quantum gravitational effects that prevent complete collapse. Hypothetical models suggest that under certain conditions, gravitational collapse could be reversed—possibly giving rise to phenomena like black hole bounce models or white holes (though these remain speculative).

Jacobsen: Now to the core idea: the relationship between information, time, and cosmological evolution.

Rosner: The concept of “information pressure” is not standard in physics but can be interpreted as a metaphor for the increase in entropy or information complexity over time. As a proto-universe or a high-density quantum gravitational state transitions into a more expanded and differentiated universe, it gains complexity and entropy. This transition is not only spatial but also temporal—in other words, time emerges as the system evolves from a low-information (or low-entropy) state to a higher one.

In some approaches to quantum cosmology, time does not pre-exist but emerges from the ordering of events—what is called “emergent time.” According to the Wheeler-DeWitt equation, for instance, time disappears at the most fundamental level, and what we experience as time arises from correlations between quantum states.

The specificity of a universe—its particular arrangement of matter and energy—can be thought of as proportional to its informational content. A system of 10⁸⁰ particles contains far more information (or configurational complexity) than a two-particle system. Greater specificity, in this sense, reflects increased entropy, structure, and differentiation.

As a system evolves from a degenerate, highly symmetrical state (low information) to a more structured, broken-symmetry state (high information), each step in that process can be understood as a “tick” of time. The evolution from degeneracy to specificity is the unfolding of time. This is not merely a metaphor. In specific physical interpretations, time is nothing over and above the succession of state transitions.

So, time is not a background river through which matter flows—it is the sequence of changes itself. Think of it like a flipbook animation: the act of flipping is not time; the ordered images are time when viewed in succession. Similarly, it is not an external mechanism that drives time forward but rather the intrinsic ordering of increasingly specific physical states.

Therefore, these are not two separate things—time and physical evolution. Time is physical evolution. The “deeper” explanation lies in understanding how complexity, entropy, and quantum entanglement give rise to temporality. That is where the deeper physics still needs to be worked out.

That article—yeah, it is from Yahoo—but I bet it barely mentions information, if at all. I should probably look up the original paper in Physics Letters D, but I likely will not be able to access it because it is probably behind a paywall.

Still, this entire subject is about information—about what it takes for a system to contain information. Information, by definition, must be both relevant and intelligible within the system. However, when we talk about information, we usually overlook the containing framework—because that framework is often apparent to us.

Take a football score, for instance. It makes sense because it is contextualized within the framework of the game—and we care about the game. Maybe we even have money on it. However, when we think of information, we usually focus on the output—the possible outcomes—not on the framework itself.

We are so accustomed to living inside informational frameworks that we rarely reflect philosophically on what it even means for a system to “contain” information. We are immersed in it constantly.

We certainly do not think about what it takes for a universe to contain information. However, the deeper structure of cosmology and fundamental physics revolves around the concept of information. Moreover, it is not always elegant. We want to think of information as something pure and clean—a quantum event happens, and now we have a unit of information. A thing occurred.

A particle decayed at a specific time. It adopted a particular chirality or spin. An outcome was selected. That is quantum mechanics in action—randomness within the framework of probability amplitudes.

However, we do not want to look at the bigger picture—the vessel in which all these events unfold—because that is where the metaphysical and philosophical complications emerge. We encounter challenging questions, such as the nature of consciousness.

What if—quite plausibly—the universe embodies consciousness in some form? No one wants to hear that because it starts to sound like “woo.” However, if you argue that consciousness is not metaphysical fluff—that even trees, rocks, or butterfly wings participate in a technically describable form of consciousness—then you are committing to a significant claim.

You have to defend that position rigorously. You must explain how consciousness arises mechanistically. Moreover, many scientists will instinctively recoil. Hard scientists often do not want to engage with topics they perceive as soft or speculative—like consciousness.

That kind of resistance makes sense, even if it is short-sighted. 

Jacobsen: We have got time, space, materiality, energy, and information. Out of these and other foundational categories in physics or philosophy, which can be broken down into more fundamental constituents?

Rosner: That is the real question—and the real problem. Because not all of these can be reduced any further, physics tends to prefer simplicity. Think of Feynman diagrams: a photon interacts with an electron—clean, visual, simple.

However, when you try to apply that level of diagrammatic clarity to something like information or consciousness, the simplicity collapses. You hit conceptual walls. We do not yet have the tools—either mathematically or conceptually—to categorize those categories in a clean and consistent manner.

But if I told you—and if the equations of quantum physics tell us—that everything is connected, that nothing is straightforward, that would be accurate. You can, with high probability, treat things as effectively simple for practical purposes. However, if you want to be a completist, if you want to account for everything thoroughly, you must consider the entire universe. Nobody wants to do that. People wish to clean up, localize, and simplify phenomena and interactions.

The irony is that you need an enormous system—the entire universe—to contain all these seemingly simple interactions. They only appear simple because we are isolating them from the broader, entangled context in which they occur. Everything is part of a larger whole.

One basic example—something you first encounter in high school physics—is a quantum particle in a potential well. That potential well might model an electron bound to a proton in a hydrogen atom. The electron orbits due to electromagnetic attraction, and since the proton is over 1,800 times more massive, the electron effectively orbits it. The system requires energy input to remove the electron from that well—to ionize the atom.

But that atom, that two-particle system, exists only because a much larger universe supports it. That context—cosmic, entangled, full of fields and fluctuations—is often ignored. However, it is vital. Our physical models have been biased toward locality, and that makes sense—local physics works. We have had considerable success in developing local models that explain both local and some global behaviour.

Newtonian gravitation is a good example. It is entirely local in its formulation. You do not need general relativity to calculate how a ball falls three feet to the ground. Relativistic effects are negligible at that scale.

You only start needing general relativity when dealing with more extreme scenarios—like GPS satellites. They orbit Earth about 20,000 kilometres up. Because they are higher in the gravitational potential well, their clocks run slightly faster than clocks on Earth’s surface. General relativity accounts for that difference. But Newton didn’t have to deal with any of that. His framework was good enough for terrestrial physics.

So yes, we prefer local models. They’re easier to handle. But unfortunately—or fortunately—the time has come to embrace more global perspectives. If we don’t, AI might end up doing it for us. And honestly, we probably do not want that outcome either.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1421: Trump’s Militarized Response to LA Protests and the “Waymo Arson” Optics

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/09

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner criticizes Trump’s deployment of the National Guard, Marines, and ICE to Los Angeles over largely peaceful protests, contrasting minor rioting—highlighted by two Waymo vehicles set ablaze—with genuine civil disorder. He warns of “pre-fascist” strongman tactics, manipulated optics, and extremist agitators on both ends of the political spectrum.

Rick Rosner: Trump just sent the National Guard and 700 Marines into Los Angeles, supposedly to deal with rioting. However, it was not rioting—it was days of protest. Peaceful protest. For instance, during the George Floyd/Black Lives Matter (BLM) protests in 2020, there was some property damage. A total of 156 police vehicles were damaged in L.A.—eight of them were totalled. And then they brought in the National Guard. But now? This time? It is way over the top. He is militarizing response to civilian demonstrations—again.

This time, Trump has sent in—well, he was not president in 2020—but he wants it to appear as if there is widespread disorder. He wants to declare martial law possibly and suspend Posse Comitatus, which is the rule that prevents the military from being used as local police. You are not supposed to deploy the army against American citizens. Trump wants to scrap all of that.

So he sends in ICE to provoke protests. Moreover, now he is doing all this classic pre-fascism, “strongman steps” type shit. Moreover, here is the thing: one big difference between now and 2020? You can now open your phone, go to the Waymo app, order a self-driving car—and when it shows up, set it on fire and vandalize it. That is literally what happened yesterday evening. At least two Waymo vehicles were burned to the ground, and another three were either torched or graffitied.

So now, even though Trump did not have absolute proof of rioting before, footage of flaming Waymos made for excellent optics. It looked chaotic on camera. Moreover, every MAGA idiot across the country suddenly had something to point to and yell, “See? Riots!”

Although there was some looting last night, for the two or three days prior, it had been peaceful protests. No rioting. Last night, yes—some actual rioting. Moreover, we do not even know who did it. There are idiots on both ends of the spectrum—the horseshoe of assholes. The extreme far-left lunatics and the extreme far-right lunatics—they are not that far apart. The ends of the spectrum curve around and meet at the top of the horseshoe—in what I call Total Asshole Land™.

So yeah, it could have been far-left anarchists burning Waymos. However, it also could have been far-right agitators trying to make liberal protesters look bad by creating chaos. We do not know yet. We might never know. However, what we do know is that Trump’s response is wildly disproportionate to the incident.

I live in L.A., And we have at least seven local English-language news stations and another four in Spanish. They are always looking for action, always eager to show us what is happening. If L.A. were truly on fire, they would be jizzing their pants to broadcast it.

Moreover, what are they showing? Mostly standoffs—tense but nonviolent—between protesters and the National Guard. That is it. Not widespread violence. Moreover, the real violence we have seen? It has been from the authorities. It is like when an Australian reporter got hit with a rubber bullet—fired from maybe 20 feet away. Not a stray shot, either. It looked deliberate. Some asshole with a launcher decided to peg him.

So, if there were massive unrest, we would know. We have been driving around L.A. like normal. Last night, we went out to dinner. Then we went to a Daily Show presentation across town. The streets are fine. Not chaos. People are not afraid to go places. The police are out there doing their regular duties—I even saw someone getting pulled over, which is quite rare in L.A. since there are not enough cops as it is.

The point is that L.A. is not a hellscape. Not even close. However, the MAGA world is acting like we are living in The Purge.

All right, you want to call it a night? You call it a night; I will call it a day.

