Eddie Griffin and 50 Cent: Brief Thoughts on Rap
Author(s): Scott Douglas Jacobsen
Publication (Outlet/Website): The Good Men Project
Publication Date (yyyy/mm/dd): 2023/12/11
As the evening sun dipped below the horizon, I found myself winding down from a day’s work at the ranch. Amidst organizing a disheveled mound in a horse stall and clearing leaves and debris into a corner for disposal, my mind, quite unexpectedly, veered towards the realm of rap, hip-hop, and R&B – genres I hold in high regard.
This mental journey was sparked by a humorous yet astute observation made by comedian Eddie Griffin about the world of hip-hop. He had once dissected the distinctions within the genre, focusing particularly on ‘gangster rap’ and its inherent contradictions. As I scooped debris into wheelbarrows, Griffin’s words echoed in my thoughts.
Griffin humorously pointed out the oxymoronic nature of ‘gangster rap.’ True gangsters, as he noted, abide by a code of silence, a stark contrast to rappers whose art form is rooted in expression and, often, verbosity. This irony was not lost on me as I worked; the quiet of the ranch seemed to underscore his point. “If you’re a gangster, the first rule is ‘silence,’” Griffin had quipped. “But if you’re a rapper, you talk too fucking much!”
This reflection led me to consider 50 Cent’s take on rap as a predominantly black art form, “without question.” Yet, he acknowledges the challenge some face in accepting that a white artist like Eminem might excel or even outshine his black counterparts in this genre. It was a candid admission of the complex racial dynamics within hip-hop, an art form that constantly defends itself against stereotyping and strives for legitimacy in American culture and beyond.
Hip-hop has always been more than just music; it’s a narrative of struggles, triumphs, and the resilience of a culture. It’s an art form that adapts and confronts the difficult internal circumstances of race, all while justifying itself to what Paul Mooney termed “White America” and a global audience that often imitates black American culture more than any other, “Bar None.”
As I finished my chores and gazed at the quiet night sky, I couldn’t help but appreciate the depth and complexity of hip-hop. It’s a genre that, much like the chores of the ranch, requires hard work, understanding, and an appreciation of the nuanced layers that compose its essence.
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