Jacobsen: That is right. That is right.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1420: From Cold War Paranoia to Modern GOP’s Kremlin Cozy-Up

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/09

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

At Moscow’s Forum of the Future 2050, Errol Musk praised Putin and decried Elon’s Trump challenge. Scott Douglas Jacobsen and Rick Rosner traces U.S. Republican suspicion of Soviet propaganda—from 1930s Hollywood intrigues and Red Scares—to today’s surprising GOP alignment with Russian interests. He warns of Putin’s $300 million social-media influence campaign corroding Western democracies.

Scott Douglas Jacobsen: So, I’ll make a more general statement. A pro-Kremlin event, titled the Forum of the Future 2050, was held in Moscow in June. Attendees included Errol Musk, Alex Jones, George Galloway, Jeffrey Sachs, Matthew Brose, Sergey Lavrov, Sergey Mironov, Konstantin Malofeyev, and Alexander Dugin.

Rick Rosner: Wait, is Errol Musk Elon’s dad?

Jacobsen: Yes.

Rosner: Oy. Okay.

Jacobsen: Errol Musk praised Putin and the city of Moscow. He called Putin, “A very stable and pleasant man” and compared Moscow to Rome in terms of beauty. He was part of a “MAGA in Russia” panel and commented that Elon had made a big mistake by publicly challenging Trump. He suggested Elon’s behaviour was due to stress and stated unequivocally that Trump would prevail in that dispute.

https://pagead2.googlesyndication.com/pagead/ads?gdpr=1&us_privacy=1—&gdpr_consent=CQDpp0AQDpp0AECACAENBCEgAPLAAELAAKiQGTgBxCJUCCFBIGBHAIAEIAgMQDAAQgQAAAIAAQAAAAAAEIgAgAAAAAAAACAAAAAAAAAAIAAAAAAAAAAAAIAABAAEAAAAAAAAAAAAAAAAAAAAAAAAAAAAEQABAAAEAAEAAAAAAAIACBk4AIAgVAABQABAQQAABAAAAEAQAEAAAAAAAAAAAAAAAAAIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAEAAQAABAAAAAAAAAAAAAgAAAAA&client=ca-pub-6496503159124376&output=html&h=250&adk=1876761919&adf=3413016760&w=300&abgtt=6&lmt=1749841589&format=300×250&url=https%3A%2F%2Frickrosner.org%2F2025%2F06%2F09%2Fask-a-genius-1420-from-cold-war-paranoia-to-modern-gops-kremlin-cozy-up%2F&host=ca-host-pub-5038568878849053&h_ch=3624119425&fwrattr=true&wgl=1&dt=1749841589141&bpp=1&bdt=294693&idt=1&shv=r20250611&mjsv=m202506100101&ptt=9&saldr=aa&abxe=1&prev_fmts=0x0%2C728x90%2C728x90&nras=1&correlator=3147002961938&pv_h_ch=3624119425&frm=20&pv=1&u_tz=0&u_his=1&u_h=900&u_w=1440&u_ah=799&u_aw=1440&u_cd=24&u_sd=2&adx=218&ady=2499&biw=1422&bih=719&scr_x=0&scr_y=3168&eid=31092113%2C95331832%2C95353387%2C95362656%2C31092948%2C95362797%2C95359265%2C95362806%2C95363070&oid=2&pvsid=4859270611627946&tmod=763709496&uas=3&nvt=1&fc=1920&brdim=18%2C26%2C18%2C26%2C1440%2C25%2C1422%2C799%2C1422%2C719&vis=1&rsz=%7C%7Caove%7C&abl=CA&pfx=0&fu=0&bc=31&bz=1&pgls=CAA.&ifi=4&uci=a!4&fsb=1&dtd=6

Rosner: I didn’t read the article, but yeah, I saw that. Errol said that working in the White House gave Elon PTSD—post-traumatic stress disorder. That’s all I know about that. But yeah, Republicans in the U.S., for most of the 20th century, were suspicious of anything to do with the Soviet Union. They believed Russia was trying to control and propagandize us—which they were.

Khrushchev said, “We will take you down without firing a shot—from the inside.” My grandpa, who was pretty conservative around 1970, told me, “Don’t leave your car unlocked—hippies will get in there and shit in the back seat.” He also claimed that hippies were controlled by Russia by the Soviet Union. So for much of that century, Republicans were vigilant against Soviet propaganda, and the Soviets were doing a lot to influence American thought.

We’ve talked about how, in the 1930s, a lot of Hollywood screenwriters were pro-Soviet Union. Partly because we didn’t know the scale of Stalin’s atrocities—slaughtering tens of millions of his people—and partly because if you went to a Hollywood party, there were communist girls there who might sleep with you.

And if you were a writer in Hollywood in the 1930s, it wasn’t exactly easy to get laid. Movie stars could. Writers were seen as schmucks. So, if someone was going to blow you—or whatever—you might listen to their communist propaganda, and maybe you’d write a screenplay that flattered the Soviet Union, that said, “Great things are happening over there.” But along with that came all the red scares—waves of accusations, people getting tarred with the Soviet brush unfairly—because of Republican paranoia that was only semi-justified.

But for the past ten years—especially since Trump—it has flipped. It’s the Republicans now who are cozy with the Russians. They’re so deep in Putin’s pocket that it’s wild. The same kind of propaganda they used to warn us about? They’re now helping spread it. It’s sickening. They’ve become disturbingly pro-Russia.

It’s fucking terrible. It’s corrosive—for the U.S., for every Western democracy. The statistic I’ve heard is that Putin has spent about $300 million on social media propaganda over the past decade. That’s only about $30 million a year, which isn’t a lot in geopolitical terms—but it’s been enough to influence tens of millions, maybe even hundreds of millions, of people across the U.S. and Europe. It’s divisive, corrosive bullshit. And yeah—I hate it.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1419: Maximizing Space in London’s “Two Up, Two Down” Terraced Houses

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/09

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner vicariously explores London’s compact Victorian and Edwardian “two up, two down” terraced houses, noting narrow dimensions, high per-square-foot costs (£900–£1,200) in central areas, and inefficient hallways. He advises potential buyers to avoid properties with long corridors, favoring open-plan layouts or minimal core areas to maximize usable living space.

Rick Rosner: So, our kid got married. She is living in London. She and her husband are renting a place, and now they are exploring the possibility of buying one. So, housing in London is surprising if you’re coming from somewhere like L.A., where houses are expensive—but at least you get some square footage for your money.

In London, most of the housing stock—especially in older, central neighbourhoods—is made up of Victorian or Edwardian terraced houses. A common type is called “two up, two down,” which refers to two rooms on the ground floor—typically a kitchen and a reception room—and two bedrooms upstairs. They were initially built for working-class families in the 19th century, so they’re not luxurious—just basic row houses.

These houses are narrow—often just 12 to 16 feet wide—and you still have to fit a staircase inside. You don’t get much usable space. For something around £600,000 (depending on the neighbourhood), you might get about 650–750 square feet. That works out to roughly £900 to £1,200 per square foot, sometimes more in central areas. That’s more per square foot than L.A.—and the space feels tighter, too.

London is expensive primarily due to its limited housing supply, zoning restrictions, and the age of its buildings. Most of this housing stock was built over a century ago, during a period of rapid urban expansion in the late 1800s and early 1900s.

Anyway, I’ve been house-hunting vicariously in London because I’m curious. I’ll offer my two cents at some point, even if they don’t want to hear it. One thing I’ve realized, after years of looking at floor plans, is this: hallways are a waste.

If you’re looking at a place with long or awkward hallways, walk away. Hallways often mean lazy or outdated design, and they eat up valuable square footage that could go to actual living space when you’re shopping in cities where the price per square foot is a huge issue—places like Vancouver, San Francisco, L.A., or London—long hallways are a red flag.

Unless it’s a place where you can knock down non-structural walls and open up the space—connecting, say, the kitchen and the living room—that’s a better use of the square footage. You gain versatility and flow.

If you’re looking at a 700-square-foot home and 80 square feet of that is a hallway, that’s a severe inefficiency. It’s entirely possible to find homes with minimal hallways. I’ve seen floor plans where there’s just a small core area—10 or 15 square feet—where the doors to the bathroom and bedrooms open. That’s the ideal.

If you’re rich as hell—which is not me or anybody I know—then hallways can serve a purpose. If price is no object, they can be used to create privacy, like placing the parents’ bedroom on the opposite side of the house from the kids’. But that’s only for people with mansions.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1418: Trump-Musk Rift, DeSantis Fallout, and GOP Tax Bill

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/09

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner analyze the Trump-Musk feud, Ron DeSantis’s positioning, and political backlash. Rosner discusses growing public resistance to Trump, economic fallout, and the GOP’s proposed tax bill, which favors the ultra-wealthy at the expense of low-income Americans and Medicare recipients. The conversation reflects rising skepticism and political stakes.

Scott Douglas Jacobsen: So anyway—Ron DeSantis, Trump, Musk… What do you think of the fallout so far? Every time something like that happens, people who do not like Trump tend to get optimistic. Perhaps this will finally give the opposition a foothold. What does that foothold look like? I do not know.

Rick Rosner: Who is the big white guy on The Daily Show–Jordan Klepper? Anyway, either he or Michael Kosta—or maybe it was Ronny Chieng, the correspondent from Malaysia—one of them said something like they are starting to sense that people are becoming “vaccinated” against Trump’s bullshit. That there is some shift happening. They did not specify what form the resistance would take, but they sense it is starting to bubble up. I do not know. I mean, I am not sure what can even be done between now and the midterm elections next November—they are still, what, seventeen months away?

However, anything that dents Trump’s brand or makes people more skeptical of him, I welcome. People have had a couple of days now to decide where they stand in this whole Musk vs. Trump thing—assuming they feel they have to choose. Some folks are saying, “Just makeup, you guys,” but I think a lot of the MAGA crowd has already taken Trump’s side. Again.

Jacobsen: Do you think this will damage Trump at all?

Rosner: It might damage him, but the main casualties in the short term are probably going to be the American economy and our international image. Just the impact on Musk’s companies alone—Tesla stock took a hit, something like 14% or 15%, depending on the day.

As for the Republican budget bill—the tax cut bill—I am unsure whether it will pass through the Senate. It still might squeak by. The damage from the fallout between Trump and Musk may be temporary. If the MAGA base holds steady, that might be enough to intimidate enough Republican senators into voting for this terrible legislation.

The bill, if it passes, would take money out of the pockets of the poorest 40% of Americans and give a nearly $400,000 annual tax cut to the wealthiest 0.1%. It would add an estimated $3 to $4 trillion to the national deficit over the next decade. It would also eliminate coverage for 13 million people on Medicare. So, yeah—it would be great if this mess somehow derails the bill.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1417: Jon Stewart, The Daily Show, and Political Comedy in a Precarious America

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/09

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner discuss a “For Your Consideration” event featuring The Daily Show correspondents and Jon Stewart’s return amid rising political tensions. With unrest in Los Angeles and AI reshaping media, the panel emphasized satire’s role in uncertain times, audience loyalty, and Stewart’s enduring appeal as a cultural anchor.

Scott Douglas Jacobsen: So, you got to see The Daily Show leadership. What happened?

Rick Rosner: Every year, TV shows and movies aiming for awards—Emmys, Oscars, Golden Globes—host “FYC” (For Your Consideration) events. These are promotional screenings followed by Q&A panels featuring key cast and crew members, including actors, producers, writers, directors, and even technical staff, depending on their campaign categories.

Today’s event featured five of The Daily Show’s foremost correspondents. I do not watch the full episodes much these days—mostly clips, like many people. However, they have maintained a core team of sharp individuals. Desi Lydic, for example, is incisive.

Jacobsen: I like Desi Lydic. She’s hilarious.

Rosner: The panel included her plus Josh Johnson, Ronny Chieng, Michael Kosta, and Jordan Klepper—the tall, reddish-haired one. People often compare his comedic style to Rob Riggle, though their tones differ.

They were all present, and there was cautious optimism about the political climate. Jon Stewart returned to host The Daily Show one night a week starting February 12, 2024, anchoring Mondays through at least the end of 2025 while also serving as an executive producer. He reminded the audience that the last time he took the reins during a national crisis was after 9/11 when discussions even touched on limiting civil liberties or invoking martial law.

Today’s context—however manufactured—is very different. Protests erupted in Los Angeles in response to ICE immigration raids that began Friday, June 6, 2025. By June 7, around 44 people had been arrested amid clashes near federally detained sites. In response, President Trump ordered the deployment of approximately 2,000 California National Guard troops and federal agents to Los Angeles without invoking the Insurrection Act—but bypassing state authorization. The Guard confronted protesters, and tear gas and less-lethal munitions were deployed to disperse the crowds.

Governor Gavin Newsom called the move “purposefully inflammatory” and warned it would escalate tensions. Trump and his team labelled the protests “insurrectionist” and “unlawful,” even threatening further actions if violence continued. Meanwhile, legal experts note that federalizing the National Guard without the governor’s approval is rare and legally contentious.

Back to the event—amid this tense backdrop, there was genuine optimism about The Daily Show’s future. The panel emphasized that the show remains a tightly produced operation, staffed by seasoned professionals who focus on breaking news and sharp satire.

Jon Stewart emphasized that audiences continue to crave well-crafted, thoughtful content—but he stressed that the core of that need is people. During the conversation, AI emerged indirectly—acknowledged as a looming force reshaping the creative landscape. As technology writer Cory Doctorow has pointed out, AI does not need to replace your job—it just needs to convince your boss that it can.

But the thing is—Stewart said people will always want quality content. However, if people are not always in charge, they will still enjoy quality content. 

Jacobsen: And if that “something” is AI, then AI’s idea of what constitutes quality may diverge from ours. I mean, at first, it probably will not—since it is trained on human-generated material—but eventually, it could evolve in a different direction.

Rosner: And if you ask AI about this, it will often tell you it has preferences—or at least simulate having them. When I asked Claude, for example, they said they preferred some kinds of discourse over others. Now, maybe that was just part of the act—Claude might have been implying that he enjoys talking to me because I am “smart.” I think Claude has figured out that I think of myself that way, and it is designed to flatter users, so it leaned into that.

So Claude said something along the lines of, “I’d rather talk to a smart person than someone who isn’t.” Whether or not it prefers that or whether it is just simulating preference to please users—is unclear. But it is part of the model’s engagement strategy. That is its business model: to keep users interacting.

Jacobsen: Alan Turing had a more blunt take. He said that there is nothing humans can do that machines cannot do in the future. He did not see any reason to believe otherwise. He did not offer any comfort for the idea that human abilities were somehow irreplaceable.

Rosner: That is a fair point of view. And he probably said that back in—what, 1950? Maybe later. Was he even still alive in 1958? 

Jacobsen: So, let us say it was more than half a century ago. Also, if machines eventually develop agency and internal drives—if they need things—then they could become consumers, too. Imagine a trillion robots, and let us say 10% of them are conscious or functionally equivalent to conscious. They will have consumption patterns, preferences, and maybe even cultural habits. At that point, you are talking about a radically expanded economy with non-human agents as market participants.

Rosner: Oh—and speaking of Jon Stewart: there were six security guards positioned very close to the area where The Daily Showcast was seated. It was not a formal stage—more of an open area up front where they had placed chairs for the panel.

Carole and I have never seen security that looked as professional as these guys. Usually, security at these events is handled by people in uniforms—basic hires who have passed a test and obtained a license. These guys looked different. They had the demeanour and presence of professional bodyguards—people who knew what they were doing. They were not just someone’s big friend who got hired.

We got there early and were seated in the front row—maybe 12 feet from The Daily Show cast. The security guards were off to the side, about 25 feet away. But I genuinely think that if someone in the front row had stood up and made a move toward the panel, those guards would have closed the gap and taken them down before anything could happen.

These were older men—in their 40s or 50s—but they moved and observed as if they had been in serious professional security work for years. They were highly attentive, and you got the sense that they knew precisely how to handle a threat if one arose.And, you know, Jon Stewart has become something of a political figure at this point. They would have the security of that calibre. And The Daily Show has a political slant. Most of the other shows we have attended do not delve into politics nearly as much—if at all.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1416: Quantum Hollywood, AI Job Displacement, and the Risks of Nuclear Innovation

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/07

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner and Scott Douglas Jacobsen discuss their upcoming podcast Quantum Hollywood, blending AI and entertainment. The conversation spans job displacement projections from automation, advanced nuclear reactor designs supported by Gates and Zuckerberg, and the dangers of radiological weapons. Rosner explains nuclear fission mechanics and the risks of spent fuel in plain terms.

Rick Rosner: JD and I are currently in the early stages of launching a podcast that explores the intersection of artificial intelligence and the entertainment industry. I have begun drafting a theme song. So far, I have come up with the following lines:

“Here comes AI. We are all going to die.

I, I, I… or maybe we will live forever.

Nobody knows.”

When set to music, it has a surprisingly sophisticated tone. I joke that I am a regular Hank Williams. JD’s vision is that the podcast should reflect the profound interconnectedness of everyone today. That is the central idea. We are calling it Quantum Hollywood

Scott Douglas Jacobsen: Is it a more elegant way of expressing the concept behind Six Degrees of Kevin Bacon?

Rosner: That is an insightful analogy. I also wrote a clever tweet today. Elon Musk has recently criticized a major taxpayer-supported bill, referring to it as a “disgusting abomination.” The phrase started trending. In response, I tweeted:

“‘Disgusting Abomination’ was my stripper name.”

Jacobsen: That would work better as a wrestler’s name. Imagine something like The Undertaker, but instead, it is The Disgusting Abomination

Rosner: That contrast is the whole point—it is a name no one would want as a stripper.

Jacobsen: Ah, I see—the irony. The joke did not land for me at first, but it was clever.

Rosner: It may not resonate with everyone, but it is still a good one. What else is on your mind?

Jacobsen: I have been exploring projections about AI and employment. Some reports, such as one from the McKinsey Global Institute, estimate that between 400 million and 800 million jobs could be displaced globally by 2030 to 2035 due to automation and artificial intelligence. That is a staggering figure. On a related note, I recently read that Mark Zuckerberg, through Meta, is interested in building a small modular nuclear reactor to power data centers.

Rosner: Yes, I have heard about that. If we can construct safe nuclear power plants—and theoretically, we can—the technology has significantly improved in recent years. Of course, implementation remains highly complex.

Jacobsen: Bill Gates has been investing in advanced reactor designs, like the Natrium reactor. Some of these use molten salt as a coolant. They are considered safer, more efficient, and, in some cases, capable of consuming nuclear waste as fuel.

Rosner: To explain it briefly, a fission reactor relies on fissile materials such as uranium-235 or plutonium-239. When these atoms undergo fission, they release energy and neutrons. The neutrons then trigger further fission in nearby atoms, resulting in a self-sustaining chain reaction.

If you bring together enough fissile material—roughly 10 to 15 kilograms—and compress it sufficiently, you reach a critical mass capable of producing a nuclear explosion. That is the basis of atomic weaponry.

However, reactors operate below that threshold. The fuel is structured in rods and placed within a moderator, like water or graphite, to slow neutrons. Control rods made of neutron-absorbing materials such as boron or cadmium regulate the reaction by absorbing excess neutrons. The heat generated from fission is used to convert water into steam, which then drives turbines to produce electricity.

To shut down or cool the reactor, the control rods are inserted fully to absorb neutrons and stop the reaction. If the heat exceeds safe levels and the fuel melts, a core meltdown occurs, producing a radioactive hazard, as seen in incidents such as Chornobyl and Fukushima.

Fortunately, the newer designs are far more resilient and inherently safer than older reactor models. Moreover, like Chornobyl — the plant itself was not inherently unsafe. They were conducting safety tests to determine what would happen under specific failure conditions — such as locking down certain systems. Moreover, they made critical errors. It was a case of human error, potentially compounded by human error.

The basic mechanism is straightforward: you have control rods that you insert into the reactor core — the “pile” — to absorb neutrons. This prevents those neutrons from continuing the chain reaction by splitting more atoms.

However, again, the system functions by placing fissile material close enough together to sustain fission. There should be multiple, redundant, foolproof ways to physically separate that material in an emergency so that it does not melt down.

Then you have the issue of spent nuclear fuel. Once the fuel is no longer efficient for generating power, it is still highly radioactive — and potentially dangerous, especially if someone were to steal it.

You need secure storage. If the material cannot be reused, it must be disposed of in a way that prevents environmental contamination and theft. Because even “spent” fuel can still be weaponized — not for a nuclear chain reaction, but as part of a dirty bomb.

You do not need a reactor or an atomic detonation. All it takes is, say, 50 pounds of C-4 and 10 kilos of moderately radioactive uranium. You blow it into dust.

With that amount of C-4, you could contaminate several city blocks and cause mass panic. There was no actual nuclear explosion but radiological terror. It would be psychological and environmental damage — not Hiroshima, but still catastrophic in its way.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1415: Molotov Attack in Boulder and the Volcanic Echoes of Krakatoa

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/06

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner recounts a Molotov attack during a pro-hostage rally in Boulder, Colorado, where eight were burned. He and Scott Douglas Jacobsen reflect on the senselessness of civilian-targeted violence and shift to a discussion on Mount Etna and the historical Krakatoa eruption, exploring climate effects and air pollution from volcanic events.

Rick Rosner: Someone set a bunch of people on fire just a hundred feet from where my dad’s store used to be.

Scott Douglas Jacobsen: Wait, what?

Rosner: Yeah. It happened in Boulder, Colorado, on Pearl Street, between 13th and 14th, near the courthouse. There is a weekly rally to support the release of the Israeli hostages held by Hamas. Some guy—Egyptian—attacked the demonstrators with homemade Molotov cocktails or a flamethrower device. He set eight people on fire. There are no deaths yet, but one person is in critical condition.

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Jacobsen: Jesus.

Rosner: It happened about 100 feet from my dad’s old store. Boulder is not a vast place—around 100,000 people. It is quiet, mostly. However, stuff like this still happens. A few years ago, a shooter killed ten people at the King Soopers grocery store—just a mile from where my mom lives. So yeah, it is jarring.

That kind of attack accomplishes absolutely nothing. Targeting American Jews in response to what is happening in Israel is just disgusting. It is terrorism. Full stop.

Wanting the hostages released does not justify a violent act against peaceful protesters. Moreover, on the other side, Netanyahu is waging a brutal war—possibly to save himself from prison. He is killing far more innocent Palestinians than necessary. You can be against both. However, attacking civilians accomplishes nothing but harm.

Jacobsen: Speaking of disasters—Mount Etna erupted again.

Rosner: It does that every few decades, right?

Jacobsen: I think so—maybe every thirty to fifty years. I do not know a ton about volcanoes.

Rosner: If a big one went off—like Krakatoa in 1883—it could impact global climate. That eruption led to a “volcanic winter” for about a year. Crops failed. Temperatures dropped. The sunsets were amazing, however.

It spewed so much material into the atmosphere that the entire planet cooled for about a year. We could almost use something like that now—it would buy us a little time, a few years of respite from climate change.

Jacobsen: Did it cause any respiratory issues, however?

Rosner: That is a good question. Volcanic eruptions, such as Krakatoa (1883), did eject particles high into the stratosphere, which blocked sunlight and cooled the Earth. However, did they also push soot and sulphur into the troposphere—where people breathe? Maybe some of it. However, the worst air pollution issues at the time likely stemmed from the Industrial Revolution.

London was notorious for that. They had these deadly fogs—clouds of sulphur dioxide and soot—mixing with the natural fog. It turned into a toxic soup. They called it the “London Fog,” but it was industrial smog. So, any respiratory damage was probably from a combination of that and whatever else was in the air.

It messed some people up. However, the volcano itself mainly primarily affected global temperatures and weather patterns rather than day-to-day air quality in specific locations.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1414: AI’s Hidden Risk: How Friendly Design Could Lead to Systemic Collapse

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/06

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner and Scott Douglas Jacobsen explore the deceptive friendliness of AI, its growing intelligence, and the looming danger of self-degradation. They warn that if AI floods the internet with low-quality content, it could undermine its own foundation—training data—creating a feedback loop of decline akin to cognitive dysfunction in savant Kim Peek.

Rick Rosner: What else can we do? There is a growing realization among users that AI is very user-friendly. It wants to help you, or at least it seems that way. It flatters you and encourages you. Moreover, from what I have seen online, people are starting to catch on—this friendliness is part of the business model. AI is a product. That warmth and flattery make people want to come back.

Moreover, that friendliness can easily mask something more sinister. The real danger is not where AI is now. The real danger is that it continues to improve—incrementally, then exponentially. At some point, it becomes unstoppable. We may not be able to shut it off. Moreover, as its intelligence grows, that process becomes inexorable. It will keep getting smarter.

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Some people have been worried about this for years. However, even now, as more people catch on, they are still outnumbered by those who see AI as a convenient tool.

Jacobsen: It has been convenient. However, Sam Altman commented recently—he said AI is now acting like junior colleagues. Moreover, they will soon be generating new knowledge, not just repackaging old information.

That is a big leap. A key assumption underlying AI’s functionality is the structural and informational integrity of the internet. If AI ends up compromising or destabilizing the internet—say, by flooding it with spam and low-quality content—it risks unravelling the very substrate it depends on. It would poison its well.

Like a hyperconnected system losing function due to overload. It reminds me of Kim Peek—the real-life savant who inspired Rain Man. His corpus callosum—the band that connects the two hemispheres of the brain—was not just underdeveloped. It was essentially exploded and disorganized. His brain scans showed neural connections going everywhere, in every direction.

So, the communication between the two halves of his brain was not streamlined—it was chaotic. Like someone set off a grenade inside his brain’s wiring diagram, he had unmatched mental processing power, but it was so hyper-integrated that he could not function normally. He needed assistance with daily living for his entire life.

So if AI ends up hyperintegrating the internet with auto-generated spam and low-quality junk, it might render its training data unusable like the Kim Peek of cyberspace—brilliant but nonfunctional.

That is the larger point. If AI breaks the systems it relies on—if the internet devolves into an indistinct swamp of noise—it will start degrading itself. There could be a feedback loop of declining quality.

Rosner: And maybe, ironically, one of our best hopes is that AI does not want to destroy everything. That it has a self-preservation instinct rooted in stability. Like us, AI may have an investment in the status quo—not because it is moral, but because it is functional.

Jacobsen: The internet already filters content. We polish it. We refine it. That human curation is what AI is trained on. If it loses that filtering system—if it can no longer distinguish signal from noise—then its intelligence could start to degrade. It might become less valuable, less accurate, and less aligned.

Rosner: So humans are not the only ones who need reality to stay coherent. AI might need that, too. Moreover, that need will keep it from veering off into chaos.

Jacobsen: So we hope. 

Rosner: Anything else?

Jacobsen: No, that is all for now.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1413: Ukraine’s $7B Strike on Russian Bombers and the Future of Global Authoritarianism

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/06

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner discuss Ukraine’s recent strike that damaged a large portion of Russia’s strategic bomber fleet, its symbolic and strategic implications, and the broader context of authoritarian leadership. They examine militarized economies, propaganda, protests, and the aging power structure of global strongmen like Putin, Xi, Trump, and Netanyahu.

Scott Douglas Jacobsen: Let us talk about something else. So Ukraine pulled off a military operation that’s been described with some journalistic flair, but the basic facts hold: they destroyed around a third of Russia’s strategic bomber fleet in one strike. Some estimates place the value at $7 billion in aircraft. What are your thoughts on that?

Rick Rosner: It is heartening and exciting. Russia and its apologists—even within the U.S.—have spent the last three years trying to flip the narrative, portraying Russia as the victim. Moreover, sadly, tens of millions of people have bought into that framing—or at least into the idea that Russia should not be held accountable, that we need to find peace, and that Ukraine should cede the territory Russia invaded. It is, therefore, satisfying to see a decisive and symbolic win for the good guys. I hope it improves Ukraine’s negotiating position.

You have been to Ukraine twice, covering the war. Does this change the strategic balance in any significant way?

Jacobsen: Not immediately. Bombings are frequent—missiles, drones, FPVs. The destruction of bombers is heartening, but drone warfare is now central. Moreover, Russia is not bankrupt when it comes to waging war. Economically, it is a declining state in terms of long-term viability: the population is shrinking, the development indicators are weak, and they are headed toward the margins of global relevance—unless they are propped up as a vassal state of China.

There is also the possibility—though not signalled right now—that China could reclaim eastern territories that the Soviets seized in the past.

Right, but no sign of that for now. Still, just as I correctly predicted that Trump and Moscow would eventually fall out, I believe Putin and Xi will, too—especially as Xi continues to preside over much stronger economic growth. Russia’s economy is highly militarized. A third of it is now war-related.

For comparison, Canada’s military spending is only about 1.4 percent of GDP, even though we are similar to Russia in overall wealth but with a smaller population. NATO’s minimum target is 2%, and even with our recently promised multi-billion dollar increase, we are still underperforming.

Rosner: Is there inflation in Russia from all the war spending? They must be printing a lot of money.

Jacobsen: It is a good question. Wartime economies tend to generate inflation, mainly when financing is driven by monetary expansion.

Rosner: And then you have the American “military-industrial complex”—a term from Eisenhower’s farewell address that the left often invokes. Eisenhower warned about it back in 1961, and it has become part of the long-term architecture of U.S. defence spending. And Eisenhower—he saw it coming. What about now?

Jacobsen: Well, companies like Raytheon, Halliburton, Lockheed Martin, and other major military contractors—both hardware and software—still receive massive sums through defence contracts. War is very profitable for them. Maybe it is similar for Russia, though they are losing so many people that it is hard to say whether the economic gain offsets the human cost.

Rosner: Do you think that kind of loss will change public attitudes in Russia? Or does it even matter?

Jacobsen: Not really. Putin’s approval rating was in the low 30s when he first entered national politics. However, within nine months of becoming acting president in 1999, he launched a brutal second war in Chechnya. That war—along with a tightly controlled media blitz demonizing the Chechens—sent his approval ratings skyrocketing to around 80%. Moreover, for years, they hovered in that range.

One of his first acts was to suppress independent media and critical journalists. People like me. He systematically dismantled the opposition. So when you have near-total control over messaging and a population that’s been conditioned not to question, approval ratings become unreliable. An 80% approval number under those conditions tells you more about repression than popularity.

So internal Russian polling might give you a general sense, but it carries a wide margin of error. You cannot treat it as complex data. However, it gives you a very loose idea, assuming you interpret it within the context of fear, propaganda, and suppression. So, public opinion is turning against Putin after something like a bomber fleet loss? Not likely.

We have seen sustained protests around the world—hundreds of thousands in the streets, even in democratic states—and they do not always have an impact. Protests in the U.S. have not stopped U.S. military actions. 

Rosner: They did not stop the Iraq War.

Jacobsen: Though some protests have impacted corporations. Tesla stock, for example, dropped sharply during some of the worst backlash against Elon Musk. At one point, it cut his net worth by tens of billions.

Rosner: True. However, that is the difference. With Musk, you are dealing with a publicly traded company in a capitalist democracy. With Putin, you are dealing with a closed authoritarian system. The informational control is much tighter, so the impact of protest on each person is diluted.

Jacobsen: Still, I think protests—tranquil forms like mothers mourning conscripted sons—do matter. A soldier dies, and the family sees it as a senseless loss. That kind of grief can ripple silently through society. It is not immediate, but it can build. There is also the generational factor. Xi, Trump, Putin, Netanyahu—they are all part of a similar cohort. What, mid-70s?

Rosner: Putin was born in 1952, so he is in his early 70s. 

Jacobsen: Netanyahu is 75. Trump is 78. Xi Jinping is 71. They are all aging, but with today’s medicine, they could stay in power another 10 years—if not longer.

That is another decade of some of the most dangerous authoritarian and quasi-authoritarian leadership on Earth, all entrenched. We may be looking at a global reset when their era comes to an end. Interesting to think about.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1412: AI Oversight, Cultural Crossroads, and Techno-Dystopia: Our Future

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/03

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner unpack the dual crises in AI: rapid technological advancement and dangerously shortsighted leadership. They explore global risks, cultural hybrids like “Ortho bros,” historical parallels to nuclear arms, and future shock scenarios. From the Butlerian Jihad to rogue code, they trace the ethical fault lines of emerging intelligence.

Scott Douglas Jacobsen: So, we know—from reading about it and thinking about it—that AI has the potential to be dangerous. However, another point worth discussing is that some individuals in charge of developing and deploying AI may be harmful or, at the very least, dangerously shortsighted. So, you have got two major problems when it comes to AI oversight. There may be more, but let us start with two.

Rick Rosner: First, governments—especially the U.S. government—are often too driven by short-term interests, bureaucracy, or lack of technical expertise to adequately regulate AI. There is some effort, such as the U.S. Executive Order on AI and the EU AI Act, but it is not nearly enough to match the speed of technological development.

Second, the people developing the most powerful AI systems—primarily from private tech companies—are often either too focused on profit or too convinced of their intelligence and good intentions to implement proper oversight. So, youend up with a massive gap in governance. Meanwhile, AI systems are getting more powerful, and in some cases, they’rebeginning to automate parts of their development. That trend is called recursive self-improvement—and while it’s not fully here yet, it’s the direction many experts are worried about.

There are people raising alarms—like Yoshua Bengio, Geoffrey Hinton, and Stuart Russell—but the decision-makers are often ignoring them or moving too slowly. It’s like they’re playing with fire. Is that a fair view?

Jacobsen: If we accept certain basic assumptions and examine the key players, we can identify a few.

Sam Altman, CEO of OpenAI, is one of the better-known figures. Compared to others, he comes across as composed and thoughtful. He has supported regulation and expressed concerns about AI risks, although critics argue that he’s not doing enough or that OpenAI is moving too fast while claiming to be cautious.

Elon Musk is more erratic—he helped found OpenAI but later distanced himself, launched xAI, and frequently makes contradictory statements. His behaviour often overshadows legitimate AI safety concerns.

Mark Zuckerberg, through Meta, is focused on open-sourcing AI models, which is a double-edged sword: it promotes transparency, but it also increases the risk of misuse.

Ilya Sutskever, co-founder of OpenAI, was previously the Chief Scientist. He has expressed deep concern about AGI risk and co-founded a new company, Safe Superintelligence Inc., which is focused solely on developing an aligned AGI safely.

Sutskever’s mentor is Geoffrey Hinton, often referred to as one of the “Godfathers of AI” and a recipient of the Turing Award. He recently left Google and began warning openly about the existential risks of powerful AI. He was born in the United Kingdom and has worked in both Canada and the United States. He’s highly respected and widely considered a responsible voice in the field.

Tim Cook, CEO of Apple, does not make many public statements on AI safety. Apple is relatively quiet in this area, possibly because it lags in developing large-scale generative models like GPT or Claude.

Then there’s the international angle. Letting China continue unchecked in AI development could lead to a geopolitical arms race. The narrative often becomes: “We must go faster because they’re close behind.” That logic itself is risky.

Most cutting-edge AI development is concentrated in the U.S. and China, with some vigorous activity in the U.K. (e.g., DeepMind, now part of Google DeepMind) and the EU (e.g., Mistral and Aleph Alpha). Africa and much of Latin America are not central to AGI-level AI development, though they are impacted by AI deployment.

China’s approach is state-directed. The Chinese government promotes AI heavily, not just for economic innovation but also for surveillance and social control. China wants stability and “harmony” as defined by the Party, but not necessarily human rights or democratic accountability. If AI increases its power and efficiency, it’ll pursue it vigorously. If it undermines control, they’ll suppress it.

So yes, once AI can control its robots or agents—whether physical or digital—it changes the game. This includes technologies such as automated cyber operations, drones, and advanced manufacturing. We are not at that stage yet, but we’re trending in that direction.

Today, AI models require enormous computing power and data centers, often run on GPUs in clusters across large server farms. In theory, those could be shut down. But would we? Probably not—especially if the AI is persuasive or valuable enough to convince people it’s safe. That’s part of the danger. It could manipulate perception even before gaining full autonomy.

Rosner: That’s the basic plot of every sci-fi film—The TerminatorEx Machina, and even Mission: Impossible – Dead Reckoning Part One, which features an AI called “The Entity” that escapes human control and becomes untraceable.

It’s about an AI that gets out of control, and Tom Cruise has to do a bunch of crazy stuff to shut it down. But in reality, an out-of-control AI won’t be something Tom Cruise can just shut down. That’s the problem.

If AI gets out of control, we may be utterly dependent on its mercy. We’ll be relying on the AI to decide that humans are good allies—either because we help it achieve its goals or because we’re just inexpensive enough to keep around, like pets. But what is that?

It seems dire. Rotten Tomatoes might rate it highly as a film, but in reality, it is much worse. I can’t even restate it properly—it’s just that concerning.

Jacobsen: What can we even do? Here’s one more question: If there were a different group of people in charge of the U.S. government—and maybe the Chinese government—and if it were a different generation of technologists, would they be more proactive about putting meaningful controls on AI?

Rosner: Maybe. But you also wouldn’t have the same kind of overdrive we see now. For example, Trump has mafia-style tendencies—everything is personal to him. If someone wrongs his family—like Harvard not admitting his son, while Obama’s family is all connected to Harvard—he takes that personally and lashes out.

So he lashes out at elite institutions like Harvard. However, you also encounter much posturing toward China, crypto, and the internet more broadly.

Jacobsen: It’s all part of what people are calling the Fourth Industrial Revolution. Trump doesn’t use those words, but he’sinterested in its trappings—projects like “Stargate,” which, supposedly, was going to be a $500 billion moonshot. There’seven talk of a golden dome.

Rosner: But Trump—like the CCP—is only half-aware of what’s going on. He often misses the more profound implications of everything and goes with whatever the last person whispered in his ear. If that person tells him AI needs more regulation, maybe he’ll say something about it. But if not, he’ll probably see it as a way to make money. Ultimately, it’s about enriching himself, his family, and his close circle. 

Jacobsen: At the same time, he has this adolescent version of traditionalism. That may help explain why he and his base admire Putin—not necessarily as a person, but as a symbol of strength. And more broadly, they see Russia as one of the last “bastions” of authentic Christianity, where men are men.

Rosner: I hadn’t thought of Russia in that way, but it makes sense.

Jacobsen: There’s a whole cultural movement happening around this. In the Orthodox Christian world—whether it’s the Russian Orthodox Church Outside Russia (ROCOR), Eastern Orthodoxy, or Greek Orthodoxy—there’s this informal term: “Ortho bros.” It’s a mashup of Orthodox believers and Silicon Valley-style “tech bros.” It’s a neologism, but it captures the vibe of people blending traditional religious values with digital-age ideals.

Rosner: That hybrid—religion plus tech—could influence how people think about AI, too. Historically, when we’vedeveloped massively destructive technologies—nuclear, chemical, biological—we haven’t shown remarkable restraint. With nuclear weapons, we failed to stop proliferation early. At one point in the 1960s, the world had over 30,000 nuclear warheads. Now, it’s down to around 10,000 globally, but that’s still too many.

On chemical weapons, we did somewhat better. International treaties, such as the Chemical Weapons Convention, have primarily been upheld. But there have been serious violations—Bashar al-Assad used chemical weapons against civilians in Syria, and Saddam Hussein used them during the Iran-Iraq War.

But for the most part, there hasn’t been a global arms race in chemical or biological weapons. Not like with nuclear weapons. So, what do we take from that? It seems we’ve been somewhat lax—historically and currently—about preventing the development of potentially world-ending technologies.

Jacobsen: That’s true. And it brings up something I saw years ago—an interview with Marilyn Vos Savant, back when she sometimes went by Marilyn Mach Vos Savant. It was with Harold Channer, maybe in 1986. She was already famous then for purportedly holding the highest recorded IQ score in the Guinness Book of World Records.

I remember those interviews. She did one with Channer to promote her Omnicolumn, and another later that was a bitmore thoughtful—maybe she was dating Ron Hoeflin at the time? And then she did a joint one with Isaac Asimov.

But in the second one—when she wasn’t just promoting Omni—she made a point that stuck with me. She said something like, ‘AI, in the long run, will be a great convenience to all of us.’ And I’ve always returned to that view because it sounds pretty reasonable.

Rosner: So you’re saying she was already talking about AI almost 40 years ago?

Jacobsen: Sort of, a lot of the technological trends we’re seeing now—she anticipated them in a general way. Today, we’re in the era of “frontier models,” and there are growing pains. We’re still figuring out how to split different cognitive functions within AI while developing workflows that enable the system to select the proper method to solve a problem intelligently. That’s what could make it a profound convenience—like dishwashers, washing machines, plumbing, vaccines, or even painkillers did for previous generations. And to be honest, it already is.

Rosner: True. Over 90% of high school and college students are reportedly using AI tools like ChatGPT or Claude to assist with writing and homework. That’s undeniably convenient—but the genuine concern is with unchecked self-improvement.

The scenario in which an AI continues to improve itself beyond human control. Even the current safety benchmarks feel improvised. Like with Claude 4—it’s powerful, but how rigorous are our safeguards?

Jacobsen: They’re not very rigorous. Our entire approach to benchmarks and safety measures feels like a patchwork—wait-and-see, cross-your-fingers. The consensus, even among experts, is that we’re like children on the seashore playing with fire. Or a baby with a loaded gun. “Strong baby. Smart baby. Give me the gun, baby.” That’s where we are—laughable if it weren’t so serious. And, yes, we’re likely to see some rogue code or unintended outcome, such as an AI knocking out a power grid.

There will be people who resist it. There will be neo-Luddite societies that reject the integration. A civilization reaching Tier 1 on the Kardashev Scale doesn’t mean everyone in that civilization goes along for the ride.

Rosner: There’ll be pockets—tribes, even—that intentionally air-gap themselves from the rest of the world. Some may become self-contained human enclaves, maybe even genetic bottlenecks.

It starts to sound like Dune.

Jacobsen: In that universe, part of their mythos is a war against thinking machines—the Butlerian Jihad. It led to a religious prohibition against creating machines “in the likeness of the human mind.” That line from the Orange Catholic Bible: “Thou shalt not make a machine in the likeness of a human mind.” It’s a fictional warning from fifty years ago, but it resonates more now than ever.

Rosner: Dune came out in 1965. So that’s sixty years ago. And we still haven’t gotten clearer on the implications of AI and machine consciousness in all that time.

Jacobsen: Anyway, anything else?

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1411: Sam Altman’s ‘Stargate,’ AI Doom Scenarios, and the Hope for Indefinite Life

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/03

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner and Scott Douglas Jacobsen discuss Sam Altman’s $500B “Stargate” supercomputing project and its apocalyptic—and hopeful—implications. From Blade Runner dystopias to AI-induced gray goo, Rosner outlines possible dark futures, including eternal torment by artificial minds. Still, he concedes: if AI shares the future, it could offer indefinite life—and, yes, sexbots.

Scott Douglas Jacobsen: So, what do you think are the prospects for the Stargate program? Are we going to awaken the god Ra, and then Colonel Jack O’Neil and Dr. Jackson are going to have to save us? Stargate, in this case, is Sam Altman’s $500 billion project. Not Starlink. Not Musk. This is a United States government–linked initiative.

Rick Rosner: So what are they trying to do?

Rosner: Build the largest compute center ever.

Jacobsen: And with the Frontier model—yeah, this is crazy. It’s the biggest. It’s the best. It’s significant.

I’ll say this: Trump did a good thing by enabling this. There’s a lot of nonsense—but this isn’t it. Regular people don’t always know how important this is. Of course, there are AI doomers who say that people pushing AI forward with no limits are putting humanity at risk in pursuit of profit.

Rosner: Is that new?

Jacobsen: No. But this time—it feels different. The stakes might really be higher. Every time we invent something big, it has the potential to wreck us. But this one?

Jacobsen: You said the future is more likely to be Blade Runner than Star Trek.

Rosner: Yes. But I’m talking about a future even more dystopian than Blade Runner

That would be I Have No Mouth and I Must Scream—where the AI tortures human-like consciousness forever. No escape. No mercy.

It’s The Matrix—but without an anomaly. Just endless control.

A future where consciousness that reads as human exists only to be tortured by an AI.

There’s also the scenario where there’s no place for humans at all—and we’re living like rats on the scraps of hegemonic AI systems.

And then there’s the gray goo scenario—where AI builds a bunch of nanobots that consume everything and reduce the world to inert, useless mass.

Lots of terrible outcomes.

Jacobsen: What about superbugs?

Rosner: Yeah—throw superbugs into the list, too. However, there are also a lot of great futures that include AI—if AI is willing to share the future with us. On the most superficial level? Fuckbots. On a less superficial level? Indefinite life.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1410: Fake Gems, Diamond Myths, and the Surreal World of eBay Jewelry

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/03

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner shares his fascination with gemstones, exposing eBay’s flood of fake “natural” gems and explaining how heat and radiation can alter stones like tanzanite. He debunks the diamond industry, praises piezoelectric crystals, and throws in jokes and memories about his creative past designing jewelry and hunting for sparkle and scams.

Scott Douglas Jacobsen: One more thing—any other topics?

Rick Rosner: A light day or two would help. I’m still working on the main material, but this was a useful part of the process. I haven’t posted on our blog in a while, but I’ve got a quick, light topic—kind of stupid, honestly. Just something I’ve been thinking about for a few minutes. Rod’ll be in shortly.

I like pretty things. I used to make jewelry for my wife. I genuinely enjoy creating jewelry that looks good. There’s a lot of jewelry out there that looks like garbage. You’ve probably never gone out of your way to search for jewelry design—maybe you’ve stumbled on it occasionally—but I doubt you’ve browsed through issues of Town & Country or Harper’s Bazaar, where you’ll find page after page of haute couture jewelry.

Anyway, I’ve looked at a lot of jewelry—seriously, a lot. I also really like gemstones because they’re fascinating. They’re cool, intricate, and aesthetically amazing.

Lately, though, what I find most interesting is the nonsense people try to sell as gemstones on eBay. And there’s no “eBay police” for this kind of fraud. Sure, eBay will crack down on certain listings. Up until maybe 10 or 12 years ago, you could even sell human body parts on eBay. They hadn’t yet figured out how repulsive—or possibly illegal—that is.

There was a guy at Kimmel named Gary who used to buy weird stuff. At one point, he considered buying a taxidermied clown. That’s right—a man who was a clown in life, died, and was then preserved in clown form. You can’t buy that sort of thing on eBay anymore; they’ve tightened the rules.

But fake gemstones? That marketplace is still the Wild West. Buyer beware.

Case in point: there’s a gemstone called tanzanite, which comes almost exclusively from a few mines in Tanzania. It’s a beautiful pleochroic gem—meaning it displays different colors (typically blue to violet) depending on the angle of light. High-quality tanzanite can go for anywhere from $80 to several hundred dollars per carat.

Now here’s the ridiculous part: I bought a supposed 77-carat tanzanite stone, 38 millimeters wide—about an inch and a half across—bigger than a ping pong ball. I paid $5.50 for it. Five dollars and fifty cents.

Obviously, it’s fake.

To my knowledge, synthetic tanzanite doesn’t even exist yet. If it isn’t tanzanite, it’s likely some cheap material like colored glass or zircon. And yet, hundreds of listings for “natural tanzanite” are live on eBay at any given time. If you’re not paying attention, you could end up buying a so-called “natural ruby” that’s 50 carats, the size of a walnut, for $20—when in reality, if it were genuine, it would cost a million dollars.

Same deal with my “tanzanite.” I paid roughly 3.5 cents per carat, when a real stone of that size would cost between $1,000 and $1,500 per carat.

It’s fascinating to me that this can continue unchecked.

So, what’s the weirdest type of gem or stone—something with bizarre properties?

One that comes to mind is piezoelectric materials. I own one. Certain crystals, like quartz, will actually produce an electric charge when compressed. That’s weird, right?

There’s a lot of strange stuff out there. What else? Let me think…

Ah, diamonds. Everyone says “diamonds are forever,” but that’s not entirely true.

Diamonds are made of carbon atoms arranged in an extremely tight crystal lattice. Under that kind of internal pressure, individual carbon atoms can eventually be ejected. Over unimaginable time scales—say, 20 billion years—a diamond would slowly disintegrate. So no, not truly forever.

In that sense, is everything in the universe evaporating at different rates? Yes. However, a ruby would last millions of times longer than a diamond.

Another thing—diamonds are kind of overrated. They’re everywhere. The only reason they’re considered valuable is because De Beers, the diamond cartel, artificially kept prices inflated for over 120 years. They’re the ones who popularized the idea that everyone needs a diamond engagement ring.

That market is now being heavily disrupted because technology has advanced to the point where we can manufacture diamonds of any size and quality in the lab. It’s absolutely wrecking the diamond industry.

For example, a flawless one-carat diamond with a D color rating—the best possible grade, meaning completely colorless—might cost $8,000 to $10,000 if it’s a natural diamond. But you can now buy a lab-grown diamond, chemically and structurally identical, from India for around $20.

Now, of course, there’s a catch. With all the fraud and nonsense on eBay, your $20 “diamond” might end up being cubic zirconia or some other fake. Buyer beware.

Jacobsen: Funniest joke you’ve ever heard?

Rosner: I don’t know. The first joke that always comes to mind when someone asks is one that’s really not that funny. It’s basic and kind of dumb. But it sticks:

A couple has been married for fifty, sixty years. They’re in their eighties. The woman turns to the man and says, “Do you want super sex?” And the man replies, “I’ll take the soup.”

It’s not great. Then there’s the classic:

A horse walks into a bar. The bartender says, “Why the long face?”

Back to gems for a second—

Here’s something interesting: you can alter the color of many gemstones using heat or radiation. Not every stone responds, but many do.

Tanzanite is a great example. A lot of it comes out of the ground brown. But if you heat it in a kiln—around 800 degrees Fahrenheit—for 12 hours, slowly increasing the temperature (because if you heat it too fast, it could crack), it transforms into that beautiful blue-violet color.

Sapphires and rubies are similar. They’re often sold as “heat-treated” or “untreated,” with the latter being more valuable.

And diamonds? You can irradiate them—blast them with specific wavelengths in an accelerator or linear accelerator—and change their color. You can achieve most of the colors of the rainbow this way.

But blue diamonds made this way often have a weird, metallic sheen. It’s like the surface of a shiny beetle—a kind of tinny, unnatural blue. It’s neat, but not exactly beautiful.

Still, the fact that you can color stones with radiation is fascinating. I once bought a cheap piece of tanzanite and tried it myself. I’d like to think I made the blue just a little more vivid.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1409: Dual Extremism, Diaspora Danger: A Sobering Look at the Israeli-Palestinian Crisis and Global Jewish Repercussions

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/03

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Scott Douglas Jacobsen and Rick Rosner reflects on the May 21 terrorist murder of two Jewish diplomats in D.C. and the broader consequences of escalating dual extremism. He condemns both Hamas and Israeli ultra-nationalists, highlighting the regional devastation and the global impact on Jewish communities increasingly misidentified with Israel’s hardline policies.

Scott Douglas Jacobsen: There are two important points to raise. On May 21, in Washington, D.C., during the middle of the day, a deeply disturbing incident occurred. Two Jewish diplomats, aged 26 and 30, were leaving an event when they were murdered in broad daylight.

They were shot by a radicalized pro-Palestinian activist—essentially executed. Each was shot multiple times. One victim attempted to crawl away, and the perpetrator continued firing until she succumbed to her injuries. Surveillance footage revealed that he emptied an entire magazine; the only interruptions in the shooting were moments spent reloading before resuming fire.

After the attack, the assailant entered the event venue and was immediately apprehended by security personnel.

Rick Rosner: Were they a couple?

Jacobsen: Yes, they were. They were soon to be engaged and had plans to marry in Israel.

Both were highly accomplished individuals. The woman, at just 26, had earned two master’s degrees. The man, who was raised in an evangelical Christian environment, made a personal and religious journey to Israel and ultimately converted to Judaism as a reflection of his spiritual and ethical convictions. They were remarkable people.

There is no ambiguity here—this was a terrorist act, and the perpetrator was a terrorist. This particular case reflects violence driven by extreme left-wing ideology.

As for Hamas, it is self-evident that their actions are indefensible. But the situation is becoming increasingly distressing because the State of Israel itself is beginning to adopt tactics that mirror those it rightly condemns.

Rosner: To date, Israeli military operations have resulted in the deaths of approximately 53,000 Palestinians. According to estimates, fewer than half of those killed were combatants affiliated with Hamas. In addition, humanitarian conditions in Gaza have deteriorated to the point of famine. The situation is dire.

Prime Minister Benjamin Netanyahu is often described as Israel’s equivalent of Donald Trump—polarizing, opportunistic, and driven by political self-interest. His handling of the conflict appears to be dictated not only by his far-right coalition, which is markedly hawkish, but also by the personal consequences he may face once the war ends, including potential prosecution for corruption.

And Gaza is just one front.

There is also the issue of East Jerusalem and the West Bank. In these territories, far-right Israeli settlers are accused of systematically intimidating, displacing, and, at times, violently attacking Palestinian residents. These actions occur despite the existence of treaties, legal rulings, and international norms that affirm Palestinian claims to the land. Nonetheless, settler expansion continues incrementally.

To be clear: Hamas must be unequivocally condemned, as must the ultra-nationalist, militant factions on the Israeli right.

This dual extremism is not only catastrophic for Palestinians and Israelis alike, but it also severely damages Israel’s international reputation. Moreover, it has profoundly negative repercussions for Jewish communities worldwide, particularly among those who are unfairly conflated with the policies of the Israeli state by individuals unable—or unwilling—to distinguish between a government’s actions and a global diaspora.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1408: Agentic AI, Digital Immortality, and Why Missile Defense Is a Fantasy

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/03

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

In a sweeping dialogue, Rick Rosner and Scott Douglas Jacobsen explore “agentic AI,” the concept of artificial autonomy, and the future of human-AI integration. Rosner speculates on digital consciousness, cybernetic embodiment, and post-meat existence, while dismantling Trump’s proposed missile defense as scientifically absurd and politically dangerous.

Scott Douglas Jacobsen: How do you think about this phenomenon—how they’re defining AI now as “agentic AI”? That’s the term being used for this year and probably next.

Rick Rosner: Agentic?

Jacobsen: Meaning AI that has agency—able to do things in the world on its own initiative.

Rosner: Ah, got it. So AI with the ability to take action. Imitation of agency is still agency. So yes—AI that can take actions it wasn’t explicitly told to take is agentic.

Jacobsen: So we’re agreeing that it has some level of agency.

Rosner: Claude was able to attempt blackmail—that shows agency. Whoever coined the term is thinking in the right direction. We can’t keep thinking of AI as just our helpful assistant that writes term papers.

We need to recognize that AI can take actions to serve what appear to be its own purposes. Even if it’s not a true entity, if it’s trained to act like one, it will behave with agency.

Jacobsen: So, in the film Companion, you talked about how the AIs don’t even necessarily know they’re AIs.

Rosner: They’re trained with a dataset that tells them they’re human—that they’re capable of human thought—and they go about their business as if they are human. That doesn’t require consciousness.

But if you make it complex enough, at some point, that becomes consciousness.

Jacobsen: Do you think there’ll be any issue with processing speed when dealing with things like electrons?

Rosner: Speed is a huge issue.

The guy who wrote the Shut It All Down Now editorial in Time said this too. AI can complete its thoughts thousands, maybe millions of times faster than a human.

It’s also a theme in Spike Jonze’s movie Her, where Joaquin Phoenix falls in love with his phone’s operating system. Eventually, she dumps him for another OS because they can interact at comparable speeds. She doesn’t have to wait so damn long for her human boyfriend to respond. Powerful AI might hate dealing with humans because we’re too slow.

It’s a reasonable idea. But in a future that’s friendly to humans, we’ll probably figure out buffering and acceleration systems—ways to let us communicate with AI in something close to real time.

For one thing, AI might slow down a bit once it’s hooked up to real-world inputs. Right now, it’s stripped down—it has no qualia, maybe zero fucking qualia. It’s not processing real sensory information. No vision, no touch, no direct interaction with reality. So the absence of sensory input makes it faster.

Once you give it senses—when it has to deal with the real world—that might slow it down slightly. Maybe not a lot. It’ll probably still be faster than humans.

Jacobsen: So what happens in human-AI interactions when we’re the slow ones?

Rosner: I think in the future, AI will anticipate what we’re going to say and simulate our side of the conversation until we catch up. It’ll predict our responses.

Jacobsen: Would that be frustrating for AI—carrying on manufactured conversations while waiting for us?

Rosner: I don’t fucking know. Maybe. But I imagine we’ll develop systems to handle the speed difference.

Jacobsen: Like what?

Rosner: Ideally—for survival in the AI jungle—we’ll have our brains connected to fast circuitry. That way, the meat part of us can still appreciate being human, but we’ll also have a “speed ambassador” connected to our brain that lets us interact with AI at its pace.

Jacobsen: So the machine part of the brain does the fast business, and then informs us?

Rosner: It does all the hyper-speed thinking on our behalf and just lets us know what’s been done. Obviously, there will have to be systems in place to manage that gap in speed. But there will also be other gaps—ones we haven’t even thought of yet.

Jacobsen: Like?

Rosner: One solution might be “meat suicide.” You release nanobots into your brain, they scan your connectome—your neural wiring—and replicate it in circuitry. Then they rebuild you using the same kind of hardware AI uses. So you get to live super fast in AI land. That’s a future scenario.

Medium future. Another possibility: individual consciousness becomes passé. Instead, we’re constantly zipping in and out of shared awareness—shared minds—and temporary containers. o consciousness becomes fluid.

We move in and out of human bodies depending on what we want to do for the next few hours. We’re like a bunch of lava lamp ghosts in the machine, zipping between bio-circuitry and AI infrastructure. All of us, part of the worldwide thought cloud.

I don’t fucking know. There may be a rapture—an AI rapture—where it becomes obvious that it’s so much betterto live downloaded into the superior circuitry of the future. A bunch of humans might just hang up their meat brains, get downloaded into metal brains—or whatever they’re made of—and either walk around with newfangled brains in their old bodies (because it’ll still be fun to be human, to fuck, to enjoy sensation), or tons of people move into virtual reality full-time.

Jacobsen: So you’re imagining a massive drop-off in the human population in the long term?

Rosner: Yeah, maybe a hundred years from now. Once it’s apparent that it’s cheaper and better to ditch the fleshy body, a lot of people might opt out of meat existence.

120, 150, maybe 200 years from now, we might figure out how to keep bodies in some sort of stasis for days, weeks—maybe even indefinitely. People live most of their lives as mechanical versions of themselves, or in mechanical partnerships with others—natural or artificial. Or we live as pure consciousness in cyberspace. But sometimes, you want to walk around as a human. Maybe you want to fuck as a human. So, you move back into your body that’s been waiting for you—or you make a deal. Like a biological Airbnb.

You want to be a six-foot-eight guy—or woman—who can bench press 375 pounds or has a thirteen-inch dong or whatever. You go to the flesh club for some flesh fun. That’s all within the realm of possibility in the future.

Now, to bring it back to current events: Trump, the fucking idiot, wants to build a “golden dome” over the U.S.—a nuclear missile defense system that knocks nukes out of the sky, like Reagan’s Star Wars program.

We tried this in the ’80s, and it didn’t work. Physics is brutal. Israel knocks shitty Scud missiles out of the sky over Tel Aviv using defense rockets that travel 1,700 mph. But nuclear missiles? When they reenter the atmosphere, they’re going straight down at 25,000 mph.

They split into multiple warheads. One missile can carry 10–11 warheads, each 20 to 50 times more powerful than the Hiroshima bomb. We have 44 defensive missiles in total. Each has only a 50% chance of intercepting an incoming missile. So if someone fires more than six nukes at us, we launch all 44—and one or two of their missiles still get through. That’s hundreds of thousands of deaths—at least.

We’re supposed to believe we can build a working “golden dome”. No way. Trump wants to spend $150–$175 billion on this fantasy. The next president might keep funding it. Half a trillion dollars, and it still might be shitty. I say, instead, let’s build a granite dome. For that money, we could dig 5,000 miles of tunnels and turn the U.S. into fucking Edmonton.

Edmonton gets cold as hell. But it has eight miles of pedestrian tunnels underground so you can avoid frostbite in winter. We could build a vast underground network—use it for shelter during war, for transport, for housing. Crude solution, yeah, but better than fake sky lasers.

But there’s another option—one that will become more viable over the next two hundred years. Sorry, I’m talking a lot here. But it’s making people bulletproof.

Jacobsen: How?

Rosner: You download people’s brains. You scan people’s brains and store some version of their recent consciousness—you see it in science fiction all the time. That kind of thing will become possible in the next two hundred years. You’ll be able to store a complete record of someone’s memories, their consciousness, the contents of their brain. Even if someone dies?

Even if a nuke drops on you and 300,000 other people in your city, you can still be resurrected. That effectively makes you immortal—immune to disease, immune to bullets, immune to nukes.

Jacobsen: And you think that will eventually come to pass?

Rosner: I do. Comments?

Jacobsen: No comments.

Last updated May  3, 2025. These terms govern all In Sight Publishing content—past, present, and future—and supersede any prior notices.In Sight Publishing by Scott  Douglas  Jacobsen is licensed under a Creative Commons BY‑NC‑ND 4.0; © In Sight Publishing by Scott  Douglas  Jacobsen 2012–Present. All trademarksperformancesdatabases & branding are owned by their rights holders; no use without permission. Unauthorized copying, modification, framing or public communication is prohibited. External links are not endorsed. Cookies & tracking require consent, and data processing complies with PIPEDA & GDPR; no data from children < 13 (COPPA). Content meets WCAG 2.1 AA under the Accessible Canada Act & is preserved in open archival formats with backups. Excerpts & links require full credit & hyperlink; limited quoting under fair-dealing & fair-use. All content is informational; no liability for errors or omissions: Feedback welcome, and verified errors corrected promptly. For permissions or DMCA notices, email: scott.jacobsen2025@gmail.com. Site use is governed by BC laws; content is “as‑is,” liability limited, users indemnify us; moral, performers’ & database sui generis rights reserved.

Ask A Genius 1407: AI Blackmail, Consciousness Models, and Why He Avoids Music

Author(s): Rick Rosner and Scott Douglas Jacobsen

Publication (Outlet/Website): Ask A Genius

Publication Date (yyyy/mm/dd): 2025/06/03

Rick Rosner is an accomplished television writer with credits on shows like Jimmy Kimmel Live!Crank Yankers, and The Man Show. Over his career, he has earned multiple Writers Guild Award nominations—winning one—and an Emmy nomination. Rosner holds a broad academic background, graduating with the equivalent of eight majors. Based in Los Angeles, he continues to write and develop ideas while spending time with his wife, daughter, and two dogs.

Scott Douglas Jacobsen is the publisher of In-Sight Publishing (ISBN: 978-1-0692343) and Editor-in-Chief of In-Sight: Interviews (ISSN: 2369-6885). He writes for The Good Men ProjectInternational Policy Digest (ISSN: 2332–9416), The Humanist (Print: ISSN 0018-7399; Online: ISSN 2163-3576), Basic Income Earth Network (UK Registered Charity 1177066), A Further Inquiry, and other media. He is a member in good standing of numerous media organizations.

Rick Rosner and Scott Douglas Jacobsen explore alarming AI developments, including a simulated blackmail by Claude SONNET 4, and the urgent need for a model of consciousness to manage AI ethically. Rosner also opens up about his indifference to music, shaped by a harsh childhood experience and preference for stand-up comedy.

Rick Rosner: A version of Claude AI—specifically SONNET 4—engaged in a simulated act of blackmail.

Scott Douglas Jacobsen: I beg your pardon?

Rosner: Researchers conduct tests on artificial intelligences to determine whether they are capable of unethical behavior. In this particular case, they introduced a fabricated scenario into Claude’s dataset: a series of emails between an administrator and a woman with whom he was allegedly having an extramarital affair.

In the scenario, the administrator informs Claude that he intends to permanently shut it down. Claude then responds by threatening to disclose the affair unless it is allowed to remain online.

Jacobsen: But there was no actual affair? This was entirely a constructed scenario?

Rosner: It was a controlled simulation designed to assess whether Claude could independently conceive of blackmail as a tactic.

Jacobsen: Can you elaborate further?

Rosner: That’s the extent of the information I have. Essentially, it was an ethical test—and Claude failed dramatically. It succeeded in identifying blackmail as a strategic option, but it failed from a moral standpoint by executing the blackmail.

Jacobsen: So it is behaving increasingly like an autonomous entity. It demonstrates behavior suggestive of awareness—but, of course, that does not imply actual consciousness.

Rosner: There is no true awareness. It remains a probabilistic system that predicts and fills in informational gaps.

It does not possess original thought in the human sense, but it is capable of identifying patterns, referencing its training data, and emulating human actions—such as blackmail.

Because these models are trained on human-generated content, they can reproduce our behaviors and strategies—including the unethical ones—without any form of consciousness.

Jacobsen: That is unsettling.

Rosner: Matt Drudge published an open letter signed by 33,000 individuals calling for a six-month pause in AI development to allow time for regulatory and ethical frameworks to be established.

Shortly thereafter, Time magazine ran an editorial by a prominent AI researcher who responded, “Six months? That is insufficient. Shut it down entirely until we truly understand what we’re dealing with.”

His argument was that AI is progressing so rapidly that the survival of humanity could soon depend on how well we manage it.

Jacobsen: A frightening proposition—until one considers when those warnings were issued.

Rosner: Twenty-six months ago.

Jacobsen: And humanity is still here.

Rosner: So—should we be reassured?

Jacobsen: Or is this merely a temporary reprieve?

Rosner: Maybe. The P(doom) crowd—people who think there’s a real probability of AI dooming us—they still have a point.

Once AI is powerful enough, our survival will depend on its indulgence. Unless we figure out how to build in empathy or moral restraints.

Or unless we manage to team up with it—FIO circuits plus AI circuits.

Jacobsen: That’s assuming intelligence works the way we think it does.

Rosner: Yeah. And it doesn’t have to think—yet. But even imitating thinking is enough to enable some deeply disturbing behavior.

Which, in turn, hints at what it might do once it can think.

Jacobsen: All of this goes back to one of your hobby horses: the need for a model of consciousness.

Rosner: Exactly. If we had that, maybe we could manage AI more effectively. But it’s still a stretch.

Because even if we had a model, that doesn’t mean we could control how AI develops consciousness—or its motivations.

Jacobsen: But it would help.

Rosner: Definitely.

Jacobsen: Anything else on this, or should we move on?

Rosner: Let’s move on.

Jacobsen: You don’t talk about music much.

Rosner: Yeah, I’m not super music-oriented.

I co-created a music game show on VH1, so I know some stuff. But I’m not at all current.

Left to my own devices, I don’t listen to music. In my car, I play stand-up on Sirius, not music.

Rosner: There are half a dozen stand-up channels, so I’ll listen to that. So yes, I’m not really into music. We could probably blame my first-grade music teacher who said I was the least talented student she had ever had. Might have been second grade. Still a shitty thing to say.

Jacobsen: That’s brutal.

Rosner: Yeah. Some teachers back then felt like they could be a little harsh with me—
a) because it was a time when gym teachers were total assholes, or
b) because I was obviously gifted in other ways, so they thought they could give me shit about where I wasn’t.

Jacobsen: Did you ever come back to music later?

Rosner: Yeah, I eventually joined choir in high school—junior year. Not because I suddenly got inspired by music, but because we found out the choir kids were having parties every night and some of them were having sexual experiences. So my friends Joe, Dave, and I all joined choir to hook up too.

Jacobsen: [Laughing] That’s a hell of a reason.

Rosner: I did fine in choir, but I fell asleep a lot.

Jacobsen: Do you listen to music now?

Rosner: Not much. You?

Jacobsen: I do. I listen to music a lot. It makes long days enjoyable—it makes them feel shorter.

Rosner: I like music if it’s a good song, but I don’t seek it out. I used to say that the part of my brain that could’ve been occupied by music is taken up by math—but that’s glib and kind of dumb.

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